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Ronny Delrue (°1957) correspondeerde de afgelopen jaren met vijf kunstenaars: Martin Assig (Duitsland), Salam Atta Sabri (Irak), Roger Ballen (Zuid-Afrika), Sanjeev Maharjan (Nepal), Mithu Sen (India) en Christine Remacle (België). Aan de hand van uitwisselingen in de vorm van onder meer tekeningen, brieffragmenten en collages verkent deze publicatie niet alleen de ontmoeting tussen kunstenaars met verschillende geografische achtergronden en culturele attitudes. Ook het oeuvre van Delrue zelf wordt vanuit een frisse invalshoek benaderd. Ronny Delrue is schilder, maar op de eerste plaats een kunstenaar voor wie tekenen een kernactiviteit is. Tekenen is voor hem een manier van denken, een staat van zijn. In Correspondances #2 wordt de aandacht verschoven van het obsessieve tekenen van de kunstenaar naar de ontmoeting met de ander. Er werd bewust gekozen voor het versturen van brieven per post in plaats van snel ingescande documenten digitaal te verzenden. Correspondances #2 is een ode aan de traagheid en een hommage aan de menselijke handeling waarbij het verbeelden de taal van de ontmoeting wordt.
Assig Martin --- Sabri Salam Atta --- Maharjan Sanjeev --- correspondentie --- 7.039 --- mail art --- brieven --- 7.071 DELRUE --- Remacle Christine --- Ballen Roger --- Sen Mithu --- kunst --- 741.071 DELRUE --- eenentwintigste eeuw --- twintigste eeuw --- tekenkunst --- Delrue Ronny --- Exhibitions
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Salam Atta Sabri (°1953, Iraq) lives and works in Baghdad. He is a former lecturer at the Institute of Folkloric Arts, Baghdad and from 2010 to 2015 he was the director of the National Museum of Modern Art in Baghdad. Having lived in the USA and Jordan for 16 years, Sabri returned to Baghdad in 2005. His work deals directly with the experience of returning to a country so changed by conflict. Despite working in the arts all of his life and initially training as a ceramicist, Atta Sabri kept all of his own works of draughtsmanship out of the public eye until he participated in the Ruya Foundation's exhibition 'Invisible Beauty', the National Pavilion of Iraq at the 56th Venice Biennale. 'Letters To My Father' is an art book that presents a set of drawings by Salam Atta. Like a stream of consciousness, the images flow into a story. They are a personal testimony of an artist who recalls his life-the important moments that he related to his father, Iraquan artist Atta Sabri.
741.07 --- Sabri, Salam Atta °1953 (°Bagdad, Irak) --- Thema's in de kunst : oorlog, opstand, geweld, verdrukking, ooggetuigen, conflict, burgerslachtoffers --- Thema's in de kunst ; nostalgie ; herinnering --- Tekenkunst ; tekenkunstenaars A - Z --- Ṣabrī, Sallām ʻAṭā. --- صبري، سلام عطا --- Atta Sabri, Salam
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Splendid Isolation is a group exhibition that seeks to explore the particular conditions of life in solitude, and more precisely the creative impulses it can nourish. Bringing together an intergenerational and international group of artists, it centres on the artistic output that is induced by life under self-imposed or forced restrictions and foregrounds herein a number of positions. They include working conditions in which artists have been brutally cut off from their environment, have opted for a voluntary withdrawal or are bound to live in socially restricted conditions within their own community. Solitude can be either welcomed or dreaded as uninvited loneliness. The introspection and concentration associated with a creative practice has occasionally motivated artists to withdraw from society. Living in silence can be experienced as an advantage or even as a necessary requirement to create. Today, any form of absolute isolation has become hard to imagine. In a globalised world with its deeply networked structures, life is imbued with interaction, visibility and connectedness. Under these circumstances, personal withdrawal and escapist desires often align with the choice for a more sustainable or even autarkic life or are inspired by a fundamental dissatisfaction with an unjust political system.
Solitude in art --- Art, Modern --- kunst --- eenentwintigste eeuw --- Abu Shakra Asim --- Blank Irma --- Bess Forrest --- Amouzou Hélène --- Walter Frank --- Yamguen Hervé --- Bergeman Danny --- Atta Sabri Salam --- Bourgeois Louise --- Dogan Zehra --- Houédard Dom Sylvester --- Dittborn Eugenio --- Vescovi Adrien --- Abdel Hamid Majd --- Hakihiiwe Sheroanawe --- Byrd David --- Hessie --- Malani Nalini --- Jarman Derek --- Ashoona Shuvinai --- Scott Judith --- Perna Luciano --- 7.039 --- Tentoonstellingen ; actuele kunst ; 20ste en 21ste eeuw --- Kunst en existentie ; angst ; leegte ; eenzaamheid --- Museumcatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- 7.039(493) --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Blank, Irma --- Bourgeois, Louise --- Doğan, Zehra --- Hamid, Majd Abdel --- Al Atassi, Mohamed Ali --- Jarman, Derek --- Malani, Nalini --- Walter, Frank --- Yamguen, Hervé --- Art --- eenzaamheid --- Abo-Shakra, Assim --- Bess, Forrest --- Frank, Walter --- Houédard, Dom Sylvester --- Scott, Judith --- Amouzou, Hélène --- Sabri, Salam Atta --- Vescovi, Adrien --- Dittborn, Eugenio
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Al jarenlang schrijft Philippe Van Cauteren, directeur van het Gentse S.M.A.K., brieven naar kunstenaars van over de hele wereld. Hij richt zich op een zeer persoonlijke manier tot kunstenaars die hem inspireren en legt hen uit waarom. Vaak zit in de brieven reeds de basis van een nieuwe tentoonstelling vervat. Van Cauteren richt zijn pen onder meer tot Michaël Borremans, Berlinde De Bruyckere, Jan Fabre, Guillaume Bijl, Jef Geys, Jan Hoet, Ann Veronica Janssens, Mark Manders, Rinus Van de Velde en Vincent van Gogh.
kunst --- eenentwintigste eeuw --- 7.071 AAAA --- museologie --- Gent --- Stedelijke Museum voor Actuele Kunst --- SMAK --- 7.039 --- musea --- kunstkritiek --- Art --- art [fine art] --- Climachauska, Paulo --- Goudzwaard, Kees --- Dörner, Michael --- Dujourie, Lili --- Franky D.C. --- Beukelaer, de, Sergio --- Ghekiere, Joris --- Garabedian, Mekhitar --- Buedts, Raphaël --- Geys, Jef --- Dijkstra, Anno --- Barrio, Arthur --- Barsch, Paul --- Fabre, Jan --- Wilde, De, Johan --- Eckes, Sacha --- Borremans, Michaël --- Bratkov, Sergei --- Bruyckere, De, Berlinde --- Althamer, Paweł --- Ghenie, Adrian --- Honoré d'O --- Bassiri, Bizhan --- Garcia, Dora --- Smet, de, Gery --- Bijl, Guillaume --- Delabie, Henk --- Bosmans, Kasper --- Lepeleire, De, Damien --- Erkmen, Ayşe --- Delrue, Ronny --- Beckmann, Matthias --- anno 2010-2019 --- anno 2000-2009 --- Breine, Lara Jakoba --- Hinrichs, Heide --- Gogh, van, Vincent --- Solakov, Nedko --- Tellez, Javier --- Nicolai, Carsten --- Velde, van de, Rinus --- Lohaus, Bernd --- Sudhues, Max --- Serse --- Lemke, André-Philip --- Marty, Enrique --- Macchi, Jorge --- Rogard, Arnaud --- Tahon, Johan --- Jackson, Richard --- Templeton, Ed --- Gijsegem, van, Paul --- Mannaers, Werner --- Theys, Koen --- Ruff, Thomas --- Hoet, Jan --- Tayou, Pascale Marthine --- Maes, Ives --- Manders, Mark --- Sabri, Salam Atta --- Villablanca, Joe --- Krystufek, Elke --- Wauman, Andy --- Maier Neustadt, Hermann --- Lodewijks, Bart --- Eynde, vanden, Patrick --- Hanssen, Karin --- Hoozee, Robert --- Janssens, Ann Veronica --- Rode, Jörg --- Kamagurka --- Wolfson, Jordan --- Eecken, Vander, Dirk --- Vanderlinden, Carole --- Weinberger, Lois --- Wenzel, Anne --- Schu, Manfredu --- Lee Kit --- Urmeneta Ottiker, Giannina --- Timmermans, Ante --- Beukelaer, De, Sergio --- O, d', Honoré --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- García, Dora --- art [discipline]
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