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Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle.
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Every human sense becomes the basis of a sensuous trajectory that emanates from the body. In this book, noted authors, scholars and artists take up a wide range of topics, bringing to the fore the uniquely complex and diverse ways in which the body interacts with the experiential dimensions that correspond to such a trajectory, and in which the body also intersects and coalesces with the dimensions of other such trajectories. The topics treated here are reflective of the broad and diverse backgrounds of the contributors. Each sets out to call attention to the lived body in insightful and meaningful ways, highlighting the connection between the body and its sensorial trajectories. Collectively, the chapters of this book also serve to call attention to aesthetically lived experiences associated with the phenomenon of synesthesia, as well as to the role of sensorial trajectories in a wide range of experiential psychic states ranging from the ecstatic to the melancholic. In this book, readers are offered a greater appreciation of this thought-provoking, informative and compelling subject of the human senses and related sensuous trajectories. It will be of particular value to those interested in aesthetics and the arts, especially from cross-cultural and intercultural perspectives. More broadly, as a study of the body's relationship to the natural world, it will also be of value to those interested in philosophy and the arts, phenomenological studies, cultural studies and the humanities in general.
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Semiotics --- Sense (Philosophy) --- Anthropology
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Certain representations are bound in special ways to our sensory capacities. What do these representations have in common, and what makes them different from representations of other kinds? Dominic Gregory employs novel ideas on perceptual states and sensory perspectives to explain the special nature of distinctively sensory representations.
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Colloques --- Colloquia --- Maatschappij --- Sociologie --- Société --- Sense (Philosophy)
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Perception (Philosophy) --- Senses and sensation. --- Sense (Philosophy)
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Philosophical thinking is interrupted by the finitude of what cannot be named, on the one hand, and that within which it is subsumed as one of multiple modes of sense-making, on the other. Sense and Singularity elaborates Jean-Luc Nancy’s philosophical project as an inquiry into the limits or finitude of philosophy itself, where it is interrupted, and as a practice of critical intervention where philosophy serves to interrupt otherwise unquestioned ways of thinking. Nancy’s interruption of philosophy, Van Den Abbeele argues, reveals the limits of what philosophy is and what it can do, its apocalyptic end and its endless renewal, its Sisyphean interruption between the bounds of infinitely replicating sense and the conceptual vanishing point that is singularity. In examinations of Nancy’s foundational rereading of Descartes's cogito as iterative, his formal experimentations with the genres of philosophical writing, the account of “retreat” in understanding the political, and the interruptive play of sense and singularity in writings on the body, sexuality, and aesthetics, Van Den Abbeele offers a fresh account of one of our major thinkers as well as a provocative inquiry into what philosophy can do.
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Sur le terreau de l’empirisme et du sensualisme fleurit au XVIIIe siècle en Europe une réflexion foisonnante sur les sens. Certes, le siècle des Lumières apparaît à maints égards comme celui du triomphe de la vue, mais ses auteurs font largement droit aux autres sens, notamment le toucher et l’ouïe. Ils isolent le sens auditif pour cerner son fonctionnement propre et son apport spécifique mais s’interrogent également sur la question de savoir comment il coopère avec les autres sens en sorte que les informations reçues par leur intermédiaire se fondent en une représentation mentale unique du monde. Ces recherches sont conduites dans différents champs disciplinaires tels que la médecine, la philosophie, la théorie des arts issue de la critique littéraire, musicale voire picturale, mais aussi l’ethnographie et la linguistique. Au-delà des textes théoriques où elles sont exposées, elles trouvent un écho dans la création littéraire du temps. Les études rassemblées dans le présent volume rendent compte de nombreux aspects de cette réflexion sur l’ouïe dans l’Europe des Lumières, qui témoigne de la fascination exercée par l’interaction entre les sphères physique et psychique à l’oeuvre dans la perception. Elles mettent également en évidence l’intense circulation des savoirs et des questionnements entre les espaces de langue allemande, française et anglaise et enrichissent la compréhension d’une discipline alors en plein essor, l’esthétique, science du sentir autant que du beau et de l’art.
Hearing --- Enlightenment --- Enlightenment --- Sense (Philosophy) --- Hearing
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Ethics. --- Contracts --- Ethics, Evolutionary. --- Sense (Philosophy)
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