Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Miriam Schapiro was één van de pioniers van de feministische kunstbeweging in de Verenigde Staten. Aan het begin van de jaren zeventig richtte zij, samen met Judy Chicago, het Feminist Art Program op aan het California Institute of the Arts. Eén van de markante realisaties die daaruit voorvloeide was de installatie 'Womanhouse' , een volledig feministisch 'environment' in een verlaten huis in Hollywood. Dit werk markeerde het beginpunt van een jarenlange samenwerking tussen Schapiro en andere kunstenaressen aan gezamenlijke feministische kunstprojecten. In deze eerste monografie over Schapiro wordt het traject van haar kunstenaarscarrière geschetst vanaf de jaren vijftig tot nu. Het boek bevat een uitgebreide bibliografie en een chronologisch overzicht van tentoonstellingen.

Art --- Feminist art --- Artists --- Biography --- Book --- Schapiro, Miriam --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- art [discipline] --- multiples --- Krushenik, Nicholas --- Warhol, Andy --- Trova, Ernest --- Walton, William --- Laing, Gerald --- Wesselmann, Tom --- Ortman, George --- Pearson, Henry --- Schapiro, Miriam --- Youngerman, Jack --- Zox, Larry --- Lichtenstein, Roy --- Dine, Jim --- Frankenthaler, Helen --- Marisol --- Indiana, Robert --- Yunkers, Adja

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Women artists: The Linda Nochlin Reader brings together thirty essential essays from throughout Nochlin's career, including two written specially for this book, making this the definitive anthology of her writing about women in art. Her major thematic texts, such as "Women Artists After the French Revolution" and "Starting from Scratch: The Beginnings of Feminist Art History," appear alongside the landmark 1971 essay and its rejoinder "'Why Have There Been No Great Women Artists?' Thirty Years After." Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle, as well as concise biographies of all the artists discussed in the book and a complete bibliography of Nochlin's publications."--Rabat de la jaquette.

sexuality --- women [female humans] --- feminism --- art history --- Art --- Kozloff, Joyce --- Kass, Deborah --- Brown, Cecily --- Gilje, Kathleen --- Graves, Nancy --- Lucas, Sarah --- Taylor-Wood, Sam --- Sleigh, Sylvia --- Cassatt, Mary --- Schapiro, Miriam --- Yanagi, Miwa --- Bourgeois, Louise --- Morisot, Berthe Marie Pauline --- Saville, Jenny --- Frank, Natalie --- Frank, Mary --- Mitchell, Joan --- Lou, Liza --- Stettheimer, Florine --- Neel, Alice --- Smith, Kiki --- Calle, Sophie --- Altfest, Ellen --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- vrouwelijke kunstenaars --- kunstkritiek --- feminisme --- Nochlin, Linda --- Zuka --- Morisot, Berthe --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- 7.01 --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw ; 1970-2007 --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Women artists. --- Nochlin, Linda, --- Nochlin, Linda. --- Women art historians --- Women artists --- Feminism in art --- Attitudes. --- History. --- Attitudes --- Social conditions. --- vrouwelijke kunstenaars. --- kunstkritiek. --- feminisme. --- Schapiro, Miriam. --- Zuka. --- Stettheimer, Florine. --- Graves, Nancy. --- Morisot, Berthe. --- Kozloff, Joyce. --- Cassatt, Mary. --- Sleigh, Sylvia. --- Kass, Deborah. --- Saville, Jenny. --- Frank, Mary. --- Gilje, Kathleen. --- Mitchell, Joan. --- Taylor-Wood, Sam. --- Neel, Alice. --- Smith, Kiki. --- Lucas, Sarah. --- Brown, Cecily. --- Lou, Liza. --- Yanagi, Miwa. --- Bourgeois, Louise. --- Calle, Sophie. --- Altfest, Ellen. --- Frank, Natalie. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- lichaam (van de mens) --- vrouwelijke kunstenaar --- Feminism --- Artists --- Art history --- Art criticism --- Reference work --- Visual arts --- Biographical details --- Book --- Femmes artistes.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

L'Université Nova Scotia College of Art and Design (NSCAD) est un établissement d’enseignement supérieur en arts et médias canadien situé à Halifax en Nouvelle-Écosse. Fondée en 1887 sous le nom de Victoria School of Art and Design, elle compte 1 025 étudiants en 2010. Elle délivre des maîtrises en beaux-arts et en design. From gallery openings to dance performances to visiting lectures to exhibitions to classroom projects, the book gives a rich historical and visual account of the school's activities, supplemented by details of specific events, reminiscences by faculty and students, accounts of artists' talks, and notes on memorable controversies. A partial list of visiting artists and faculty members at NSCAD would include Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Mel Bochner, Lucy Lippard, John Baldessari, Hans Haacke, Yvonne Rainer, Robert Frank, Jenny Holzer, Robert Morris, Eric Fischl, and Dara Birnbaum. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg. With The Last Art College, Garry Kennedy, the college's visionary president at the time, gives us the long-awaited documentary history of NSCAD during a formative era. "How did a small art college in Nova Scotia become the epicenter of art education -and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax.

art education --- Art --- kunstonderwijs --- Higher education --- Canada --- 373.67(71) --- 7.038 --- Kunstonderwijs ; Canada ; Halifax ; Nova Scotia College of Art and Design ; NSCAD --- Beeldende kunst ; 20ste eeuw ; 1968-1978 --- Conceptuele kunst --- Minimal Art --- kunst --- Nova Scotia college of art and design --- minimalisme --- minimal art --- concept art --- conceptuele kunst --- Byars James Lee --- Askevold David --- Weiner Lawrence --- Graham Dan --- Kosuth Joseph --- Lippard Lucy --- Andre Carl --- LeWitt Sol --- Cameron Eric --- Dallegret François --- Acconci Vito --- Lozano Lee --- Baldessari John --- Ferguson Gerald --- Kelly Patrick --- Glass Philip --- Levine Les --- Winsor Jackie --- Snow Michael --- Antin Eleanor --- Vazan William --- Morris Michael --- Lewis Glenn --- Aycock Alice --- Sondheim Alan --- Kawara On --- Ramsden Mel --- Buren Daniel --- Williams Emmett --- Harden Richards --- Huebler Douglas --- Murray Ian --- Filliou Robert --- Penck A.R. --- Rainer Yvonne --- Forti Simone --- Oldenburg Claes --- Asher Michael --- Cypis Dorit --- Condé Carole --- Haacke Hans --- Judd Donald --- Schapiro Miriam --- Fischl Eric --- Knight John --- MacWilliam David --- Ewen Paterson --- Wodiczko Krzysztof --- Beuys Joseph --- Frank Robert --- Trepanier Peter --- Buchloh Benjamin --- Borduas Paui-Emile --- Richter Gerhard --- 363.67 --- Onderwijs ; kunst- architectuuronderwijs ; Canada --- Kunstgeschiedenis ; 1950 - 2000 --- Penck A.R --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching (Higher) --- Nova Scotia College of Art and Design --- Nova Scotia College of Art & Design --- NSCAD --- N.S.C.A.D. --- NSCAD University --- History. --- Ecole d'art --- Pédagogie --- Enseignement artistique --- Performance --- Années 1970 --- Design --- Black mountain college --- 373.67.03(71) --- Onderwijs ; kunst- en architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten ; Canada --- Art, Primitive

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

artists [visual artists] --- exhibitions [events] --- museology --- curating --- Museology --- Art --- Artists as art museum curators --- Artists and museums --- Curatorship --- History. --- Exhibition techniques. --- Techniques d'exposition --- kunst --- Avant-Garde Argentinian Visual Artists Group --- 7.038/039 --- Warhol Andy --- Thomas Philippe --- Ter-Oganyan Avdev --- Rosler Martha --- Zaatari Akram --- Raad Walid --- Oiticica Hélio --- Olowska Paulina --- McKenzie Lucy --- Macuga Goshka --- Leckey Mark --- Kippenberger Martin --- Hammons David --- Pasmore Victor --- Hamilton Richard --- Group Material --- Parreno Philippe --- Gillick Liam --- Hinderer Max Jorge --- Siekmann Andreas --- Creischer Alice --- Colab --- Collaborative Projects Inc. --- CalArts Feminist Art Program --- Schapiro Miriam --- Chicago Judy --- Cage John --- Ding Yi --- Shi Yong --- Zhou Tiehai --- Bull Hank --- Broodthaers Marcel --- Bochner Mel --- 069 --- museologie --- tentoonstellingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Curating --- Curatorial practice --- Museums and artists --- Display techniques --- Artists and museums. --- Artists as art museum curators. --- Curatorship. --- Kunstausstellung. --- Kunstmuseum. --- Kurator --- Künstler. --- Geschichte 1957-2015. --- Collaborative Projects Inc --- History --- Exhibition techniques --- Artistes conservateurs de musée d'art --- Artistes et musées --- Conservation --- Histoire --- Exhibitions --- Art museums --- Art museum curators --- exhibition curators --- Exposition --- Musée --- Sociologie de la culture --- MAD-faculty 17 --- musea --- hedendaagse kunstenaars --- kunsttentoonstellingen