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September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in mass media. --- Influence. --- Social aspects.

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Die Rede von der »Macht der Bilder« in Zeiten des Terrors hat Konjunktur. Wie ist der hegemoniale Bild-Diskurs der Medien angeordnet? Welche gesellschaftlichen Bruchlinien schreiben sich in die Bilder ein? Zur Freilegung eines Repräsentations-Dispositivs wird der Frage nachgegangen, wie bestimmte Bilder repräsentativ für Ereignisse werden. Ausgehend von diskursanalytischen Methoden werden Verfahren aus den Bildwissenschaften aufgegriffen und anhand eines Bilderkorpus von 1500 Pressebildern zu 9/11, entlang eines Zeitraums von zehn Jahren, angewendet. In der Analyse zeigen sich Beziehungen zwischen den Bildern als narrative Anordnungen, Prozesse von Interikonizität und ihre emotionale Wirkung über die Pathosformel Aby Warburgs. Die zentralen Themen der Studie sind kollektives Bildergedächtnis und kollektives Trauma, Prozesse der Identitätsbildung sowie ideologische Funktionsweisen der Bilder.

September 11 Terrorist Attacks, 2001, in mass media. --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001 --- Documentary photography. --- Collective memory. --- Psychological aspects. --- Press coverage

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Attaques terroristes du 11 septembre, 2001, dans la littérature --- Attaques terroristes du 11 septembre, 2001, dans le cinéma --- Attaques terroristes du 11 septembre, 2001, dans les média de masse --- September 11 terrorist attacks, 2001, in literature --- September 11 terrorist attacks, 2001, in mass media --- September 11 terrorist attacks, 2001, in motion pictures --- Terroristische aanslagen, 11 september 2001, in de film --- Terroristische aanslagen, 11 september 2001, in de literatuur --- Terroristische aanslagen, 11 september 2001, in de massamedia --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in mass media. --- Influence. --- September 11 terrorist attacks, 2001 --- Influence

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How did the events of September 11, 2001 come to be thought of as 9/11? The Shock of the News is an authoritative account of post-9/11 political and social processes, offering an in-depth analysis of the media coverage of this momentous event. Brian Monahan demonstrates how 9/11 has been transformed into a morality tale centered on patriotism, victimization, and heroes.Introducing the idea of “public drama” as a way of making sense of how media processed and packaged the 9/11 attacks for their audiences, Monahan not only illuminates how and why the coverage took shape as it did, but also provides us with new insights into the social, cultural, and political consequences of the attacks and their aftermath. Monahan explains how and why 9/11 became such a potent symbol, exploring how meanings and symbols get created, reinforced, and disseminated in modern society. Ultimately, Monahan offers an important new understanding of this singular event of our time, and his compelling narrative brings the momentous events back into focus.

Terrorism in mass media. --- Terrorism --- September 11 Terrorist Attacks, 2001, in mass media. --- September 11 Terrorist Attacks, 2001 --- Mass media --- Acts of terrorism --- Attacks, Terrorist --- Global terrorism --- International terrorism --- Political terrorism --- Terror attacks --- Terrorist acts --- Terrorist attacks --- World terrorism --- Direct action --- Insurgency --- Political crimes and offenses --- Subversive activities --- Political violence --- Terror --- Press coverage --- Press coverage. --- Terrorism in mass media

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This is a collection of interdisciplinary essays that examines the historical, political, and social significance of 9/11. This collection considers 9/11 as an event situated within the much larger historical context of late late-capitalism, a paradoxical time in which American and capitalist hegemony exist as pervasive and yet under precarious circumstances. Contributors to this collection examine the ways in which 9/11 both changed everything and, at the same time, nothing at all. They likewise examine the implications of 9/11 through a variety of different media and art forms including literature, film, television, and street art.

Culture --- United States --- Terrorism. --- Political violence. --- Aesthetics. --- Cultural and Media Studies. --- American Culture. --- Terrorism and Political Violence. --- Study and teaching. --- September 11 Terrorist Attacks, 2001 --- Economic history. --- Economic aspects. --- Economic conditions --- History, Economic --- Economics --- United States-Study and teaching. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Acts of terrorism --- Attacks, Terrorist --- Global terrorism --- International terrorism --- Political terrorism --- Terror attacks --- Terrorist acts --- Terrorist attacks --- World terrorism --- Direct action --- Insurgency --- Political crimes and offenses --- Subversive activities --- Political violence --- Terror --- Psychology --- September 11 Terrorist Attacks, 2001, in mass media. --- Influence. --- Social aspects. --- Mass media --- United States—Study and teaching. --- Violence --- Terrorism --- Radio broadcasting Aesthetics --- Aesthetics