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book (6)


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An artless art : The zen aesthetic of Shiga Naoya : a critical study with selected translations
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ISBN: 1873410646 Year: 2007 Publisher: London Routledge

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Abstract

志賀直哉
Author:
ISBN: 4000029401 400002941X Year: 1994 Publisher: 東京 岩波書店

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Shiga, Naoya --- 志賀直哉

The shiga hero.
Author:
ISBN: 0226756203 Year: 1983 Publisher: University of Chicago press

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Book
Refining nature in modern Japanese literature : the life and art of Shiga Naoya
Authors: --- ---
ISBN: 9780739181034 9780739181027 Year: 2014 Volume: 15 *1 Publisher: Lanham [etc.] Kyoto Lexington Books International Research Center for Japanese Studies (Nichibunken)


Book
Refining nature in modern Japanese literature
Author:
ISBN: 0739181041 9780739181041 9780739181027 0739181025 9780739181034 0739181033 1306408563 Year: 2014 Publisher: Lanham

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This book deepens our understanding of the dynamics between nature and culture in Japanese thought and feeling. The author provides a detailed study of Shiga Naoya's nature-inspired literature as an example of Japanese people's engagement with nature.


Book
Shots in the Dark
Authors: ---
ISBN: 022678424X 9780226784243 Year: 2011 Publisher: Chicago

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In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture. First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.

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