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Adultes surdoués --- Begaafden --- Boredom --- Ennui --- Genieën --- Geniuses --- Gifted adults --- Gifted persons --- Génies --- Hoogbegaafden --- Hooggevoelig (Persoonlijkheid) --- Hoogsensitief (Persoonlijkheid) --- Hypersensibilité (Personnalité) --- Personnes surdouées --- Prodiges (Personnes) --- Prodigies (Persons) --- Sensibility (Personality trait) --- Sensitiveness (Personality trait) --- Sensitivity (Personality trait) --- Surdoués --- Talented persons --- Verveling

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Interpersonal relations --- -Sensitivity (Personality trait) --- -#SBIB:309H021 --- #SBIB:309H505 --- 316.47 --- Sensibility (Personality trait) --- Sensitiveness (Personality trait) --- Susceptibility (Personality trait) --- Personality --- Human relations --- Interpersonal relationships --- Personal relations --- Relations, Interpersonal --- Relationships, Interpersonal --- Social behavior --- Social psychology --- Object relations (Psychoanalysis) --- Research --- Intra- en interpersonele communicatie --- Code en boodschap: psychologische, psycho-analytische benadering --- Sociale relaties --(sociologie) --- 316.47 Sociale relaties --(sociologie) --- Sensitivity (Personality trait) --- #SBIB:309H021 --- Personnalité --- Empathie --- Perception d'autrui --- Relation interpersonnelle

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Angelica Nuzzo offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. By introducing the notion of "transcendental embodiment," Nuzzo proposes a new understanding of Kant's views on science, nature, morality, and art. She shows that the issue of human embodiment is coherently addressed and key to comprehending vexing issues in Kant's work as a whole. In this penetrating book, Nuzzo enters new terrain and takes on questions Kant struggled with: How does a body that feels pleasure and pain, desire, anger, and fear understand and experience reason and strive toward knowledge? What grounds the body's experience of art and beauty? What kind of feeling is the feeling of being alive? As she comes to grips with answers, Nuzzo goes beyond Kant to revise our view of embodiment and the essential conditions that make human experience possible.

Sensitivity (Personality trait) --- Sensibility (Personality trait) --- Sensitiveness (Personality trait) --- Susceptibility (Personality trait) --- Personality --- Kant, Immanuel, --- Kant, Immanuel --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel,

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This volume reconstructs the body of sensibility and the discourse which constructed it. The discourse of sensibility was deployed very widely throughout the mid- to late-eighteenth century, particularly in France and Britain. To inquire into the body of sensibility is then necessarily to enter into an interdisciplinary space and so to invite the plurality of methodological approaches which this collection exemplifies. The chapters collected here draw together the histories of literature and aesthetics, metaphysics and epistemology, moral theory, medicine, and cultural history. Together, they contribute to four major themes: First, the collection reconstructs various modes by which the sympathetic subject was construed or scripted, including through the theatre, poetry, literature, and medical and philosophical treaties. It secondly draws out those techniques of affective pedagogy which were implied by the medicalisation of the knowing body, and thirdly highlights the manner in which the body of sensibility was constructed as simultaneously particular and universal. Finally, it illustrates the ‘centrifugal forces’ at play within the discourse, and the anxiety which often accompanied them. At the centre of eighteenth-century thought was a very particular object: the body of sensibility, the Enlightenment’s knowing body. The persona of the knowledge-seeker was constructed by drawing together mind and matter, thought and feeling. And so where the Enlightenment thinker is generally associated with reason, truth-telling, and social and political reform, the Enlightenment is also known for its valorisation of emotion. During the period, intellectual pursuits were envisioned as having a distinctly embodied and emotional aspect. The body of ‘sensibility’ encompassed these apparently disparate strands and was associated with terms including ‘sentimental’, ‘sentiment’, ‘sense’, ‘sensation’, and ‘sympathy’.

Mind and body. --- Philosophy, Modern. --- Philosophy. --- Sensitivity (Personality trait). --- History & Archaeology --- History - General --- Sensitivity (Personality trait) --- Sensibility (Personality trait) --- Sensitiveness (Personality trait) --- Susceptibility (Personality trait) --- Body and mind --- Body and soul (Philosophy) --- Human body --- Mind --- Mind-body connection --- Mind-body relations --- Mind-cure --- Somatopsychics --- Psychological aspects --- History. --- Medicine --- History of Science. --- History of Philosophy. --- History of Medicine. --- Personality --- Brain --- Dualism --- Philosophical anthropology --- Holistic medicine --- Mental healing --- Parousia (Philosophy) --- Phrenology --- Psychophysiology --- Self --- Philosophy (General). --- Medicine. --- Clinical sciences --- Medical profession --- Human biology --- Life sciences --- Medical sciences --- Pathology --- Physicians --- Annals --- Auxiliary sciences of history --- Health Workforce --- Medicine—History. --- Mental philosophy --- Humanities