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Edelsmeedkunst. --- Geschichte. --- Jewelry, European. --- Schmuck.
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Ausgrabung. --- Burgwall. --- Jewelry, Slavic. --- Schmuck. --- Slavic antiquities. --- Slawen. --- Czechoslovakia --- Antiquities.
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(Schmuck) angelsächsische. --- Angelsachsen. --- Angelsächsische. --- Brooches. --- Brooches. --- Fibel. --- Jewelry --- Jewelry. --- Kunst. --- History.
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Amber. --- Angewandte Kunst --- Angewandte Kunst. --- Bernstein. --- Goldschmiedekunst. --- Goldwork --- Goldwork. --- Jewelry --- Jewelry. --- Katalog. --- Schmuck --- Schmuck. --- Bernstein --- Museo archeologico nazionale (Naples, Italie). --- Neapel --- Museo Archeologico Nazionale di Napoli. --- Archäologisches Nationalmuseum. --- Geschichte Antike. --- Italy.
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The Early Iron Age period of the southern coastal plain of the Levant (ca. 1200-900 BCE) displays certain new features that suggest the appearance of the Philistines or other Sea Peoples. The early stages of this period represent a departure from Late Bronze Age traditions and evidence of cross-cultural influences within the eastern Mediterranean. This volume contributes to the discussion of the origin of the Sea Peoples by examining the role of adornment in the portrayal of cultural identity. Metal jewellery is assessed from 29 sites in the southern Levant, the Aegean, and Cyprus, resulting in the creation of the first multi-regional typology of metal jewellery for the Iron Age I-IIA eastern Mediterranean. By examining various categories of metal jewellery from the southern Levant and its western neighbours, this study contributes to the debate about the relations and exchanges that affected the region during this pivotal period in history. The formation, maintenance, and communication of group identification through physical appearance is assessed through a phenomenological view of cultural material to explain what is termed cultural intention.
Jewelry, Ancient --- Jewelry, Ancient. --- Metallkunst --- Schmuck --- Middle East --- Mediterranean Region. --- Levante --- Antiquities. --- Iron age --- Mediterranean Region --- Antiquities
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As a designer of jewellery Johanna Dahm seeks contact with other areas of expertise, builds bridges between the cultures and in that way further develops her own artistic work. While on a research trip she familiarised herself in East Indian Orissa with the special characteristics of the Dokra technique, a *cire perdue* method of casting used apart from here only in West Africa. "same same, but different" thoroughly describes and documents this technique in detail for the first time from a professional point of view. Following up on her first publication "Lost and Found" the book offers at the same time a comparative study of the techniques used in Orissa and Ghana. It comes with a scientific essay by Prof. Hans Peter Hahn.
Asante
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juweelkunst
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Dahm, Johanna
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eigen tijd
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Zwitserland
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Ghana
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Hess-Dahm, Johanna
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India: East
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Dokra
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Orissa
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technieken
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Applied arts. Arts and crafts
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jewelry designers
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juweelontwerpers
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rings [jewelry]
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ethnic art
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rings [finger jewelry]
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Art metal-work.
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Arts du métal.
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Brass founding
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Brass founding.
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Laiton
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Messingarbeit
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Ring
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Antiquities. --- Archaeology. --- Archaeology. --- Art, Celtic. --- Art, Celtic. --- Ring (Schmuck). --- Ringen (sieraden). --- Silverwork, Ancient. --- Silverwork, Ancient. --- Zilverwerk. --- Geschichte 200 v. Chr.-100 v. Chr. --- Germany --- Kelten. --- Trichtingen. --- Württemberg (Germany) --- Antiquities.
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Archeology --- Merovingians [Dynasty] --- anno 500-599 --- anno 700-799 --- anno 400-499 --- anno 600-699 --- Merovingians --- Art, Merovingian --- Mérovingiens --- Art mérovingien --- Exhibitions. --- Expositions --- Europe --- France --- Germany --- Allemagne --- History --- Histoire --- Exhibitions --- Mérovingiens --- Art mérovingien --- Funde. --- Schmuck. --- Geschichte 486-687. --- Fränkisches Reich.
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"In medieval Britain people wore jewellery made of gold if they were rich, of base metal if they were poor; they might hoard their property, or give it away to guarantee that they would have friends when needed; and many of them paid tax on their possessions. In Gold and Gilt, Pots and Pins David Hinton reviews the significance of artefacts in this period. From elaborate gold jewellery to clay pots, he looks at what possessions meant to people at every level of society. His emphasis is on their reasons for acquiring, keeping, displaying, and disposing of the things that they wore and had in their houses." "An overall review that looks at evidence in Scotland and Wales as well as in England, this book ranges chronologically from the end of the Roman rule of Britain to the introduction of the new modes and practices that are usually termed 'Renaissance', marked by the changes in religion. Lavishly illustrated, the author provides an illuminating window into the society of the Middle Ages."--Jacket. "Drawing on a wide range of physical and documentary evidence, including objects from archaeological excavations and written sources, he argues that the significance of material culture has not been properly taken into account in explanations of social change, particularly in the later Middle Ages. He also explores how identity was created, and how social division was expressed and reinforced."
Dress accessories --- House furnishings --- Material culture --- Personal belongings --- Belongings, Personal --- Bundles of personal belongings --- Effects, Personal --- Paraphernalia, Personal --- Personal effects --- Personal paraphernalia --- Personal possessions --- Possessions, Personal --- Culture --- Folklore --- Technology --- Home furnishings --- Household goods --- Home economics --- Interior decoration --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Clothing and dress --- History --- Equipment and supplies --- Great Britain --- Antiquities. --- Civilization --- Antiquities --- Social life and customs --- 1066-1485 --- Betekenis. --- Bezit. --- Civilization. --- Dress accessories. --- Geschichte 1066-1485. --- House furnishings. --- Material culture. --- Materiële cultuur. --- Oberschicht. --- Personal belongings. --- Sachkultur. --- Schmuck. --- Sociale identiteit. --- Sozialstatus. --- To 1500. --- Great Britain. --- Gro�britannien.
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For women at the early modern courts, clothing and jewellery were essential elements in their political arsenal, enabling them to signal their dynastic value, to promote loyalty to their marital court and to advance political agendas. This is the first collection of essays to examine how elite women in early modern Europe marshalled clothing and jewellery for political ends. With essays encompassing women who traversed courts in Denmark, England, France, Germany, Habsburg Austria, Italy, Portugal, Spain and Sweden, the contributions cover a broad range of elite women from different courts and religious backgrounds as well as varying noble ranks.
ART / History / Renaissance --- Schmuck --- Politik --- Kleidung --- Hof --- Frau --- Women's clothing. --- Nobility --- Jewelry --- Women's clothing --- Clothing. --- Clothing --- History --- Political aspects --- 1500-1699 --- Europa --- Europe. --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Women --- Women's apparel --- Women's wear --- Womenswear --- Clothing and dress --- Dressmaking --- Tailoring (Women's) --- Jewellery --- Jewelry, Primitive --- Jewels --- Decorative arts --- Dress accessories --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Apparel --- Clothes --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- History of civilization --- History of Europe --- fashion [concept] --- women [female humans] --- anno 1200-1799 --- dress. --- jewelry. --- politics. --- queens. --- weddings. --- 1500-1699. --- fashion [culture-related concept]
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