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Sexology --- Ethnology. Cultural anthropology --- Sociology of culture --- Sexualiteit in het dans --- Sexuality in dance --- Sexualité dans la danse --- Tango (Dance) --- Social aspects --- Argentina --- Tango (Dance) - Social aspects. --- Tango (Dance) - Social aspects - Argentina. --- Sexuality in dance.
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Sex in dance. --- Male dancers. --- Dance --- Masculinity. --- Sexualité dans la danse --- Danseurs masculins --- Danse --- Masculinité --- Sociological aspects. --- Anthropological aspects. --- Aspect sociologique --- Aspect anthropologique --- Recreation. Games. Sports. Corp. expression --- anno 1900-1999
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Recreation. Games. Sports. Corp. expression --- Music --- Sociology of culture --- Sex in dance --- Sex in music --- Flamenco. --- Tango (Dance) --- Rebetiko --- Dance --- Sexualité dans la danse --- Sexualité dans la musique --- Flamenco --- Tango --- Rebetico --- Danse --- Social aspects --- Social aspects. --- Aspect social --- Sex in dance. --- Sex in music. --- Rebetika --- Sexualité dans la danse --- Sexualité dans la musique --- Developmental psychology --- Theatrical science --- Sociology of the family. Sociology of sexuality --- Greece --- Argentina --- Spain --- Gender --- Masculinity --- Féminité --- Book --- Dancing
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The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity -- a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time.
Recreation. Games. Sports. Corp. expression --- anno 1900-1999 --- Modern dance --- Body image. --- Identity (Psychology) --- Sex in dance. --- Danse moderne --- Image du corps --- Identité (Psychologie) --- Sexualité dans la danse --- Social aspects --- Psychological aspects --- Aspect social --- Aspect psychologique --- Body Image --- Sex in dance --- Social aspects. --- Psychological aspects. --- #SBIB:39A9 --- #SBIB:316.7C211 --- Medische antropologie / gezondheid / handicaps --- Cultuursociologie: dans --- Identité (Psychologie) --- Sexualité dans la danse --- Body image --- Sensuality in dance --- Sexuality in dance --- Dance --- Interpretive dancing --- Modern dancing --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Image, Body --- Imagery (Psychology) --- Mind and body --- Person schemas --- Self-perception --- Human body
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Valued for their sensual and social intensity, Greek dance-events are often also problematical for participants, giving rise to struggles over position, prestige, and reputation. Here Jane Cowan explores how the politics of gender is articulated through the body at these culturally central, yet until now ethnographically neglected, celebrations in a class-divided northern Greek town. Portraying the dance-event as both a highly structured and dynamic social arena, she approaches the human body not only as a sign to be deciphered but as a site of experience and an agent of practice. In describing the multiple ideologies of person, gender, and community that townspeople embody and explore as they dance, Cowan presents three different settings: the traditional wedding procession, the "Europeanized" formal evening dance of local civic associations, and the private party. She examines the practices of eating, drinking, talking, gifting, and dancing, and the verbal discourse through which celebrants make sense of each other's actions. Paying particular attention to points of tension and moments of misunderstanding, she analyzes in what ways these social situations pose different problems for men and women.
Dance --- Sex in dance --- Anthropological aspects --- Greece --- Social life and customs --- 793.3 --- -Sex in dance --- -Bewegingskunst. Ritmiek. Dans. Volksdans --- -Greece --- -793.3 --- -Sensuality in dance --- Sexuality in dance --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- 793.3 Bewegingskunst. Ritmiek. Dans. Volksdans --- Bewegingskunst. Ritmiek. Dans. Volksdans --- -Dance --- Danse --- Sexualité dans la danse --- Aspect anthropologique --- Grèce --- Moeurs et coutumes --- -793.3 Bewegingskunst. Ritmiek. Dans. Volksdans --- Sensuality in dance --- Sexualité dans la danse --- Grèce --- 20th century --- 793.3 Art of movement. Eurhytmics. Dance --- Art of movement. Eurhytmics. Dance
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Designed for students, scholars and general readers with an interest in dance and queer history, "A Queer History of the Ballet" focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of ballet. Presenting a series of historical case studies, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality - of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene. The studies include: the perverse sororities of the Romantic ballet; the fairy in folklore, literature, and ballet; Tchaikovsky and the making of Swan Lake; Diaghilev's Ballets Russes and the emergence of queer modernity; the formation of ballet in America; the queer uses of the prima ballerina; and Genet's writings for and about ballet. Also including a consideration of how ballet's queer tradition has been memorialized by such contemporary dance-makers as Neumeier, Bausch, Bourne, and Preljocaj, this is an essential book in the study of ballet and queer history.
Ballet --- Homosexuality and dance --- Homosexuality in dance --- Sex in dance. --- Dance --- Homosexualité et danse --- Homosexualité dans la danse --- Sexualité dans la danse --- Danse --- History. --- Social aspects. --- Histoire --- Aspect social --- Sociology of the family. Sociology of sexuality --- Theatrical science --- anno 1900-1999
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