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Art, French. --- Sculpture, Abstract --- Installations (Art)
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Sculpture, Abstract --- Giacometti, Alberto, --- Criticism and interpretation.
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Process art --- Sculpture, Abstract --- Sculpture, Modern --- Themes, motives --- Themes, motives
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Ce livre constitue la première monographie entreprise à propos de la sculpture la plus étrange, la plus atypique, de Giacometti : il s'agit du Cube, considéré comme le seul objet «abstrait» de l'artiste. Inexplicable à ce titre dans une oeuvre vouée, paraît-il, à la «recherche de la réalité». Mais le faisceau de questions, d'hypothèses et d'analyses formelles ou historiques dont ce livre littéralement entoure l'objet ouvrira au lecteur de toutes nouvelles perspectives. Étude minutieuse d'une élaboration figurale étendue sur deux ou trois années - soit entre 1932 et 1935 - à travers les dessins, les gravures, les sculptures et aussi les textes de Giacometti, l'essai de G. Didi Huberman permet de découvrir dans le Cube un objet, à la charnière de ses époques «surréaliste» et «réaliste», où l'artiste articula quelques-uns des paradigmes essentiels à son art dans la longue durée : rapport des corps à la géométrie ; séparation du visage et du crâne ; iconographie de la mélancolie ; et enfin le problème du portrait, qui oblige devant cette sculpture à penser la notion inédite d'un «anthropomorphisme abstrait».
Art --- Aesthetics --- Giacometti, Alberto --- Sculpture, Abstract --- Théorie de l'art --- Ecrit théorique --- Sculpteur --- Analyse de l'art --- 20e siècle --- Giacometti, Alberto, --- Criticism and interpretation. --- Sculpture, Abstract - France.
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Ce catalogue d'exposition reprend quatre textes importants sur le travail de Cristina Iglesias : De fer et de ronces par Guy Tosatto ; La figure dans le tapis par Patricia Falguières ; Et Venustas : L'architecture du beau et du sublime chez Cristina Iglesias par Jennifer Bloomer ; Compositions sans frontières par Michael Tarantino.
Sculpture, Abstract --- Sculpture abstraite --- Exhibitions. --- Expositions --- Iglesias, Cristina, --- Art contemporain --- Sculpture --- Iglesias, Cristina --- 20e siècle --- Espagne --- Sculpture, Abstract - Spain - Exhibitions --- Iglesias, Cristina, - 1956- - Exhibitions --- Iglesias, Cristina, - 1956 --- -Espagne
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Masaccio --- Masolino --- techniek --- paneelschilderkunst --- Sculpture, Abstract --- -Abstract sculpture --- Sculpture, Modern --- Melotti, Fausto --- -Melotti, Fausto --- techniek. --- paneelschilderkunst.
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Now back in print, Abstract Bodies was the first book to bridge the interdisciplinary field of transgender studies with the discipline of art history. Original and theoretically astute, it recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form.This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender studies and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.
Sculpture, Abstract --- Sculpture, Abstract --- Sex role in art. --- Sculpture, Abstract. --- Sculpture, Abstract --- Sex role in art. --- History --- Themes, motives. --- Themes, motives. --- Flavin, Dan, --- Grossman, Nancy --- Chamberlain, John, --- Smith, David, --- Chamberlain, John, --- Flavin, Dan, --- Grossman, Nancy. --- Smith, David, --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- 1900-1999 --- United States.
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"Barbara Hepworth's work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The collection makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. It is a surprisingly large body of work, and it spans almost the whole of Hepworth's artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth's lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts. The collection sheds new light on Hepworth's life, her working practices, the sources of her inspiration, the breadth of her intellectual interests and her deep engagement with contemporary politics and society, from the United Nations to St Ives. The illustrations include manuscripts and archive photographs from Hepworth's own collection"--Publisher's description.
Sculpture --- sculpture [visual works] --- Hepworth, Barbara --- Sculptors --- Sculptors. --- Hepworth, Barbara, --- Great Britain. --- Sculpture, Abstract --- Sculpture, British --- writings [documents] --- artists' statements
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Landscape in art --- Plastic arts. --- Sculpture, Abstract --- Sculpture, British --- Sculpture, British --- United States. --- Exhibitions. --- Exhibitions --- Exhibitions --- Exhibitions. --- Miss, Mary.,
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