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Art, Modern --- Identity (Psychology) in art --- Self (Philosophy) in art
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Arts. --- Self (Philosophy) in art. --- Subjectivity in art. --- Arts --- Self (Philosophy) in art --- Subjectivity in art --- 7.041 --- Thema's in de kunst ; kunsttheorie ; zelfportretten --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Iconografie ; de mens, portretten --- Arts, Primitive
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Comment aujourd’hui, à l’ère des pratiques photographiques et filmiques amateurs, de la mobilité et de l’importance croissante du numérique, s’écrit visuellement l’intimité ? Selon quels procédés, découpages, montages opèrent les artistes actuels pour tracer les contours du soi contemporain et quels types de narration en proposent-ils ? Qu’elle soit la conséquence d’un échec amoureux ou d’une quête familiale, d’un apprentissage de la différence ou du ressenti de la perte, des stigmates de l’exil ou de l’épreuve de l’Histoire, l’écriture visuelle de soi n’est pas qu’une question adressée au sujet et à son idiosyncrasie, elle entretient aussi des liens ténus avec la mémoire et l’expérience collectives. Invitant à voyager dans ces mises en récit de soi, le présent ouvrage souhaite documenter ces nouvelles expérimentations artistiques en dialogue avec les pratiques du quotidien. Il interroge le potentiel de refiguration des procédés mis en œuvre, la capacité des sujets à les mobiliser pour produire une expérience esthétique, laisser émerger un vécu, mais aussi visiter une mémoire ou la questionner, raconter une histoire ou seulement l’ébaucher, ouvrir aussi à d’autres virtualités. Entre histoire des représentations et histoire matérielle, études littéraire, visuelles, plastiques et études culturelles, les auteur(e)s ayant contribué à cet ouvrage proposent ainsi différentes perspectives sur l’écriture visuelle de soi et sur ses procédés.
Art --- photographie --- art --- littérature --- intime --- soi --- Representation (Philosophy) --- Self-perception in art. --- Intimacy (Psychology) in art --- Self (Philosophy) in art --- Autobiography --- Soi --- Autobiographie --- Illustrations --- Dans l'art. --- Histoire et critique. --- Interprétation.
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identiteit --- cultuurfilosofie --- gender studies --- Ashley April --- identificatie --- Cahun Claude --- Gall Franz Joseph --- frenologie --- Galton Francis --- Hinch Charlotte --- Hinch Emily --- Hinch Twins --- Shaw Fiona --- feminisme --- tweelingen --- DNA-profielen --- vingerafdrukken --- 130.2 --- Exhibitions --- Self (Philosophy) --- Identity (Philosophical concept) --- Marginality, Social --- Self (Philosophy) in art --- Identity (Philosophical concept) in art --- Marginality, Social, in art
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Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.
Portraits, Austrian --- Subjectivity in art. --- Self (Philosophy) in art. --- Art --- Historiography --- History --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Austrian portraits --- Art, Primitive --- Portraits, Austrian - Austria - Vienna - 20th century. --- Art - Historiography - History - 20th century.
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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--
Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]
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