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n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coheren

Performing arts --- Philosophy. --- Semiotics. --- Theatrical science --- 792 --- 792:003 --- 792.01 --- #SBIB:309H503 --- #SBIB:309H240 --- 792.01 Theater: theorie; esthetica --- Theater: theorie; esthetica --- 792:003 Semiotiek in het toneel --- Semiotiek in het toneel --- 792 Theater. Theaterwetenschap. Toneel --- Theater. Theaterwetenschap. Toneel --- Semiotiek, semiologie --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Arts du spectacle --- Philosophy --- Philosophie --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances --- Semiotics