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Du milieu des années 1970 à nos jours, Cindy Sherman a produit une oeuvre photographique quasi intégralement consacrée au portrait, sans jamais recourir à d'autres modèles qu'elle-même. Paradoxalement, c'est en disparaissant derrière ses masques et ses costumes que Cindy Sherman est devenue une icône, bousculant l'idée même d'identité et les frontières enre réalité et fiction.

Sherman, Cindy, --- Sherman, Cindy --- Exhibitions. --- Sherman, Cindy, - 1954 --- -Sherman, Cindy --- -Sherman, Cindy, - 1954-

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Throughout her career, Cindy Sherman (*1954 in Glen Ridge, New Jersey) has been interested in the derailed and deviant sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, and surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography, and society portraiture. This richly illustrated publication seeks to highlight and acknowledge these aspects of her work based on selected examples and accompanied by texts by well-known authors, filmmakers, and artists who likewise deal with the grotesque, the uncanny, and the extraordinary in their artistic practice.(German edition ISBN 978-3-7757-3486-8 Throughout her career, Cindy Sherman (*1954 in Glen Ridge, New Jersey) has been interested in the derailed and deviant sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, and surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography, and society portraiture. This richly illustrated publication seeks to highlight and acknowledge these aspects of her work based on selected examples and accompanied by texts by well-known authors, filmmakers, and artists who likewise deal with the grotesque, the uncanny, and the extraordinary in their artistic practice

sculpting --- sexuality --- psychology --- portraits --- photography [process] --- identity --- Art --- Sherman, Cindy --- hedendaagse kunst --- Photography, Artistic --- Conceptual art --- Sherman, Cindy, --- 77.092.07 --- Sherman, Cindy °1954 (°Glen Ridge, New Jersey, Verenigde Staten) --- Vrouwelijke kunstenaars --- Thema's in de fotografie ; "zelfportretten" met andere identiteit --- Simulation Art --- Fotografen A - Z --- Exhibitions --- Photography, Artistic - Exhibitions. --- Conceptual art - United States - Exhibitions. --- Sherman, Cindy - Exhibitions. --- Sherman, Cindy, - 1954 --- -Photography, Artistic --- -hedendaagse kunst. --- Sherman, Cindy. --- hedendaagse kunst. --- transformatie (kunst) --- -Art --- Bosch, Jheronimus. --- Sherman, Cindy, - 1954-

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Sherman, Cindy, --- 77.092.07 --- Fotografen A - Z --- 7.07 --- 7.01 --- Fotografen ; 1970-2006 ; Cindy Sherman --- Kunstenaars en modellen --- Thema's in de fotografie ; "zelfportretten" met andere identiteit --- Thema's in de kunst ; zelfportretten ; vrouwentypes --- Simulation Art --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Representatie en reproductie in de kunst --- Kunsttheorie ; teksten en essays ; October Files --- Sherman, Cindy °1954 (°Glen Ridge, New Jersey, Verenigde Staten) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Kunst ; theorie, filosofie, esthetica --- Photographic criticism --- Photography --- Photography criticism --- Criticism --- Sherman, Cindy --- Criticism and interpretation. --- Sherman, Cindy, - 1954 --- -Photographic criticism --- -Sherman, Cindy, - 1954-

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Photography, Artistic --- Self-portraits, American --- Parody in art --- Feminism in art --- Photographie artistique --- Autoportraits américains --- Parodie dans l'art --- Féminisme dans l'art --- Exhibitions --- Expositions --- Sherman, Cindy --- Exhibitions. --- Criticism and interpretation. --- Sherman, Cindy, --- 77 SHERMAN, CINDY --- Fotografie--SHERMAN, CINDY --- 77 SHERMAN, CINDY Fotografie--SHERMAN, CINDY --- Women --- Women - Portraits --- Sherman, Cindy, - 1954 --- -Photography, Artistic --- Photographie

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Since the 1970s Cindy Sherman (born in Glen Ridge, NJ, in 1954) has caused a stir in the art world with her photographic self-stagings. From the beginning, Schirmer/Mosel has accompanied her rise to international fame that started with her famous series 'Untitled Film Stills'. In 1982 we published the first of eight books of her work to date. Neither her subjects nor her artistic realization acting as the director, photographer, and performer of her motifs have lost their relevance to this day. Quite the contrary: her multilayered examination of themes of identity and social clichés are hot topics in our age of increasingly public gender and transgender discussions. Entitled 'The Cindy Sherman Effect', an exhibition organized by Kunstforum Wien explores the influence of Cindy Sherman's work on artists such as Sophie Calle, Pipilotti Rist, Sarah Lucas, Gillian Wearing, Candice Breitz, Zanele Muholi, Markus Schinwald, Douglas Gordon, Samuel Fosso and many more.

Photography, Artistic --- Art and photography --- 7.049 --- 7.041 --- Sherman, Cindy °1954 (°Glen Ridge, New Jersey, Verenigde Staten) --- Thema's in de fotografie ; "zelfportretten" met andere identiteit --- Vrouwelijke kunstenaars --- Portretten ; zelfportretten --- Photography and art --- Photography --- History --- Iconografie ; verschillende onderwerpen --- Iconografie ; de mens, portretten --- Sherman, Cindy --- Influence --- Art --- identity --- philosophy of art --- LGBT --- Turk, Gavin --- Bonvicini, Monica --- Breitz, Candice --- Krystufek, Elke --- Fosso, Samuel --- Muholi, Zanele --- Rosefeldt, Julian --- Schinwald, Markus --- Schlegel, Eva --- Shah, Tejal --- Trecartin, Ryan --- Wu Tsang --- Gutierrez, Martine --- Maleonn --- Wearing, Gillian --- Calle, Sophie --- Lucas, Sarah --- Rist, Pipilotti --- Tan, Fiona --- Opie, Catherine --- Gordon, Douglas --- LGBTQ+