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Sculpture, Italian. --- Sculpture, Renaissance --- Sculpture, Renaissance - Italy.
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Entre les pontificats de Sixte Quint (1585-1590) et d’Urbain VIII (1623-1644), l’art du bronze connaît un véritable épanouissement à Rome, sous la forme de statues colossales et de décors monumentaux, dont le baldaquin de Saint-Pierre par le Bernin est l’exemple le plus spectaculaire. Personnages clés de ce renouveau du bronze dans la Ville éternelle, les fondeurs demeurent méconnus. Loin d’être de simples artisans, les meilleurs d’entre eux étaient pourtant célèbres en leur temps, comme Bastiano Torrigiani, Orazio Censore ou Gregorio De’ Rossi. Formant souvent des dynasties, ils élaboraient des stratégies pour obtenir des commandes, et entretenaient des rapports privilégiés avec l’administration pontificale, les commanditaires privés, les architectes ou les sculpteurs. Ce sont ces hommes de l’ombre que cet ouvrage fait revivre, tant sur les grands chantiers de construction – Saint-Pierre, Sainte-Marie-Majeure ou Saint-Jean-de-Latran – qu’au sein des fonderies officielles ou de leurs ateliers personnels. En analysant leur activité dans toute sa diversité, et en tentant de définir leur savoir-faire, en particulier dans le domaine de la sculpture, ce livre aborde ainsi une page essentielle de l’histoire artistique de Rome, sous l’angle d’un matériau noble et prestigieux, et de ceux qui en étaient les maîtres, au croisement de l’art et de la technique.
Bronze sculpture, Italian --- Sculptors --- Bronze founding --- Popes --- History. --- Art patronage --- Bronze sculpture, Renaissance - Italy
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As the first comprehensive treatment of Venetian sculpture of the early Renaissance in nearly a century, this book examines the documents, literary sources, and oeuvre of all Venetian sculptors in stone, bronze, and wood between the decoration of the crowning of San Marco at the beginning of the fifteenth century and the artistic revolution wrought by Jacopo Sansovino from ca. 1530 on. Its text pays particular attention to the style of individual works, to their physical and artistic context, their sources and their influence, and synthesizes forty-five years of attentive looking, of research in archives and libraries of the Veneto, and hundreds of photographic campaigns throughout Italy and as far afield as Croatia and Poland - many from specially mounted scaffolds. The introduction treats general questions of material, purpose, patronage, the origin of sculptors, their workshop practices and the structure of guilds, while the conclusion considers ways in which Venetian sculpture was unique--jacquette
Sculpture, Renaissance Italy Venice --- Sculpture de la Renaissance --- Sculpture, Italian --- Sculpture, Renaissance --- Sculptors --- Biography --- Sculpture --- Italian Renaissance-Baroque styles --- anno 1500-1599 --- anno 1400-1499 --- Venice --- Venetiaanse school
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Robbia, della, Giovanni --- Robbia, della, Luca --- Robbia, della, Andrea --- Robbia, della, Girolamo --- Robbia, della, Marco --- Robbia, della, Luca II --- Robbia, della, Francesco --- Terra-cotta sculpture, Italian --- Terra-cotta sculpture, Renaissance --- Robbia family --- Renaissance terra-cotta sculpture --- Italian terra-cotta sculpture --- CDL --- 73.034 --- Terra-cotta sculpture, Italian - Exhibitions. --- Terra-cotta sculpture, Renaissance - Italy - Exhibitions. --- Terra-cotta sculpture, Renaissance - Italy - Exhibitions --- Robbia family - Exhibitions
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Giovan Francesco Rustici fut un sculpteur florentin très actif au XVIe siècle, ami de Léonard de Vinci et protégé des Médicis et des Salviati, avant de devenir, à Paris, le sculpteur attitré de François Ier. Utilisant tous les matériaux, il conçut des rondes bosses virtuoses et renouvela la sculpture funéraire en France. Il lança la vogue des souverains représentés à cheval
Sculpture, Renaissance --- Italy --- Rustici, Giovanni Francesco --- Rustici, Giovan Francesco, --- Criticism and interpretation. --- Sculpture, Italian. --- Plastieken. --- Reliëfs. --- Sculpture, Italian --- Sculpture, Renaissance. --- 1500-1599. --- Frankrijk. --- Italië. --- Italy. --- Sculpture, Renaissance - Italy --- Rustici, giovan francesco (1475-1554)
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Sculpture --- Ammanati, Bartolomeo --- Ammannati, Bartolomeo, --- Criticism and interpretation. --- Sculpture, Italian --- Sculpture, Renaissance --- Criticism and interpretation --- Sculpture, Italian - Italy - Florence - 16th century - Exhibitions --- Sculpture, Renaissance - Italy - Florence - Exhibitions --- Ammannati, Bartolomeo, - 1511-1592 - Exhibitions --- Ammannati, Bartolomeo, - 1511-1592 - Criticism and interpretation --- Ammannati, Bartolomeo (1511-1592) --- Médicis (famille de) --- Maniérisme (art) --- Catalogues d'exposition --- Critique et interprétation --- Mécénat --- Italie --- Florence (Italie) --- Ammannati, Bartolomeo, - 1511-1592
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Sculpture --- bronzes [visual works] --- court art --- Bologna, da, Giovanni --- Foggini, Giovanni Battista --- anno 1500-1799 --- Florence --- Bronze sculpture --- Sculpture, Renaissance --- Sculpture en bronze italienne --- Sculpture de la Renaissance --- History --- Histoire --- Bronze sculpture - Italy - Florence - History - 16th century - Exhibitions --- Sculpture, Renaissance - Italy - Florence - Exhibitions --- Sculpture en bronze italienne - Florence - Histoire - 16e siècle - Expositions --- Sculpture de la Renaissance - Italie - Florence - Expositions --- Florence, school van
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