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In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners-Whiteman, legendary in his day, and Armstrong, a legend ever since.Paul Whiteman's fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the "King of Jazz" in 1930 in a Universal Studios feature film, Whiteman's imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king's crown.This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges-a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Jazz musicians --- Armstrong, Louis, --- Whiteman, Paul, --- Armstrong, Satchmo, --- Satchmo, --- Armstrong, Louis
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Louis Armstrong was more than a great entertainer--he was one of the most important musicians of our times, not only a key figure in the history of jazz but also a formative influence on all of twentieth-century popular music. James Lincoln Collier, author of The Making of Jazz chronicles the saga of Armstrong's rise as a musician, providing a unique, insightful portrait of the man and his times.
Jazz musicians --- Music History & Criticism, Instrumental --- Music --- Music, Dance, Drama & Film --- Armstrong, Louis, --- Armstrong, Satchmo, --- Satchmo, --- Armstrong, Louis
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A groundbreaking study of Louis Armstrong's autobiographical practices
Jazz musicians --- Jazz --- Autobiography. --- Autobiographies --- Autobiography --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism. --- History and criticism --- Technique --- Armstrong, Louis, --- Armstrong, Satchmo, --- Satchmo, --- Armstrong, Louis
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For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920's, when the discs were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. Through a careful analysis of seven seminal recordings in this compact and thoroughly engaging book, author Brian Harker recaptures the perspective of Armstrong's original audie
Jazz --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- History and criticism. --- Armstrong, Louis, --- Armstrong, Satchmo, --- Satchmo, --- Criticism and interpretation. --- Hot Five --- Hot Seven --- Hot 7 --- Hot Sevens --- Louis Armstrong's Hot 7 --- Louis Armstrong's Hot Seven --- Hot Fives --- Lill's Hot Shots --- Lil's Hot Shots --- Louis Armstrong Hot Five --- Louis Armstrong's Hot Five --- Savoy Ballroom Five --- Armstrong, Louis --- Criticism and interpretation --- 1921-1930 --- History and criticism --- Discography
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