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Schorr, Collier

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Collier Schorr has been working in Southern Germany for the past 13 years, compiling a documentary and fictional portrait of a small town inhabited by historical apparitions. For Schorr, the German landscape is a map of her own history, both imagined and inherited. Combining the overlapping roles of war photographer, traveling portraitist, anthropologist and family historian, the series (Wald und Wiesen) tells the interwoven stories of a place and time determined by memory, nationalism, war, emigration and family. Blumen is the second volume of Forest and Fields and moves away from the figure. Schorr decided instead to look for or build arrangements in the landscapes and domestic and commercial settings of her much investigated town. If people appear in Blumen, they are merely props in an examination of how objects and nature create dialogues within the communities they encompass. Flowers are uprooted so as to become performers in the landscape; signage, plums, chairs and a plaster fawn are some of the shapes of things moved and combined to further detail the daily life of the townspeople of Schwabish Gmund. Forest and Fields is intrinsically about book making, an ongoing suite of artist's books that utilizes traditional notions of category to create different points of view. Each volume is part diary, photo annual, palimpsest, and scrapbook, and involves a process which constantly expands and contradicts the artist's oeuvre through re-edits of the work to create new views through the material. The final volume will be text based, a collection of commissioned and re-published writings inspired by the ideas explored in the pictures. A boxed, numbered and signed special edition of the complete set of the Forest and Fields series will be available once the project has been completed.

fotografie --- eenentwintigste eeuw --- Schorr Collier --- Duitsland --- portretfotografie --- landschapsfotografie --- natuurfotografie --- documentaire fotografie --- 77.071 SCHORR --- Photography, Artistic --- Photographie --- Allemagne

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Antoni, Janine --- Barton, Nancy --- Diedrich, Louise --- Edmier, Keith --- Estrada, Victor --- Flanagan Bob --- Rose, Sheree --- Ashton Harris, Lyle --- Udé, Iké --- Hawkins, Richard --- Johnson, Larry --- Koons, Jeff --- Kusama, Yayoi --- Landers, Sean --- Morimura, Yasumasa --- Schorr, Collier

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Art --- art [discipline] --- psychology --- sociology --- video art --- motion pictures [visual works] --- public spaces --- kunstsociologie --- kunst en politiek --- Ataman, Kutlug --- Hornig, Sabine --- Lewandowsky, Via --- Bonin, von, Cosima --- rude_architecture --- Garbert, Bernhard --- Gütschow, Beate --- Herz, Rudolf --- Korpys, Andree --- Kuschel, Ulrike --- Leitolf, Eva --- Löffler, Markus --- Majerus, Michel --- Neudecker, Mariele --- Pflumm, Daniel --- Schatz, Silke --- Schnock, Frieder --- Schorr, Collier --- Stih, Renata --- Tillmans, Wolfgang --- Calle, Sophie --- Dean, Tacita --- Demand, Thomas --- Schneider, Gregor --- Ackermann, Franz --- Pernice, Manfred --- Genzken, Isa --- Nicolai, Olaf --- Odenbach, Marcel --- Jankowski, Christian --- anno 2000-2009 --- Germany

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Filippo Maggia, Peter Weiermair, Beate Ermacora [et al.] --- fotografie --- twintigste eeuw --- Andreoni Luca --- Fortugno Antonio --- Araki Nobuyoshi --- Barbieri Olivo --- Becker Julie --- Beecroft Vanessa --- Bernabini Paolo --- Casebere James --- Ciraci Sarah --- Clark Larry --- Demand Thomas --- Fletcher Saul --- Goldin Nan --- Hirakawa Noritoshi --- Jodice Francesco --- Kruger Barbara --- Lambri Luisa --- Leonard Zoe --- Lockhart Sharon --- Männikkö Esko --- van Meene Hellen --- Miyamoto Ryuji --- Moffatt Tracey --- Neshat Shirin --- Nomura Sakiko --- Opie Catherine --- Ruff Thomas --- Schorr Collier --- Sherman Cindy --- Starkey Hannah --- Starr Georgina --- Tesi Alessandra --- Tillmans Wolfgang --- Wall Jeff --- 77.038 --- Photography --- photography [process] --- anno 1990-1999 --- Sandretto Re Rebaudengo, Patrizia --- Photographie --- Sammlung --- Ausstellung --- Kiel (2001) --- Geschichte 1990-1999