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Andy Wimbush argues that quietism-a philosophical and religious attitude of renunciation and will-lessness-is a key to understanding Samuel Beckett's artistic vision. Using Beckett's published and archival material, he shows how Beckett distilled an understanding of quietism and turned it into a new aesthetic.
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Beckett, Samuel, --- Samuel Beckett Society --- Samuel Beckett Society.
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Beckett, Samuel, --- Samuel Beckett Society --- Samuel Beckett Society.
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In the wake of inadequate histories of radical writing and activism, this book rejects stereotypes of Cunard as spoiled heiress and 'sexually dangerous new woman', offering instead a bold, unapologetic, evidence-based portrait of a woman and her significant contributions to 21st century considerations of gender, race, and class.
Authors, English --- Cunard, Nancy, --- Nancy Cunard --- T.S. Eliot --- Samuel Beckett --- Feminism --- Women Authors --- Feminist Theory
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Die Anthologie Beginning to End ist zweifelsfrei als eigenständiges Werk dem Kanon von Samuel Beckett hinzuzufügen. Das macht Nicola Schmidt mit ihrer Analyse der Fernsehspiele He, Joe, Not I, Quadrat I+II und Nacht und Träume deutlich. Da sich hier bereits alle für Beckett zentralen Motive (Thematik, Verfahrensweise, Umgang mit dem Material) vereinen, kann die Anthologie als generelle Blaupause für sein künstlerisches Schaffen herangezogen werden. Der diesem Erkenntnisprozess zugrunde liegende Bezugsraum erstreckt sich von Dantes Inferno (1320), über Schopenhauers Die Welt als Wille und Vorstellung (1819) bis zu Deleuze' Erschöpfungstheorem (1992).
Theater --- Anthology. --- Art. --- Broadcast. --- Endlessness. --- Film. --- History of Theatre. --- Image. --- Language. --- Media Art. --- Media. --- Samuel Beckett. --- Space. --- Stage. --- Television. --- Theatre Studies. --- Theatre. --- Tv.
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Ludwig Wittgenstein famously declared that philosophy "ought really to be written only as a form of poetry," and he even described the Tractatus as "philosophical and, at the same time, literary." But few books have really followed up on these claims, and fewer still have focused on their relation to the special literary and artistic period in which Wittgenstein worked. This book offers the first collection to address the rich, vexed, and often contradictory relationship between modernism-the twentieth century's predominant cultural and artistic movement-and Wittgenstein, one of its preeminent and most enduring philosophers. In doing so it offers rich new understandings of both. Michael LeMahieu Karen Zumhagen-Yekplé bring together scholars in both twentieth-century philosophy and modern literary studies to put Wittgenstein into dialogue with some of modernism's most iconic figures, including Samuel Beckett, Saul Bellow, Walter Benjamin, Henry James, James Joyce, Franz Kafka, Adolf Loos, Robert Musil, Wallace Stevens, and Virginia Woolf. The contributors touch on two important aspects of Wittgenstein's work and modernism itself: form and medium. They discuss issues ranging from Wittgenstein and poetics to his use of numbered propositions in the Tractatus as a virtuoso performance of modernist form; from Wittgenstein's persistence metaphoric use of religion, music, and photography to an exploration of how he and Henry James both negotiated the relationship between the aesthetic and the ethical. Covering many other fascinating intersections of the philosopher and the arts, this book offers an important bridge across the disciplinary divides that have kept us from a fuller picture of both Wittgenstein and the larger intellectual and cultural movement of which he was a part.
Modernism (Literature) --- Wittgenstein, Ludwig, --- Franz Kafka. --- Henry James. --- James Joyce. --- Ludwig Wittgenstein. --- Samuel Beckett. --- Saul Bellow. --- Tractatus. --- Virginia Woolf. --- Walter Benjamin. --- modernism.
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Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien.The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American)
Absurd (Philosophy) in literature. --- Daniil Kharms. --- Flann O'Brien. --- Franz Kafka. --- OBERIU. --- Samuel Beckett. --- Surrealism. --- absurd. --- absurdist literature. --- literary movements. --- prose fiction.
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Beckett, Samuel --- Velde, van, Bram --- van Velde, Bram --- Bram van Velde 1895-1981 (°Zoeterwoude-Rijnsdijk, Nl.). Samuel Beckett 1906-1989. --- Informele schilderkunst ; Bram van Velde --- Schilderkunst + literatuur ; Br.van Velde ; S. Beckett --- 75.038 --- 75.07 --- Schilderkunst ; 1950 - 2000 --- Schilderkunst ; schilders --- Bram van Velde 1895-1981 (°Zoeterwoude-Rijnsdijk, Nl.). Samuel Beckett 1906-1989 --- Art --- Beckett, Samuel, --- van Velde, Bram, --- Knowledge --- Art.
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beckett and nothing invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which 'little nothings' pervade the Beckett canon.The volume has two main functions: on the one hand, it looks at 'nothing' not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on 'nothing' in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. The volume is a scholarly intervention in the fields of Beckett studies which offers its chapters as case studies to use in the classroom. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies.
Beckett, Samuel --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Beckett, Samuel, --- Criticism and interpretation. --- Beckett&apos. --- Doris Salcedo. --- Human Wishes. --- Jean-Paul Sartre. --- Morton Feldman. --- Samuel Beckett. --- musicalisation. --- nothingness. --- paradoxical fidelity. --- s cinema. --- s television plays. --- televisual production history.
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Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien.The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American)
Absurd (Philosophy) in literature. --- Literature --- Literary Studies: General --- LITERARY CRITICISM / General --- Literature: history & criticism --- Daniil Kharms. --- Flann O'Brien. --- Franz Kafka. --- OBERIU. --- Samuel Beckett. --- Surrealism. --- absurd. --- absurdist literature. --- literary movements. --- prose fiction.
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