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Morton, Tom --- Verwoert, Jan --- Schouwenberg, Louise --- Hlavajova, Maria --- Issa, Iman --- Denicolai & Provoost --- Tudela, Armando Andrade --- Moti, Melvin
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Art --- Sculpture --- art [discipline] --- public art --- sculpting --- Kop, van de, David --- Roothaan, Steef --- Ruggiu, Roberto --- Schouwenberg, Louise --- Vervoort, Karien --- Wind, Eduard --- Buisman, Sjoerd --- Spek, van der, Arjanne --- Goudse Beeldenroute --- anno 1900-1999 --- Netherlands
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In this engaging new book, design theorist Louise Schouwenberg (born 1954) and designer Hella Jongerius (born 1963) examine the meaning and agency of objects, exploring how things act as mediators between people and the world both in everyday life and in the context of the museum. As technology continues to change these relationships, Schouwenberg and Jongerius thoughtfully consider the agency of our objects. Questioning the market's obsession with novelty in design, the authors try to develop criteria for recognizing true cultural innovation. What distinguishes novelty for the sake of novelty from something truly new? Designed by the legendary Irma Boom, the book itself is a love letter to creative design.
749.01 --- Jongerius, Hella °1963 (°De Meern, Nederland) --- Schouwenberg, Louise °1954 (Belfelt, Nederland) --- Boom, Irma °1960 (°Lochem, Nederland) --- Anni Albers (Annelise Else Frieda Fleischmann), 1899-1994 (°Berlijn, Duitsland) --- Itten, Johannes 1888-1967 (Südern-Linden, Zwitserland) --- Gropius, Walter 1883-1969 (°Berlijn, Duitsland) --- Meubelkunst en design ; theorie, filosofie, esthetica --- Exhibitions --- Jongerius, Hella --- Applied arts. Arts and crafts --- design [discipline] --- objects
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Museology --- Art --- Sculpture --- Drawing --- outdoor sculpture --- drawing [image-making] --- museology --- sculpting --- exhibition curators --- Baaten, Chris --- Botma, Akke --- Breed, Peter --- Clijsen, Joos --- Wolf, de, Lies --- Höppener, Wandana --- Litjens, Cor --- Mesu, Tonie --- Nanlohy, Willy --- Ruggiu, Roberto --- Schouwenberg, Louise --- van der Krans, Gerda --- van Workum, Marius --- Zijlstra, Ulli --- anno 1900-1999 --- Netherlands
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The first anthology to address the rise of the "design-art" phenomenon the breakdown of boundaries between art and architectural, graphic, or product design begun in the Pop and Minimalist eras. This reader in Whitechapel's Documents of Contemporary Art series investigates the interchange between art and design. Since the the Pop and Minimalist eras as the work of artists ranging from Andy Warhol to Dan Graham demonstrates the traditional boundaries between art and architectural, graphic, and product design have dissolved in critically significant ways. Design and Art traces the rise of the "design-art" phenomenon through the writings of critics and practitioners active in both fields.The texts include writings by Paul Rand, Hal Foster, Miwon Kwon, and others that set the parameters of the debate; utopian visions, including those of architect Peter Cook and writer Douglas Coupland; project descriptions by artists (among them Tobias Rehberger and Jorge Pardo) juxtaposed with theoretical writings; surveys of group practices by such collectives as N55 and Superflex; and views of the artist as mediator a role assumed in the past to be the province of the designer as seen in work by Frederick Kiesler, Ed Ruscha, and others. Finally, a book that doesn't privilege either the art world or the design world but puts them in dialogue with each other.
hedendaagse kunst --- design [discipline] --- Art --- art [fine art] --- philosophy of art --- ontwerpen --- Contemporary [style of art] --- Tiravanija, Rirkrit --- Jongerius, Hella --- Warhol, Andy --- Ruscha, Ed --- Gillick, Liam --- Lieshout, van, Joep --- Judd, Donald --- Graham, Dan --- Schouwenberg, Louise --- Eames, Charles --- Rehberger, Tobias --- Pardo, Jorge --- Rams, Dieter --- Zittel, Andrea --- Cook, Peter --- Scanlan, Joe --- Hamilton, Richard --- Rand, Paul --- Orta, Lucy --- Nelson, George --- N55 [Copenhagen] --- Experimental Jetset [Amsterdam] --- M/M (Paris) --- Superflex [Copenhagen] --- anno 2000-2009 --- anno 1900-1999 --- Design --- Art and design --- Philosophy --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunst en design --- design --- aalto Alvar --- Arad Ron --- Archigram --- Experimental Jetset --- Flavin Dan --- Gillick Liam --- Gropius Walter --- Huyghe Pierre --- Jongerius Hella --- Judd Donald --- Kiesler Frederick --- Loos Adolf --- Mau Bruce --- Mevis Armand --- M/M --- N55 --- Oldenburg Claes --- Orta Lucy --- Panton Verner --- Moholy-Nagy Laszlo --- Pardo Jorge --- Parreno Philippe --- Rams Dieter --- Roth Dieter --- Rehberger Tobias --- Ruscha Ed --- Superflex --- Tiravanija Rirkrit --- Van Deursen Linda --- van Lieshout Joep --- Venturi Robert --- Warhol Andy --- Zittel Andrea --- Bourdon David --- Cook Peter --- Coupland Douglas --- Dorst Kees --- Eames Charles --- Flusser Vilém --- Foster Hal --- Graham Dan --- Greenberg Clement --- Hamilton Richard --- Kwon Miwon --- Lind Maria --- Nelson George --- Potter Norman --- Poynor Rick --- Rand Paul --- Scanlan Joe --- Staniszewski Mary Anne --- Tafuri Manfredo --- Virilio Paul --- Weil Benjamin --- Wigley Mark --- 7.01 --- 7.038 --- 745.01 --- Art and design. --- Philosophy. --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over kunst en design --- Kunst en architectuur --- Kunst en grafisch en industrieel ontwerp --- Flusser, Vilém --- Design and art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Kunst --- vormgeving --- kunstfilosofie --- N55 [Kopenhagen] --- SUPERFLEX [Kopenhagen] --- MAD-faculty 14 --- kunst en filosofie --- SUPERFLEX [Copenhagen] --- Design - Philosophy --- art [discipline] --- Art minimal --- Minimalisme --- Pop Art --- Mouvement moderne
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