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"Interstellar, from acclaimed filmmaker Christopher Nolan, takes us on a fantastic voyage far beyond our solar system. Yet in The Science of Interstellar, Kip Thorne, the physicist who assisted Nolan on the scientific aspects of Interstellar, shows us that the movie's jaw-dropping events and stunning, never-before-attempted visuals are grounded in real science. Thorne shares his experiences working as the science adviser on the film and then moves on to the science itself. In chapters on wormholes, black holes, interstellar travel, and much more, Thorne's scientific insights many of them triggered during the actual scripting and shooting of Interstellar, describe the physical laws that govern our universe and the truly astounding phenomena that those laws make possible."--
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Biotechnology. --- Science in motion pictures. --- Fantastic voyage (Motion picture)
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Stanley Kubrick's 2001: A Space Odyssey , released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick's scientific verisimilitude in 2001 came courtesy of his science consultants -- including two former NASA scientists -- and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don't consult experts as extensively as Kubrick did, films ranging from A Beautiful Mind and Contact to Finding Nemo and The Hulk have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood , David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect popular perceptions of science. Drawing on interviews and archival material, Kirby examines such science consulting tasks as fact checking and shaping visual iconography. Kirby finds that cinema can influence science as well: Depictions of science in popular films can promote research agendas, stimulate technological development, and even stir citizens into political action.
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Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James', H. Melville's and H.G. Wells' novels question notions of natural order, as well as an opposition between the subjective and the objective.
Dialectical materialism. --- Science in literature. --- Science in motion pictures. --- Performing arts --- Film & video --- History & criticism.
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ReAction! gives a scientist's and artist's response to the dark and bright sides of chemistry found in 140 films, most of them contemporary Hollywood feature films but also a few documentaries, shorts, silents, and international films. Even though there are some examples of screen chemistry between the actors and of behind-the-scenes special effects, this book is really about the chemistry when it is part of the narrative. It is about the dualities of Dr. Jekyll vs. inventor chemists, the invisible man vs. forensic chemists, chemical weapons vs. classroom chemistry, chemical companies that knowingly pollute the environment vs. altruistic research chemists trying to make the world a better place to live, and, finally, about people who choose to experiment with mind-altering drugs vs. the drug discovery process.
Science in motion pictures. --- Chemistry --- Motion pictures --- Physical sciences --- Public opinion.
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Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's, H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective.
Science in literature. --- Dialectical materialism. --- Science in motion pictures. --- Motion pictures --- Materialism, Dialectical --- Philosophy, Marxist --- Socialism
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Science in motion pictures --- Technology in motion pictures --- Sciences au cinéma --- Technologie au cinéma --- History --- Histoire
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"Late 19th century science fiction stories and utopian treatises focused on morals and attitudes supporting economic, sociological and at times Marxist ideas. More than a century later, science fiction often depicts the inherent dangers of capitalism and imperialism. Examining a variety of conflicts from the Civil War through the post-9/11 era, this collection of new essays explores philosophical introspection and futuristic forecasting in science fiction and fantasy literature and film, with a focus on the warlike nature of humanity"--
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AI in the Movies analyses film representations of artificial intelligence, from their first emergence in the 1950s up to 2020. These strong or general artificial intelligences take different forms: some are digital AIs, some robot AIs, some move between material and digital forms. Some are indistinguishable from humans, and some have no material existence at all.Analysis of these representations demonstrates filmmakers eroding the division between human and AI, by presenting character doubles, narrative parallels and eventually, identities in which the biological and artificial overlap and intersect in new hybrid forms.The book identifies the aspects of AI science that fascinate filmmakers and outlines the key themes and tropes in AI film, including parent-child relationships, the female robot, human-AI doubles, parallels and hybrids, and AI death and mortality.
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