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Vivre en couleur est une exposition présentant une sélection de jeunes designers français réunis en 1985 autour du projet de réalisation de mobilier pour le Petit Café de la Fondation Cartier à Jouy-en-Josas. En présentant une gamme particulièrement étendue d’objets usuels ainsi qu’une pluralité d’installations, allant du stand mobilier quasi traditionnel à l’environnement totalisant d’artiste, cette exposition révèle le nouveau visage du design français. Artistes et contributeurs de l’exposition : François Bauchet, Yves Cordier, Elisabeth Garouste, Mattia Bonetti, Pascal Mourgue, Nemo, Nestor Perkal, Pierre Sala, Philippe Starck, Totem
Mobilier --- Design --- Nemo --- Architecture intérieure --- Sala, Pierre
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Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University.
Arthurian romances --- French literature --- Renaissance --- Cycle d'Arthur --- Littérature française --- History and criticism. --- Histoire et critique --- Sala, Pierre, --- Amadís de Gaula (Spanish romance) --- Translations into French --- Book history --- Sociology of literature --- Old French literature --- Appreciation --- Littérature française --- Amadís de Gaula (Spanish romance) --- History and criticism --- Amadís (Spanish romance) --- Amadis of Gaul (Spanish romance) --- Amadigi di Gaula (Spanish romance) --- Amadís de Gaula --- 094:82-31 --- 82.085.43 --- 82.085.43 Literaire receptie --- Literaire receptie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Roman --- 094:82-31 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Roman --- Romances --- Amadis de Gaule. --- Antoine Vérard. --- Arthurian romance. --- Benoît Rigaud. --- Galliot du Pré. --- Giglan. --- Jean Maugin. --- Renaissance France. --- Yvain. --- cultural contexts. --- ideological attitudes. --- socio-cultural.
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