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Abrahams, Ivor --- Arnatt, Keith --- Blake, John --- Burgin, Victor --- Flanagan, Barry --- Hawke, Ted --- Hilliard, John --- Long, Richard --- Mclean, Bruce --- Milow, Keith --- Morris, Mali --- Self, Colin --- Groot-Brittannië
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Drawing --- Blake, Peter Thomas --- Tremlett, David --- Hockney, David --- Flanagan, Barry --- Gilbert and George --- Barker, Clive --- Craig-Martin, Michael --- Donagh, Rita --- Phillips, Tom --- Self, Colin --- Stephenson, Ian
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Art --- Drawing --- drawing [image-making] --- Blake, Peter Thomas --- Tremlett, David --- Hockney, David --- Flanagan, Barry --- Gilbert and George --- Barker, Clive --- Craig-Martin, Michael --- Donagh, Rita --- Phillips, Tom --- Self, Colin --- Stephenson, Ian --- anno 1900-1999 --- Great Britain
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Art --- paintings [visual works] --- collages [visual works] --- drawings [visual works] --- sculpture [visual works] --- Jones, Allen --- Phillips, Peter --- Blake, Peter Thomas --- Hockney, David --- Caro, Anthony --- Hamilton, Richard --- Laing, Gerald --- Boshier, Derek --- Barker, Clive --- Self, Colin --- Smith, Richard --- anno 1960-1969 --- England
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Green, William --- Self, Colin --- Lacey, Bruce --- Hamilton, Richard --- anno 1960-1969 --- edited by Chris Stephens and Katharine Stout ; with essays by Barry Curtis, David Alan Melllor, Simon Sadler and Andrew Wilson ; contributions by Lizzie Carey-Thomas, Hymie Dunn, Adrian Glew [et al.] --- kunst --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- grafiek --- pop art --- Green William --- Groot-Brittannië --- Self Colin --- fotografie --- St Martins School of Art --- kunstonderwijs --- Londen --- London --- Lacey Bruce --- architectuur --- Hamilton Richard --- 7.038 --- Arts --- Art, English --- Popular culture in art
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Het einde van de jaren vijftig en jaren zestig stonden in het teken van de popart, een beweging die de inspiratie voor haar provocerende werken ontleende aan de massacultuur, populaire smaak en kitsch : elementen die nog nooit tot de schone kunsten waren gerekend. Britse en Amerikaanse kunstenaars als Peter Blake, Richard Hamilton, Roy Lichtenstein, James Rosenquist en Andy Warhol verwierpen het idee dat kunst en het leven van elkaar konden worden gescheiden. Ze gebruikten massaproducten en eigentijdse media om een opmerkelijk verband tussen kunst en de naoorlogse consumptiecultuur te leggen.
Pop [fine arts styles] --- Art --- Painting --- anno 1900-1999 --- Pop Art --- Schilderkunst --- pop art --- kunst 20e eeuw --- 7.038 --- 705.8 --- Blake, Peter --- Boshier, Derek --- Boty, Pauline --- D'Arcangelo, Allan --- Dine, Jim --- Gill, James --- Hamilton, Richard --- Hedonisme --- Hockney, David --- Indiana, Robert --- Lichtenstein, Roy --- Marisol --- Oldenburg, Claes --- Paolozzi, Eduardo --- Philips, Peter --- Pop art --- Ramos, Mel --- Rauschenberg, Robert --- Rosenquist, James --- Rothko, Mark --- Ruscha, Ed --- Saul, Peter --- Self, Colin --- Smith, Richard --- Thiebaud, Wayne --- Warhol, Andy --- Wesselmann, Tom --- kunstgeschiedenis - kunst na 1945 --- pop-art --- Art styles --- Pop Art.
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Iconography --- Art --- Drawing --- prints [visual works] --- nudes [representations] --- Schmidt-Rottluff, Karl --- Maillol, Aristide --- Heckel, Erich --- Beckmann, Max --- Buckland Wright, John --- Nanteuil, Célestin --- Hockney, David --- Dubuffet, Jean --- Laurens, Henri --- Henninger, Manfred --- John, Augustus --- Auerbach, Arnold --- Fantin-Latour, Henri --- Bassingthwaighte, Lewin --- Beyer, Otto --- Brodzky, Horace --- Sickert, Walter Richard --- Copley, John --- Cowie, James --- Fisher, Beth --- Munakata, Shikô --- Epstein, Jacob --- Whistler, James Abbott McNeill --- MacDonald, Frances --- McEvoy, Ambrose --- Meunier, Henri Georges --- Parrish, Maxfield --- Rooke, Noel --- Hayter, Stanley William --- Kubin, Alfred --- Cézanne, Paul --- Gauguin, Paul --- Delvaux, Paul --- Rops, Félicien --- Zorn, Anders Leonard --- Gaudier-Brzeska, Henri --- Grant, Duncan --- Russolo, Luigi --- Self, Colin --- Strang, William --- Tonks, Henry --- The Hunterian [Glasgow] --- anno 1800-1999 --- anno 1900-1999
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Sculpture --- sculpting --- Lacey, Bruce --- Abrahams, Ivor --- Piché, Roland --- McComb, Leonard --- Miller, Roland --- Cameron, Shirley --- Davies, John --- Cragg, Tony --- Pope, Nicholas --- Lijn, Liliane --- Brisley, Stuart --- Caro, Anthony --- Hilliard, John --- Willats, Stephen --- Woodrow, Bill --- Arnatt, Keith --- Barlow, Phyllida --- Catling, Brian --- Monchaux, de, Paul --- Dye, David --- Evans, Garth --- Gili, Katherine --- Herring, Ed --- Hide, Peter --- Kitchin, Roy --- Louw, Roelof --- Lowe, Jeff --- Lyons, Michael --- Martin, Barry --- Milow, Keith --- Naylor, Martin --- Neagu, Paul --- Panting, John --- Plackman, Carl --- Schwarze, Mathies --- Startup, Peter --- Taylor, Wendy --- Long, Richard --- Cobb, John --- Boyle [Family] --- Burt, Lawrence --- Flanagan, Barry --- Gilbert and George --- Barker, Clive --- Chadwick, Helen --- Ernest, John --- Latham, John --- Self, Colin --- McLean, Bruce --- Tucker, William --- Dalwood, Hubert
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This volume explores the contemporaneous engagements with a spirit of pop throughout the globe, looking not only at the relatively well-covered activity in the US, UK, and France but also surveying developments throughout Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East.
easel paintings [paintings by form] --- Art --- Pop [fine arts styles] --- sculpture [visual works] --- Fromanger, Gérard --- Brudaşcu, Cornel --- Bućan, Boris --- Minujin, Marta --- Axell, Evelyne --- Selz, Dorothée --- Otašević, Dušan --- Bayrle, Thomas --- Rodrigues, Glauco --- Komar, Vitaly --- Chordà, Mari --- Martínez, Raúl --- Bertlmann, Renate --- Barel, Joav --- Fahlstrom, Öyvind --- Grau, Eulàlia --- Roehr, Peter --- Shinohara, Ushio --- Oliver, Isabel --- Schifano, Mario --- Nicola L --- Želibská, Jana --- Overstreet, Joe --- Marisol --- Self, Colin --- Soares, Teresinha --- Lombardo, Sergio --- Garcìa, Ángela --- Tanaami, Keiichi --- Natalia LL --- Zielinski, Jerzy Ryszard --- Iveković, Sanja --- Cancela, Delia --- Reinikainen, Raimo --- Pinińska-Bereś, Maria --- Canogar, Rafael --- Janković, Jozef --- Rabascall, Joan --- Francken, Ruth --- Melamid, Alexander --- Tozzi, Claudio --- Matsumoto, Toshio --- Dias, Antonio --- Maiolino, Anna Maria --- Disconzi, Romanita --- Rancillac, Bernard --- Tilson, Joe --- Tanavoli, Parviz --- González, Beatriz --- Kogelnik, Kiki --- Colares, Raymundo --- Gudmundsson, Sigurdur --- Nitsche, Marcello --- Rosler, Martha --- Yokoo, Tadanori --- Chicago, Judy --- Lausen, Uwe --- Vardea, Chryssa --- Equipo Crónica --- Ottinger, Ulrike --- Equipo Realidad --- Burga, Teresa --- Tajiri, Shinkichi --- anno 1960-1969 --- anno 1970-1979 --- MAD-faculty 16 --- kunst 20e eeuw --- pop art --- Pop art --- Chryssa --- Tadanori, Yokoo --- paintings [visual works]
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Art styles --- Art --- art [discipline] --- Pop [fine arts styles] --- Jones, Allen --- Phillips, Peter --- Blake, Peter Thomas --- Hockney, David --- Kienholz, Edward --- Warhol, Andy --- Hamilton, Richard --- Oldenburg, Claes --- Watts, Robert --- Johns, Jasper --- Arneson, Robert --- Kitaj, Ronald B. --- Berman, Wallace --- Brainard, Joe --- Clarke, John Clem --- Drexler, Rosalyn --- Segal, George --- Frazier, Charles --- Morris, Robert --- Haworth, Jann --- Hay, Alex --- Christo --- Jess --- Johnson, Ray --- Kurt, Kay --- Boshier, Derek --- Caulfield, Patrick --- Paolozzi, Eduardo --- Munro, Nicholas --- Wesselmann, Tom --- Östlihn, Barbro --- Tilson, Joe --- Arakawa, Shusaku --- Lindner, Richard --- Morley, Malcolm --- Lichtenstein, Roy --- Rauschenberg, Robert --- Ruscha, Ed --- Rosenquist, James --- Artschwager, Richard --- Dine, Jim --- Rivers, Larry --- Ramos, Mel --- Baldessari, John --- Barker, Clive --- Brecht, George --- Marisol --- Fahlstrom, Öyvind --- Indiana, Robert --- Self, Colin --- Smith, Richard --- Thiebaud, Wayne --- Goode, Joe --- anno 1950-1959 --- anno 1960-1969 --- anno 1900-1999
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