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Dutch literature --- serials [publications]

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This book comprises eleven essays by leading scholars of early nineteenth-century British literature and periodical culture. The collection addresses the many and varied links between politics and the emotions in Romantic periodicals, from the revolutionary decade of the 1790s, to the 1832 Reform Bill. In so doing, it deepens our understanding of the often conflicted relations between politics and feelings, and raises questions relevant to contemporary debates on affect studies and their relation to political criticism. The respective chapters explore both the politics of emotion and the emotional register of political discussion in radical, reformist and conservative periodicals. They are arranged chronologically, covering periodicals from Pigs’ Meat to Blackwood’s Edinburgh Magazine and The Spectator. Recurring themes include the contested place of emotion in radical political discourse; the role of the periodical in mediating action and performance; the changing affective frameworks of cultural politics (especially concerning gender and nation), and the shifting terrain of what constitutes appropriate emotion in public political discourse. Jock Macleod is Associate Professor of Literary Studies at Griffith University. William Christie is Professor and Director of the Humanities Research Centre at the Australian National University. Peter Denney is Senior Lecturer in History at Griffith University.

Romanticism --- Serial publications --- Publications, Serial --- Serials (Publications) --- Continuing resources (Publications) --- International Standard Serial Numbers --- Series (Publications) --- History. --- Literature, Modern—19th century. --- Great Britain—Politics and government. --- Emotions. --- Nineteenth-Century Literature. --- British Politics. --- Emotion. --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Literature, Modern --- Europe --- European Politics. --- Gay culture Europe --- Literature --- 19th century. --- Politics and government.

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Serials librarianship --- Serial publications --- Serials librarianship. --- Bibliography --- Methodology --- Methodology. --- Great Britain. --- Periodicals librarianship --- Publications, Serial --- Serials (Publications) --- Anglia --- Angliyah --- Briṭanyah --- Grande-Bretagne --- Grossbritannien --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii︠a︡ --- Wielka Brytania --- Library science --- Continuing resources (Publications) --- International Standard Serial Numbers --- Series (Publications) --- Northern Ireland --- Scotland --- Wales --- Great Britain --- England and Wales --- Velikobritanii͡ --- Förenade kungariket --- Grã-Bretanha --- Igirisu --- Iso-Britannia --- Yhdistynyt kuningaskunta

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This work explores how the aesthetics of the illustrated Victorian novel have evolved from caricatures to realism across the long nineteenth century.The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and - more recently - graphic novels. Golden examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, and Peter Rabbit, and finds new expressions of this traditional genre in present-day graphic novel adaptations of the works of Austen, Dickens, and Trollope, as well as Neo-Victorian graphic novels like The League of Extraordinary Gentlemen. She explores the various factors that contributed to the early popularity of the illustrated book - the growth of commodity culture, a rise in literacy, new printing technologies - and how these ultimately created a mass market for new fiction. While existing scholarship on Victorian illustrators largely centres on the Household Edition of Dickens or the realist artists of the "Sixties", notably Fred Barnard and John Tenniel, this volume examines the lifetime of the Victorian illustrated book. It also discusses how a particular canon has been refashioned and repurposed for new generations of readers.

Illustration of books, Victorian --- Serial publications --- Caricatures and cartoons --- Graphic novels --- Illustration of books --- Book illustration --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Cartoons --- Humorous illustrations --- Illustrations, Humorous --- Pictures, Humorous --- Publications, Serial --- Serials (Publications) --- Victorian illustration of books --- History. --- History --- Art --- Books --- Decoration and ornament --- Pictures --- Caricature --- Wit and humor, Pictorial --- Comic books, strips, etc. --- Fiction --- Popular literature --- Continuing resources (Publications) --- International Standard Serial Numbers --- Series (Publications) --- 76:655.5 --- 76 <41> "18" --- 76 <41> "18" Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--19e eeuw. Periode 1800-1899 --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)