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Tirées du colloque de 2010 à Perpignan, ces études abordent les questions liées au culte funéraire dans la Rome antique. A partir d'une série de sarcophages de l'époque impériale, sculptés à partir de 120 après J.-C., il évoque leur localisation originelle, la signification de leur décor, les intentions de leurs commanditaires ainsi que la réception par leurs spectateurs.
Sarcophagi, Early Christian --- Sarcophages chrétiens --- Sarcophages chrétiens --- Sepulchral monuments --- Monuments funéraires --- Congresses --- Congrès --- Congresses.
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Die Sarkophage sind eine Gattung von Monumenten, die zum Kernbereich sowohl der romisch-kaiserzeitlichen als auch der spatantiken und fruhbyzantinischen Kunst- und Kulturgeschichte gehort. In diesem Band werden erstmals die Exemplare aus Konstantinopel, der Hauptstadt des ostromischen Reiches, ferner jene aus Kleinasien 0sowie aus den Provinzen Syria, Palaestina und Arabia in einem Katalog zusammengefuhrt und in Beschreibungen samt zahlreichen Abbildungen vorgelegt. Zu den einzelnen Gruppen gibt es einfuhrende Texte, die das Material in einen groeren Zusammenhang stellen.
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The present study analyzes not only the images of the deceased on the Christian sarcophagi, but also highlights the fact that these representations of the deceased must be regarded as a characteristic of these sarcophagi. These representations of the deceased on the Christian sarcophagi can be divided into two groups: the first imported from pagan tradition and partly reinterpreted; the second group is made up of new images create by an innovative higher class. Like the majority of researchers, I believe that the majority of sarcophagi, apart for the more simple ones or of less quality, were carried out on order. An important result of this study is the following observation: the images of the deceased are more often reproduced on the Christian sarcophagi than on the pagan ones.
Sarcophagi, Early Christian. --- Sculpture, Early Christian. --- Christian art and symbolism --- Portrait sculpture, Ancient. --- Busts, Roman --- Sarcophages chrétiens --- Sculpture paléochrétienne --- Art et symbolisme chrétiens --- Sculpture de portraits antique --- Bustes romains --- Sarcophages chrétiens --- Sculpture paléochrétienne --- Art et symbolisme chrétiens
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Dr Susan Walker tells the story of Charles Wilshere's passionate interest in early Christian and Jewish archaeology. His collection was formed in Italy from 1860-1880 and has mostly been on public display ever since, in London and Oxford, where it is now shown in the Ashmolean Museum. The collection includes gold-glass and gravestones from two interesting collections of the southern Italian enlightenment, and Jewish tombstones from the Vigna Randanini. Recent examination of the gold-glass has revealed interesting new information about how the glass was made in fourth-century Rome. The collection also offers a glimpse of the religious and social history of fourth-century Rome: Christians were discouraged from honouring their dead in pagan style with exuberant funerary feasts, and instead were encouraged to honour the memory of Christian martyrs. The Jewish community shared the traditional enthusiasm for feasting at the grave, and bought their gold-glass from the same workshops.
Gold glass --- Sarcophagi, Early Christian --- Art, Early Christian --- Christian art and symbolism --- Private collections --- Wilshere, Charles, --- Art collections. --- Archaeological collections. --- Ashmolean Museum. --- Glassware, Roman --- Sarcophagi, Roman --- Archaeological collections --- Italy --- Antiquities --- Art, Early Christian - Private collections - England - Oxford - Catalogs --- Gold glass - Catalogs --- Glassware, Roman - England - Oxford - Catalogs --- Sarcophagi, Roman - England - Oxford - Catalogs --- Verres à fond d'or --- Sarcophages chrétiens --- Epigraphie chrétienne --- Wilshere, Charles, - 1814-1906 - Archaeological collections - Catalogs --- Italy - Antiquities - Catalogs --- Wilshere, Charles, - 1814-1906
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Sculpture --- Religious architecture --- anno 400-499 --- anno 300-399 --- anno 500-799 --- anno 200-299 --- Northern Africa --- Europe --- West Asia --- Sarcophagi, Roman --- Sarcophagi, Early Christian --- Sarcophages romains --- Sarcophages chrétiens --- Sarcophagi, Early Christian. --- Christian art and symbolism. --- Christian art and symbolism --- 902 --- Early Christian sarcophagi --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Archeologie --- 902 Archeologie --- North Africa --- Sarcophages chrétiens --- Religious art --- Symbolism in art
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Children --- Sarcophagi, Early Christian --- Sarcophagi, Roman --- Enfants --- Sarcophages chrétiens --- Sarcophages romains --- Tombs --- Themes, motives --- Tombes --- Sujets, motifs --- Thèmes, motifs --- Themes, motives. --- Sarcophages chrétiens --- Thèmes, motifs --- Roman sarcophagi --- Early Christian sarcophagi --- Childhood --- Kids (Children) --- Pedology (Child study) --- Youngsters --- Age groups --- Families --- Life cycle, Human --- Sarcophagi [Roman ] --- Italy --- Ostia (Extinct city) --- Sarcophagi [Early Christian ] --- Rome --- Sarcophagi, Roman - Italy - Ostia (Extinct city) --- Sarcophagi, Early Christian - Rome - Themes, motives. --- Sarcophagi, Early Christian - Italy - Ostia (Extinct city) - Themes, motives. --- Children - Rome - Tombs. --- Children - Italy - Ostia (Extinct city) - Tombs. --- Sarcophagi, Roman - Themes, motives. --- Children - Tombs - Rome. --- Children - Tombs - Italy - Ostia (Extinct city)
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