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Cantatas, Sacred --- 78.21.1 Bach --- Cantatas, Sacred - Texts
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Belief Systems --- Canonical and Sacred Texts --- Philosophy --- Theology
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Belief Systems --- Canonical and Sacred Texts --- Philosophy --- Theology
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Hinduism --- Krishna --- sacred texts --- dietary rules --- sacred places --- festivals
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Buddhism --- the Buddha --- teachings --- sacred texts --- sacred places
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Texts and images from the Book of the Dead were widely used to decorate the walls of tombs during Egypt's New Kingdom (c. 1550-1077 BCE). Prior research has tended to focus on either individual tombs, or on the contents of papyrus copies of the Book of the Dead. This book focusses on the adaptation of parts of this funerary corpus in individual tombs from the New Kingdom necropolis at Saqqara, with the aim of showing how each tomb's decoration was tailored to the ends of their builders. In doing so, it builds up a picture of the ways in which these developments changed over time, and captures the dynamic and shifting ways in which ancient Egyptians interacted with their funerary texts. This contrasts with the popular image of Egyptian religion as centrally administered and directed, and essentially unchanging over millennia. In fact, choices and forms of texts and images used in tombs changed even within a single generation. Some forms remained popular over long periods, being constantly reused and re-adapted, while others achieved specific and local popularity, or else were abandoned after only a short period of time. This book argues powerfully for the human dimension in ancient Egyptian religion, revealing the ways in which individuals and groups continually reshaped their tradition even as they worked within it. Produced as part of the research project The Walking Dead at Saqqara: The Making of a Cultural Geography, this book is kindly funded by the Dutch Research Council (NWO). The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Dutch Research Council (NWO): 276-30-016.
Tombs --- Ancient Egyptian religion & mythology --- Egyptian archaeology / Egyptology --- Sacred texts
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Throughout history, the study of sacred texts has focused almost exclusively on the content and meaning of these writings. Such a focus obscures the fact that sacred texts are always embodied in particular material forms—from ancient scrolls to contemporary electronic devices. Using the digital turn as a starting point, this volume highlights material dimensions of the sacred texts of Judaism, Christianity, and Islam. The essays in this collection investigate how material aspects have shaped the production and use of these texts within and between the traditions of Judaism, Christianity, and Islam, from antiquity to the present day. Contributors also reflect on the implications of transitions between varied material forms and media cultures. Taken together, the essays suggests that materiality is significant for the academic study of sacred texts, as well as for reflection on developments within and between these religious traditions. This volume offers insightful analysis on key issues related to the materiality of sacred texts in the traditions of Judaism, Christianity, and Islam, while also highlighting the significance of transitions between various material forms, including the current shift to digital culture.
Digital turn. --- Digitalisierung. --- Heilige Texte. --- Materialität. --- digitization. --- materiality of sacred texts. --- RELIGION / Comparative Religion.
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"In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement.Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints.The Royal Society of Edinburgh has generously contributed to this Open Access publication.Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone.Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book."
Literary studies: classical, early & medieval --- Sacred texts --- Medieval manuscripts --- Netherlandish book of hours --- 1500 --- manuscript --- history of early books
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