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Vieille de quatre millénaires, la culture iranienne a été admirée et copiée à travers le monde islamique, de l'Inde monghol à l'Empire ottoman. L'époque safavide (1501-1736) marque un véritable âge d'or où s'épanouissent l'art et la littérature, et où le pays s'ouvre aux influences étrangères, notamment européennes. Conçu comme une véritable anthologie d'œuvres remarquables, l'ouvrage dévoile un art profondément conceptuel où le lien intime qui lie le verbe aux arts visuels est la clé d'un imaginaire où la peinture est une métaphore littéraire, tout comme le passé est la métaphore du présent. Un fabuleux voyage à travers la découverte du présent.
Exhibitions --- Art, Iranian --- Art, Safavid --- Safavid art --- Art séfévide --- Manuscrits à peintures persanes --- Vaisselle --- Iran
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In 'ʻAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʻAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of 'Ali Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world.
Art, Safavid. --- Safavid art --- Jebādār, ʻAli Qoli --- Criticism and interpretation. --- Art patronage --- Art and society --- Art, Safavid --- History --- Themes, motives. --- ʻAliquli Jabbadar --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
Emotions in art. --- Art, Ottoman. --- Art, Mogul Empire. --- Art, Safavid. --- Architecture, Mogul Empire. --- Art, Moghul Empire --- Art, Mogul --- Art, Mughal Empire --- Art, Mughul Empire --- Moghul Empire art --- Mogul Empire art --- Mughal Empire art --- Mughul Empire art --- Ottoman art --- Safavid art --- Architecture, Indo-Muslim --- Architecture, Moghul Empire --- Architecture, Mogul --- Architecture, Mughal Empire --- Architecture, Mughul Empire --- Indo-Muslim architecture --- Moghul Empire architecture --- Mogul Empire architecture --- Mughal Empire architecture --- Mughul Empire architecture --- Turkey --- India --- Iran --- Civilization --- Civilization. --- Art, Mughal Empire. --- Architecture, Mughal Empire.
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Calligraphie perse --- Calligraphy [Persian ] --- Kalligrafie [Perzische ] --- Albums --- Art, Safavid --- Art, Timurid --- Book design --- Calligraphy, Persian --- Islamic art --- Persian calligraphy --- Design, Book --- Books --- Graphic design (Typography) --- Timurid art --- Safavid art --- Blank-books --- Format --- Iran --- República Islâmica do Irã --- Irã --- Persia --- Northern Tier --- Islamic Republic of Iran --- Jumhūrī-i Islāmī-i Īrān --- I-lang --- Paras-Iran --- Paras --- Persia-Iran --- I.R.A. --- Islamische Republik Iran --- Islamskai︠a︡ Respublika Iran --- I.R.I. --- IRI --- ايران --- جمهورى اسلامى ايران --- Êran --- Komarî Îslamî Êran --- Kings and rulers --- Art collections. --- Art [Timurid ] --- Art [Islamic ] --- Art collections --- Art [Safavid ]
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran, Turkey and India thus highlight the urban and intellectual changes that defined the early modern period.
Emotions in art --- Art, Ottoman --- Art, Mogul Empire --- Art, Safavid --- Architecture, Mogul Empire --- Architecture, Indo-Muslim --- Indo-Muslim architecture --- Mogul architecture --- Safavid art --- Mogul art --- Ottoman art --- Turkey --- India --- Iran --- Civilization --- Civilization. --- Architecture, Moghul Empire --- Architecture, Mogul --- Architecture, Mughal Empire --- Architecture, Mughul Empire --- Moghul Empire architecture --- Mogul Empire architecture --- Mughal Empire architecture --- Mughul Empire architecture --- Art, Moghul Empire --- Art, Mogul --- Art, Mughal Empire --- Art, Mughul Empire --- Moghul Empire art --- Mogul Empire art --- Mughal Empire art --- Mughul Empire art --- Emotions in art. --- Architecture, Mogul Empire. --- Themes, motives.
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