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Senfl, Ludwig

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The second volume of the New Senfl Edition (NSE) provides the second half of the motets for four voices and includes many hitherto unknown works by Senfl (some of them fragments), renowned motets, such as Senfl's Nisi Dominus, or the polyphonic setting of Non moriar sed vivam, which Senfl sent to Martin Luther in 1530 as a consolation. Editions will also render three Salve settings (including a Christological adaption), a multitexted Regina caeli, as well as nearly all of Senfl's humanist motets (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni) accessible. The Critical Reports accompanying the editions offer information on every motet with regard to the texts set to music, the plainchant models, an evaluation of the sources (incl. a synoptic overview of variant readings), as well as details on the history of each composition. Der zweite Band der New Senfl Edition (NSE) stellt die zweite Hälfte der vierstimmigen Motetten zur Verfügung und beinhaltet zahlreiche bislang unbekannte Werke (darunter mehrere fragmentarisch erhaltene Stücke), bekannte Motetten wie Senfls Nisi Dominus oder das als Trostmotette an Martin Luther 1530 gesandte Non moriar sed vivam. Darüber hinaus macht die Edition drei Salve-Vertonungen zugänglich (darunter eine christologische Adaption des marianischen Textes), ein mehrtextiges Regina caeli, und nahezu Senfls sämtliche humanistische Motetten (Quid vitam sine te, Sum tuus in vita (i), Tristia fata boni). Die mit den Editionen einhergehenden Kritischen Berichte bieten Informationen zu jeder Motette mit Blick auf die Texte, Choralvorlagen, einer Quellenbewertung (inkl. einer synoptischen Darstellung der Lesarten), sowie einen werkgeschichtlichen Kontext.

Choral music. --- Senfl, Ludwig, --- Criticism and interpretation.

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The first encompassing catalogue of compositions by the Renaissance composer Ludwig Senfl. The volume includes detailed information concerning every composition and provides reliable data on the transmission of the composer's works. Until now, scholars have had an inadequate picture of the scope and transmission of the œuvre of Ludwig Senfl (c.1490-1543), one of the most important Renaissance composers of the German-speaking lands. The current publication presents an extraordinary and exceptionally comprehensive catalogue raisonné for this Renaissance composer. Volume 1 of the two-volume set forms the catalogue of works (including lost and misattributed compositions). It is organized according to genre and provides a thorough description of every composition. Each entry includes a musical incipit, comments on the musical structure, and comprehensive information concerning the transmission and the authenticity of the composition in addition to many other details. In its layout, structure, and critical approach to Senfl's music, this volume enables far-reaching research into the composer's style as well as a detailed characterisation of his œuvre, and thus it provides clues towards a long-desired chronology of the composer's works. The Senfl Catalogue serves as an encyclopaedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl's œuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation and analysis of Senfl's music provides Early Music performers with new information on repertory that adds to the soundscape of the Renaissance. Stefan Gasch and Sonja Tröster are editors of the New Senfl Edition and lecturers at the University of Vienna as well as the University of Music and Performing Arts Vienna.

Senfl, Ludwig (1486?-1542?) --- Catalogues raisonnés --- Senfl, Ludwig --- Polyphonie --- Catalogues raisonnés. --- Vocal music --- Music --- History and criticism --- Sources. --- Senfl, Ludwig,

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Ludwig Senfl - key figure in the generation of composers between Heinrich Isaac and Orlando di Lasso - began his career in 1498 at the court of Emperor Maximilian I, before he worked at the court of Duke Wilhelm IV in Munich from 1523. Much appreciated by his contemporaries, his central position in early music historiography was anchored by J. N. Forkel and A. W. Ambros. Despite the outstanding quality of Senfl's work, a large part of his oeuvre has not yet been available in a modern edition. The New Senfl Edition (NSE) closes this gap and offers a comprehensive overview of the composer's work on the basis of the latest research. The first two volumes of the NSE present for the first time the entire surviving corpus of the four-part motets, whose wide textual and compositional range demonstrates how the composer internalized international musical trends and developed them further in an innovative way. Ludwig Senfl - a key figure in the generation of composers between Heinrich Isaac and Orlando di Lasso - began his career in 1498 at the court of Emperor Maximilian I, before working at the court of Duke Wilhelm IV in Munich from 1523 onwards. Highly esteemed by his contemporaries, his central role in early music historiography was later cemented through the writings of J. N. Forkel and A. W. Ambros. Despite the outstanding quality of Senfl’s work, the majority of his oeuvre has never been made available in a modern edition. The New Senfl Edition (NSE) aims to close this gap by offering a comprehensive overview of this composer's oeuvre based on the latest findings in research. The first two volumes of the NSE present for the first time his complete extant body of four-voice motets, which demonstrate how Senfl internalized international trends in music composition and developed them in innovative ways.

Music --- Sheet music --- Senfl, Ludwig, --- E-books --- Verbal scores --- Music publishing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Senfel, Ludwig, --- Senfelius, Ludwig, --- Senffel, Ludwig, --- Senffl, Ludwig, --- Sennffl, Ludwig, --- Sennfl, Ludwig, --- Sennfli, Ludwig, --- Senphlius, Ludwig, --- Music. --- Criticism and interpretation.