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How can Romantic poetry, motivated by the poet's intense yearning to impart his thoughts and feelings, be so often difficult and the cause of readerly misunderstanding? How did it come to be that a poet can compose a verbal artwork, carefully and lovingly put together, and send it out into the world at the same time that he is adopting a stance against communication? This book addresses these questions by showing that the period's writers were responding to the beginnings of our networked world of rampant mediated communication. The Connected Condition reveals that major Romantic poets shared a great attraction and skepticism toward the dream of perfectible, efficient connectivity that has driven the modern culture of communication.
English poetry --- Communication --- Romanticism --- History and criticism. --- History --- British Romanticism. --- John Keats. --- Percy Shelley. --- Samuel Taylor Coleridge. --- William Wordsworth. --- communication. --- infrastructure. --- literature. --- media. --- poetry.
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What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery, and from there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage-a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon-one of action from slavery and toward freedom-he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space-that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.
Fugitive slaves --- Liberty. --- Maroons. --- africana studies, slavery, enslaved, history, historical, human condition, humanity, opposition, free, escape, caribbean, latin america, systems, power, politics, political, ideals, morals, values, liminal, transitional, flight, analysis, critique, critical, academic, scholarly, research, theory, theoretical, hannah arendt, web du bois, angela davis, frederick douglass, samuel taylor coleridge, literary, literature.
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What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery, and from there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage-a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon-one of action from slavery and toward freedom-he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space-that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.
Maroons. --- Fugitive slaves --- Liberty. --- africana studies, slavery, enslaved, history, historical, human condition, humanity, opposition, free, escape, caribbean, latin america, systems, power, politics, political, ideals, morals, values, liminal, transitional, flight, analysis, critique, critical, academic, scholarly, research, theory, theoretical, hannah arendt, web du bois, angela davis, frederick douglass, samuel taylor coleridge, literary, literature.
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This is the first book-length study to read the "Ancient Mariner" as "poetry," in Coleridge's own particular sense of the word. Coleridge's complicated relationship with the "Mariner" as an experimental poem lies in its origin as a joint project with Wordsworth. J. C. C. Mays traces the changes in the several versions published in Coleridge's lifetime and shows how Wordsworth's troubled reaction to the poem influenced its subsequent interpretation. This is also the first book to situate the "Mariner" in the context of the entirety of Coleridge's prose and verse, now available in the Bollingen Collected edition and Notebooks; that is, not only in relation to other poems like "The Ballad of the Dark Ladiè" and "Alice du Clós," but also to ideas in his literary criticism (especially Biographia Literaria), philosophy, and theology. Using a combination of close reading and broad historical considerations, reception theory, and book history, Mays surveys the poem's continuing life in illustrated editions and educational textbooks; its passage through the vicissitudes of New Criticism and critical theory; and, in a final chapter, its surprising affinities with some experimental poems of the present time. .
Literature. --- Literature, Modern --- Poetry. --- British literature. --- Nineteenth-Century Literature. --- British and Irish Literature. --- Poetry and Poetics. --- 19th century. --- Literature --- Literature, Modern-19th century. --- Poems --- Poetry --- Verses (Poetry) --- Philosophy --- Literature, Modern—19th century. --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Rime of the ancient mariner (Coleridge, Samuel Taylor) --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Kolʹridzh, Samuil Teĭlor, --- Kūlīridj, Ṣāmwīl Tīlūr, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- Кольридж, Самуил, --- Кольридж, Самуил Тейлор, --- קולרידג׳, סמיואל טיילור --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Ancient mariners of Samuel Taylor Coleridge (Coleridge, Samuel Taylor)
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Art of Darkness is an ambitious attempt to describe the principles governing Gothic literature. Ranging across five centuries of fiction, drama, and verse-including tales as diverse as Horace Walpole's The Castle of Otranto, Shelley's Frankenstein, Coleridge's The Rime of the Ancient Mariner, and Freud's The Mysteries of Enlightenment-Anne Williams proposes three new premises: that Gothic is "poetic," not novelistic, in nature; that there are two parallel Gothic traditions, Male and Female; and that the Gothic and the Romantic represent a single literary tradition. Building on the psychoanalytic and feminist theory of Julia Kristeva, Williams argues that Gothic conventions such as the haunted castle and the family curse signify the fall of the patriarchal family; Gothic is therefore "poetic" in Kristeva's sense because it reveals those "others" most often identified with the female. Williams identifies distinct Male and Female Gothic traditions: In the Male plot, the protagonist faces a cruel, violent, and supernatural world, without hope of salvation. The Female plot, by contrast, asserts the power of the mind to comprehend a world which, though mysterious, is ultimately sensible. By showing how Coleridge and Keats used both Male and Female Gothic, Williams challenges accepted notions about gender and authorship among the Romantics. Lucidly and gracefully written, Art of Darkness alters our understanding of the Gothic tradition, of Romanticism, and of the relations between gender and genre in literary history.
Fiction --- Thematology --- English literature --- anno 1700-1799 --- anno 1800-1899 --- 82-34 --- Sprookje. Legende. Mythe --- Gothic revival (Literature) --- Horror tales, English --- Poetics --- Romanticism --- History and criticism --- Theory, etc. --- History --- 82-34 Sprookje. Legende. Mythe --- English horror tales --- English fiction --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism&delete& --- Theory, etc --- Poetics. --- Poetry --- Technique --- gothic literature, literary, fiction, drama, verse, poetry, poems, castle of otranto, frankenstein, ancient mariner, enlightenment, poetic, horace walpole, mary shelley, samuel taylor coleridge, sigmund freud, traditions, male, female, gender, romantic, psychoanalysis, feminist theory, haunted, supernatural, family curse, others, 18th century, authorship, genre, great britain, criticism, history, horror, symbolism, dracula, feminine desires, mother, stranger, other. --- LITTERATURE D'EPOUVANTE ANGLAISE --- NEO-GOTHIQUE (LITTERATURE) --- ROMANTISME --- ENGLISH LITERATURE --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE --- 18th CENTURY --- 19th CENTURY
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An illuminating history of how religious belief lost its uncontested status in the WestThis landmark book traces the history of belief in the Christian West from the Middle Ages to the Enlightenment, revealing for the first time how a distinctively modern category of belief came into being. Ethan Shagan focuses not on what people believed, which is the normal concern of Reformation history, but on the more fundamental question of what people took belief to be.Shagan shows how religious belief enjoyed a special prestige in medieval Europe, one that set it apart from judgment, opinion, and the evidence of the senses. But with the outbreak of the Protestant Reformation, the question of just what kind of knowledge religious belief was-and how it related to more mundane ways of knowing-was forced into the open. As the warring churches fought over the answer, each claimed belief as their exclusive possession, insisting that their rivals were unbelievers. Shagan challenges the common notion that modern belief was a gift of the Reformation, showing how it was as much a reaction against Luther and Calvin as it was against the Council of Trent. He describes how dissidents on both sides came to regard religious belief as something that needed to be justified by individual judgment, evidence, and argument.Brilliantly illuminating, The Birth of Modern Belief demonstrates how belief came to occupy such an ambivalent place in the modern world, becoming the essential category by which we express our judgments about science, society, and the sacred, but at the expense of the unique status religion once enjoyed.
Christian West;religious belief;unbelievers;modern belief;Protestant Reformation;Luther;Calvin;Council of Trent;Enlightenment;belief;unbelief;religion;secular age;Reformation;modernity;Protestants;Catholics;Anabaptists;medieval Christians;God;deity;epistemology;faith;infinite creator;simulacra;Europe. --- Christian belief. --- Christian society. --- Church. --- Counter-Reformation. --- Descartes. --- Francesco Spiera. --- Samuel Taylor Coleridge. --- atheism. --- birth pangs. --- classical philosophy. --- confessional credulity. --- doctrines. --- dogma. --- eighteenth century. --- evil. --- existence. --- human beings. --- human creations. --- human judgment. --- infidels. --- knowledge. --- medieval credulity. --- modern credulity. --- modern historians. --- opinion. --- ratiocination. --- sixteenth century. --- social world. --- spiritual objects. --- Europe --- Europe. --- Religion --- History. --- Anabaptists. --- Calvin. --- Catholics. --- Christian West. --- Council of Trent. --- Enlightenment. --- God. --- Luther. --- Protestant Reformation. --- Protestants. --- Reformation. --- belief. --- deity. --- epistemology. --- faith. --- infinite creator. --- medieval Christians. --- modern belief. --- modernity. --- religion. --- religious belief. --- secular age. --- simulacra. --- unbelief. --- unbelievers.
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Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power – acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this volume Barry Hough and Howard Davis show how Coleridge’s actions whilst in a position of power differ markedly from the idealism he had advocated before taking office – shedding new light on Coleridge’s sense of political and legal morality.
British -- Malta -- History -- 19th century. --- Coleridge, Samuel Taylor, -- 1772-1834 -- Travel -- Malta. --- Critics -- Great Britain -- Biography. --- English poetry -- Italian influences. --- Malta -- Intellectual life -- 1789-1900. --- Poets, English -- 19th century -- Biography. --- Poets, English -- Homes and haunts -- Malta. --- Italian influences. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Republic of Malta --- Repubblika taʼ Malta --- State of Malta --- Malte --- Maltese Islands --- مالطة --- Mālṭah --- Мальта --- Рэспубліка Мальта --- Rėspublika Malʹta --- Republika Malta --- Малта --- Република Малта --- República de Malta --- Maltská republika --- Gweriniaeth Malta --- Republik Malta --- Malta Vabariik --- Μάλτα --- Δημοκρατία της Μάλτας --- Dēmokratia tēs Maltas --- Government of Malta --- Gvern ta̕ Malta --- マルタ --- Maruta --- Melita --- Poets, English --- British --- Critics --- English poetry --- English poets --- British people --- Britishers --- Britons (British) --- Brits --- Ethnology --- History --- Homes and haunts --- Coleridge, Samuel Taylor, --- Travel --- Malta --- Intellectual life --- romanticism --- legal history --- romantic literature --- nineteenth century --- colonial government --- political history --- samuel taylor coleridge --- colonialism --- malta --- british imperial history --- maltese history --- Avvisi --- Royal commission --- British imperial history --- Colonial government --- Colonialism --- Legal history --- Maltese history --- Political history --- Romantic literature --- Romanticism --- Nineteenth century
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The Making of Modern Liberalism is a deep and wide-ranging exploration of the origins and nature of liberalism from the Enlightenment through its triumphs and setbacks in the twentieth century and beyond. The book is the fruit of the more than four decades during which Alan Ryan, one of the world's leading political thinkers, reflected on the past of the liberal tradition-and worried about its future.This is essential reading for anyone interested in political theory or the history of liberalism.
Liberalism --- History. --- Alexander Herzen. --- Alexis de Tocqueville. --- Autobiography. --- Bertrand Russell. --- East India Company. --- Enlightenment. --- Hannah Arendt. --- India. --- Isaiah Berlin. --- Jean-Jacques Rousseau. --- John Locke. --- John Rawls. --- John Stuart Mill. --- Joseph de Maistre. --- Karl Popper. --- L. T. Hobhouse. --- Leviathan. --- Marxism. --- Niccolo Machiavelli. --- On Liberty. --- Samuel Taylor Coleridge. --- T. H. Green. --- The Subjection of Women. --- Thomas Hobbes. --- Vietnam War. --- Whig Revolution. --- World War II. --- absolutism. --- adjectival freedom. --- administration. --- administrative reform. --- adverbial freedom. --- anti-Americanism. --- anti-imperialism. --- atomism. --- authority. --- autonomy. --- brutalization. --- bureaucracy. --- capitalism. --- civil service. --- coercion. --- communitarianism. --- community. --- criminal justice system. --- culture. --- death penalty. --- democracy. --- disenchantment. --- empire. --- epistemological antiauthoritarianism. --- equality. --- ethics. --- fairness. --- free will. --- freedom of speech. --- freedom. --- government. --- human nature. --- human rights. --- incarceration. --- individualism. --- individuality. --- inner life. --- intervention. --- justice. --- law of nature. --- legitimacy. --- liberal anxieties. --- liberal community. --- liberal education. --- liberal imperialism. --- liberal interventionism. --- liberalism. --- libertarianism. --- liberty. --- marriage. --- mechanical materialism. --- meritocracy. --- moral authority. --- natural rights. --- natural theology. --- obligation. --- opinion. --- ordinary language philosophy. --- ordinary warfare. --- pacifism. --- participatory democracy. --- passivity. --- patriotism. --- philosophical engineering. --- philosophy. --- physics. --- physiology. --- pluralism. --- poetry. --- political liberalism. --- political obligation. --- political philosophy. --- political theory. --- politics. --- progress. --- property. --- psychology. --- punishment. --- rationality of science. --- red terror. --- religion. --- religious authority. --- religious belief. --- religious dissent. --- republicanism. --- rights. --- romantic conservatism. --- science. --- self-assertion. --- self-maintenance. --- self-preservation. --- self-realization. --- self-sufficiency. --- social identity. --- state. --- terror. --- terrorism. --- terrorist states. --- toleration. --- utilitarianism. --- utility. --- violence. --- welfare state. --- white terror.
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A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.--
Austen, Jane, --- Criticism and interpretation. --- Amendment. --- Anna Maria Porter. --- Anne Elliot. --- Author. --- Book. --- Bree (Middle-earth). --- Cassandra Austen. --- Catholic Church. --- Charlotte Lennox. --- Claire Tomalin. --- Clarissa. --- Claudia L. Johnson. --- Correction (novel). --- Debut novel. --- Diary. --- E. M. Forster. --- Early Period. --- Edition (book). --- Elinor Dashwood. --- Eliza de Feuillide. --- Elizabeth Bennet. --- Elizabeth Bishop. --- Emma (novel). --- Emma Woodhouse. --- Emmeline. --- Epigraph (literature). --- Epistle. --- Essay. --- Evelina. --- Fairy tale. --- Fanny Hill. --- Fanny Price. --- Felicia Hemans. --- Fiction. --- Fictional universe. --- First Story. --- Frances Burney. --- G. K. Chesterton. --- Hannah More. --- Hester Thrale. --- Historical romance. --- Inception. --- Intention. --- J. M. Barrie. --- Jane Austen. --- Janet Todd. --- John Cleland. --- Jude the Obscure. --- Juvenilia. --- Lady Susan. --- Life and Letters. --- Literary genre. --- Literary modernism. --- Mansfield Park. --- Manuscript. --- Margaret Tudor. --- Maria Edgeworth. --- Marianne Dashwood. --- Marriage plot. --- Martha Lloyd. --- Mary Brunton. --- Mary Crawford (Mansfield Park). --- Mary Musgrove. --- Mary Russell Mitford. --- Mary Wollstonecraft. --- Memoir. --- Middle age. --- Miss Bates. --- Mrs. --- N. (novella). --- North America. --- Northanger Abbey. --- Novel. --- Novelist. --- Parody. --- Persuasion (novel). --- Poetry. --- Point of Origin (novel). --- Prediction. --- Preface. --- Publication. --- Regency novel. --- Routledge. --- Samuel Taylor Coleridge. --- Sanditon. --- Sense and Sensibility. --- Sentimental novel. --- Sequel. --- Sir Francis Drake (TV series). --- Susan Gubar. --- The Beautifull Cassandra. --- The Female Quixote. --- The History of England (Austen). --- The History of England (Hume). --- The Light of Day (Graham Swift novel). --- The Years. --- Waverley Novels. --- William Hone. --- Writer. --- Writing. --- England --- -Social life and customs --- Social life and customs
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This is the first English translation of Proclus' commentary on Plato'sParmenides. Glenn Morrow's death occurred while he was less than halfway through the translation, which was completed by John Dillon. A major work of the great Neoplatonist philosopher, the commentary is an intellectual tour de force that greatly influenced later medieval and Renaissance thought. As the notes and introductory summaries explain, it comprises a full account of Proclus' own metaphysical system, disguised, as is so much Neoplatonic philosophy, in the form of a commentary.
Reasoning --- -Argumentation --- Ratiocination --- Reason --- Thought and thinking --- Judgment (Logic) --- Logic --- Early works to 1800 --- Plato --- Socrates --- Zeno of Elea --- Aflāṭūn --- Aplaton --- Bolatu --- Platon, --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Socrate --- Socrates Constantinopolitanus Scholasticus --- Zeno, --- Form --- Philosophical perspectives --- Socrates. --- Argumentation --- Plato. --- Zenón, --- Zénon, --- Zenon, --- Ζήνων, --- Zēnōn, --- Platon --- Platoon --- Form (Philosophy) --- Parmenides --- Early works to 1800. --- Raisonnement --- Ouvrages avant 1800 --- Платон --- プラトン --- Zeno, - of Elea --- Sokrates --- Sokrat, --- Sokrates, --- Suqrāṭ, --- Su-ko-la-ti, --- Sugeladi, --- Sokuratesu, --- Sākreṭīsa, --- Socrate, --- سقراط, --- Σωκράτης, --- Aeschylus. --- Alexander of Aphrodisias. --- Allegory. --- Ammonius Saccas. --- Analytic–synthetic distinction. --- Anecdote. --- Antithesis. --- Aporia. --- Aristotelianism. --- Aristotle. --- Axiom. --- Callicles. --- Cephalus. --- Chaldean Oracles. --- Comprehension (logic). --- Cratylus (dialogue). --- Creation myth. --- Critique. --- Damascius. --- Demiurge. --- Dialectician. --- Dionysius the Areopagite. --- Dionysus. --- Endoxa. --- Epicurus. --- Existence. --- First principle. --- Form of life (philosophy). --- Glaucon. --- Hippias. --- Hypostasis (philosophy and religion). --- Hypothesis. --- Hypothetical syllogism. --- Iamblichus. --- Idealism. --- Identity (philosophy). --- Immutability (theology). --- Intellect. --- Logos. --- Menexenus (dialogue). --- Metaphysics. --- Middle Platonism. --- Middle term. --- Multitude. --- Neoplatonism. --- Nicholas of Cusa. --- Nous. --- Parmenides (dialogue). --- Parmenides. --- Phaedrus (dialogue). --- Philebus. --- Philosopher. --- Philosophical language. --- Philosophy. --- Phronesis. --- Platonic Theology (Ficino). --- Platonic realism. --- Platonism. --- Plotinus. --- Plutarch of Athens. --- Plutarch. --- Polemic. --- Potentiality and actuality. --- Pre-Socratic philosophy. --- Premise. --- Pronoia (psychology). --- Protagoras (dialogue). --- Pyrrhonism. --- Pythagoras. --- Pythagoreanism. --- Reality. --- Reason. --- Reductio ad absurdum. --- Samuel Taylor Coleridge. --- Scholasticism. --- Second Letter (Plato). --- Socratic method. --- Sophist. --- Stoicism. --- Subject (philosophy). --- Suggestion. --- Superiority (short story). --- Syllogism. --- Symposium (Plato). --- Syrianus. --- Term logic. --- The Philosopher. --- Theaetetus (dialogue). --- Themistius. --- Theology. --- Theophrastus. --- Theory of Forms. --- Theory. --- Third man argument. --- Thought. --- Timaeus (dialogue). --- Treatise. --- Writing. --- Zeno of Elea. --- -Early works to 1800
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