Listing 1 - 10 of 11 | << page >> |
Sort by
|
Choose an application
Painters --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Criticism and interpretation.
Choose an application
Painters --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Criticism and interpretation.
Choose an application
In Seurat and The Bathers the authors discuss the various choices Seurat made with regard to subject, format and technique in preparing this monumental painting. They relate Seurat's working methods - the preparatory oil sketches and drawings - and the painting's physical nature - colour, brushwork and surface - to his academic training, his study of optical theory, the development of his distinctive drawing style, and his early interest in plein-air oil sketching and impressionism. Stylistically, Seurat responded to the French tradition of monumental figure painting and also to contemporary artists, both Salon painters and Impressionists, arriving at a paradoxical but subtle new synthesis. Finally the authors consider the subject matter of the Bathers in relation to other nineteenth-century representations of middle- and working-class life and leisure activities in the Parisian suburbs, particularly at Asnieres.
Seurat, Georges --- -Exhibitions --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Exhibitions. --- CDL --- 75.071 SEURAT
Choose an application
Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, this text traces the painter's involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art.
avant-garde --- Seurat, Georges --- Symbolism (Art movement) --- Avant-garde (Aesthetics) --- CDL --- 75.071 SEURAT --- Art, Modern --- Influence --- History&delete& --- Language --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Criticism and interpretation. --- Aesthetics --- Modernism (Art) --- History
Choose an application
Au moment où les impressionnistes atteignent des prix fabuleux, où Van Gogh et Gaughin remuent les foules, l'oeuvre et la personnalité de Seurat restent encore relativement discrètes. C'est sans doute qu'a la sensibilité à la lumière et aux couleurs qui le rapproche de ses contemporains, Seurat allie une perception toute intellectuelle de la nature du dessin et des exigences de la forme. L'auteur décrit cette vie étonnante en se fondant sur l'analyse minutieuse d'une production extrèmement riche.
Painting, French --- Peinture française --- Seurat, Georges, --- Peintres --- Néo-impressionnisme --- Peintre --- Seurat, Georges Pierre --- 19e siècle --- Peinture française --- Painters --- 75.071 SEURAT --- CDL --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Peintres - France - Biographies
Choose an application
"This revelatory study of Georges Seurat (1859-1891) explores the artist's profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist's approach. Foa contends that Seurat's body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa's analysis also brings to light Seurat's sustained exploration of long-standing and new forms of illusionism in art"--Publisher's website.
Painters --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Visual perception in art. --- Criticism and interpretation. --- Frankrijk.
Choose an application
geschiedenis --- Seurat, Georges --- 19de eeuw --- Frankrijk --- Painters --- Neo-impressionism (Art) --- Biography. --- CDL --- 75.036 --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Painters - France - Biography. --- Neo-impressionism (Art) - France. --- geschiedenis. --- Seurat, Georges. --- 19de eeuw. --- Frankrijk. --- brieven. --- zelfportretten. --- Van Gogh, Vincent.
Choose an application
Dessins (genres) --- Peinture --- Schilderkunst --- Seurat, G. --- Tekenen --- Henry Charles --- Frankrijk --- pointillisme --- kunsttheorie --- schilderkunst --- Seurat Georges --- 75.071 SEURAT --- kunst --- negentiende eeuw --- Artists' preparatory studies --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Henry, Charles, --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Influence. --- Criticism and interpretation.
Choose an application
From 1881 to 1890, Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand chose Asnières, a suburb of Paris, as a site of artistic experimentation. Located on the Seine, Asnières became a popular destination for Parisians thanks to aquatic sports and festivals starting in the 1850s, facilitated by the arrival of new train stations and bridges earlier in the century. This convenient new transportation system had beckoned Parisians to more distant destinations like Argenteuil and Bougival, resulting in the river scenes depicted by Impressionists like Monet and Renoir. At the same time, the idyllic landscape of Asnières increasingly contrasted with the factories appearing on the opposite side of the river. Homing in on the tensions between leisure and work, the avant-garde artists at Asnières sought to capture the feeling of this starkly modern landscape by developing innovative motifs, styles, and techniques that pushed their work in new directions. Offering an unprecedented in-depth look at the work produced by the artists at Asnières, this illustrated volume includes scholarly essays on each of the artists as well as a map detailing the locations where the artists painted. Printed in conjunction with an exhibition of the same title: Art Institute of Chicago, USA (14.05. - 04.09.2023) / Van Gogh Museum, Amsterdam, The Netherlands (13.10.2023 - 14.01.2024).
Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Gogh, Vincent van, --- Seurat, Georges, --- Signac, Paul, --- Bernard, Emile, --- Angrand, Charles, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Fan-kao, --- Fan-ku, --- Fan'gao, --- Fangu, --- Fangu, Wensheng, --- Gogh, Vincent-Willem van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent --- גוך, וינסנט ואן, --- ビンセントゴッホ, --- ゴッホ, --- 梵高, --- Sinʹi︠a︡k, Polʹ, --- Hsi-nieh-kʻo, --- Travel --- Friends and associates. --- Friendship. --- Travel. --- France
Choose an application
Pissarro, Lucien --- Signac, Paul --- Seurat, Georges --- Rysselberghe, van, Theo --- Gausson, Léo --- Cross, Henri-Edmond --- Pissarro, Camille Jacob --- Martin, Henri Jean Guillaume --- Lemmen, Georges --- Toorop, Jan --- Matisse, Henri --- Luce, Maximilien --- Velde, Van de, Henry --- Angrand, Charles --- Dubois-Pillet, Albert --- pointillisme --- schilderkunst --- tekeningen --- Rysselberghe, Théo Van --- Painting --- neo-impressionisme --- painting [image-making] --- Neo-Impressionist --- France --- Neo-impressionism (Art) --- Painting, European --- Drawing, European --- Painting, Modern --- CDL --- 75.071 SEURAT --- Divisionism --- Pointillism --- Art, Modern --- Dots (Art) --- Impressionism (Art) --- Seurat, Georges, --- Sera, Zhorzh, --- Seurat, Georges Pierre, --- Hsiu-la, --- סרא, ז׳ורז׳, --- Exhibitions --- Van Rysselberghe, Théo --- Matisse, Henri. --- Van Rysselberghe, Théo. --- Toorop, Jan. --- Seurat, Georges. --- Signac, Paul.
Listing 1 - 10 of 11 | << page >> |
Sort by
|