Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Criticism and interpretation. --- Schönberg, Arnold

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

spreekgezangen --- Schönberg, Arnold --- Stem --- Voice --- Voix --- 526 --- Monografieën componisten --- Schönberg, Arnold. --- Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Constructive Dissonance is an interdisciplinary examination of the historical, aesthetic, and intellectual issues that formed Schoenberg's creative persona and continue to influence our response to the modernist legacy of the first half of this century. The essays of the first section investigate Schoenberg's sense of ethnic, religious, and cultural identity. The second section focuses on specific works and the interplay between creative impulse and aesthetic articulation. The final section, addresses the relationship of Schoenberg's legacy to present-day thought and practice.

Schoenberg, Arnold, --- Schoenberg, Arnold --- -Congresses --- -Schoenberg, Arnold --- Congresses --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Congresses. --- Schönberg, Arnold

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Schoenberg and Redemption presents a new way of understanding Schoenberg's step into atonality in 1908. Reconsidering his threshold and early atonal works, as well as his theoretical writings and a range of previously unexplored archival documents, Julie Brown argues that Schoenberg's revolutionary step was in part a response to Wagner's negative charges concerning the Jewish influence on German music. In 1898 and especially 1908 Schoenberg's Jewish identity came into confrontation with his commitment to Wagnerian modernism to provide an impetus to his radical innovations. While acknowledging the broader turn-of-the-century Viennese context, Brown draws special attention to continuities between Schoenberg's work and that of Viennese moral philosopher Otto Weininger, himself an ideological Wagnerian. She also considers the afterlife of the composer's ideological position when, in the late 1920s and early 1930s, the concept of redeeming German culture of its Jewish elements took a very different turn.

Redemption. --- Schoenberg, Arnold, --- Criticism and interpretation. --- Redemption --- Religion --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Schönberg, Arnold

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Schoenberg's Correspondence with American Composers is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers written between 1915 and 1951, in English and English translation and with commentary. In six chronologically organized chapters, the correspondence first casts new light on Schoenberg's contacts with American composers before 1933, including correspondence with students and champions of his music (Israel Amter, James Francis Cooke, Henry Cowell, Edgar Varèse, and Adolph Weiss among others). The letters after 1933 show how Schoenberg gradually built a network of composer colleagues and friends, among them Mark Brunswick, Oscar Levant, Roger Sessions, Nicolas Slonimsky, Gerald Strang, with whom he discussed compositional ideas, specific musical works and writings, performances and the publication of his compositions. These letters also provide insight into his ideas about teaching in private settings, at the Malkin Conservatory and the University of California. The correspondence of his last years illuminates how the reception of Schoenberg's music in the United States was flourishing and how he attracted a growing number of disciples exploring twelve-tone composition. The book also qualifies the concept of and Schoenberg's association with the Second Viennese School. Schoenberg's Correspondence with American Composers not only illuminates a varied and vivid epistolary style, but clearly demonstrates Schoenberg's far-reaching connections in the American music world [Publisher description]

Composers --- Music --- Correspondence. --- Attitudes --- Social networks --- History and criticism --- Sources --- Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Schönberg, Arnold