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Book
Der neunte Tag - Pfarrerblock 25487 : das Buch zum Film des Oscar-Preisträgers Volker Schlöndorff
Authors: ---
ISBN: 2879635101 9782879635101 2879634989 9782879634982 287963511X 9782879635118 Year: 2004 Publisher: Luxembourg Editions Saint-Paul

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Volker Schlöndorff's cinema
Authors: ---
ISBN: 0585464596 9780585464596 9780809332007 0809332000 9780809389391 0809389398 0809324512 9780809324514 9786613901309 Year: 2002 Publisher: Carbondale Southern Illinois University Press

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Volker Schlöndorff's Cinema: Adaptation, Politics and the "Movie-Appropriate" examines the work of major postwar German director Volker Schlöndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formal ambitiousness of Schlöndorff that is comparable to that found in Wenders, Herzog, and Fassbinder. In spite of Schlöndorff's successes with films like The Lost Honor of Katharina Blum and The

Die Filme von Volker Schlöndorff
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ISBN: 3487082322 Year: 1981 Publisher: Hildesheim Olms

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Book
The lost honour of Katharina Blum (Die verlorene Ehre der Katharina Blum)
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ISBN: 9781839024375 1839024372 Year: 2022 Publisher: London Bloomsbury on behalf of the British Film Institute

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"Upon its release, Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Released in the same year that members of the Baader-Meinhof gang went on trial for their politically-motivated crimes against corporate Germany, the film portrayed a female lead who, facing unjust persecution by the police and the media, resorts to lethal violence. Julian Preece's study considers what makes Katharina Blum new and radical, a turning point in numerous contexts, especially with respect to women's cinema and the portrayal of the female lead. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from the original short novel authored by Heinrich Böll, considering the differing contributions of the co-directors von Trotta and Schlöndorff. First-hand accounts by members of the cast and production team, including cinematographer Jost Vacano, producer Eberhard von Junkersdorf, and actors Angela Winkler and Mario Adorf, provide unique insight into the film's production. Inspiring numerous spin-offs throughout the 2000s, the film's themes continue to resonate with our contemporary moment, particularly in its depiction of a young woman's ordeal in a world run by men. Through an analysis of these adaptations (the most recent from 2014) Preece depicts the film's lasting influence, while also highlighting what makes the original film distinctive"--

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