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Chinoiserie (Art) --- Art --- Chinese influences --- S17/1850 --- Anglo-Chinoise (Art) --- Art, Chinese --- Art, Modern --- China: Art and archaeology--Chinese export art --- Influence --- Art - Chinese influences

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Public buildings --- Art styles --- Laken --- S17/1850 --- S17/2109 --- 72.036 --- Brussel (gewest) --- Brussel --- 72.032.1 --- 72.032.11 --- 72.032.12 --- Leopold II --- Koninklijke Schenking --- Chinees paviljoen --- Japanse toren --- China: Art and archaeology--Chinese export art --- China: Art and archaeology--Musea and exhibitions: Belgium --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Oosterse en aziatische architectuur --- Chinese architectuur --- Japanse architectuur

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Anna Grasskamp investigates display practices of the sixteenth and seventeenth century in China and Europe. The book provides an in-depth analysis of the processes through which foreign artifacts and natural objects were framed in early modern collections. Material exchanges between China and Europe have a long history in which complex culturally defined processes of object appropriation play a role. Anna Grasskamp investigates display practices of the sixteenth and seventeenth century in China and Europe providing an in-depth analysis of the processes through which foreign artifacts and natural objects were framed in early modern collections. While the first two chapters focus on the appropriation of artifacts through the examples of porcelain vessels and scientific instruments in metal mounts, the books later chapters analyze the staging of foreign nature in Renaissance and Ming collecting through the case of coral.

Art --- Collectibles --- S17/1850 --- S17/1900 --- S17/1000 --- S17/1800 --- Collectables --- Memorabilia --- Collectors and collecting --- Souvenirs (Keepsakes) --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Exhibition techniques --- History --- China: Art and archaeology--Chinese export art --- China: Art and archaeology--Foreign art in China (e.g. Castiglione) --- China: Art and archaeology--Precious materials: general --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- History of civilization --- collections [object groupings] --- exoticism --- collecting --- collectibles --- exhibiting --- cultural diffusion --- material culture [genre] --- anno 1500-1599 --- anno 1600-1699 --- Europe --- China

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art market --- History of civilization --- studios [work spaces] --- workshops [organizations] --- anno 1700-1799 --- anno 1400-1499 --- anno 1800-1899 --- anno 1600-1699 --- anno 1500-1599 --- Asia --- Europe --- Art, European --- -Art, Asian --- -Art --- -History --- History --- Marketing --- -History. --- Collectors and collecting --- Relations --- -Relations --- -J6008.60 --- J6020 --- S17/0300 --- S17/1800 --- S17/1850 --- S17/1900 --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Asiatic --- Art, Oriental --- Asiatic art --- Oriental art --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867) --- Japan: Art and antiquities -- Japanese aesthetics (Japonism) --- China: Art and archaeology--Oriental art: general --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- China: Art and archaeology--Chinese export art --- China: Art and archaeology--Foreign art in China (e.g. Castiglione) --- Asian and Pacific Council countries --- Eastern Hemisphere --- Eurasia --- Council of Europe countries --- -Arts --- Art, Occidental --- -art market --- -Art, European --- J6008.60 --- -Art, Asiatic --- Art --- Collectors and collecting&delete& --- Marketing&delete& --- Art, Asian --- -History of civilization --- History. --- Art, Primitive --- invloed van Vlaamse school --- invloed van Aziatische kunst --- invloed van Nederlandse school --- invloed van Hollandse school

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"The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western "vision of Cathay" formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneoulsy, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book that deal with artistic relations between China and the West at a time when Western powers' attempts to extend a sphere of influence in China led to increasingly hostile political interactions"--

Civilization, Western --- Arts --- S02/0300 --- S04/0680 --- S17/1800 --- S17/1850 --- Chinese influences --- China: General works--Chinese culture and the World and vice-versa --- China: History--Qing: general: 1644 - 1912 --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- China: Art and archaeology--Chinese export art --- China --- Europe --- United States --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Foreign public opinion, American. --- Foreign public opinion, European. --- History --- Relations --- International relations. --- Public opinion, American. --- Public opinion, European. --- Qing Dynasty (China). --- Chinese influences. --- 1644-1912. --- China. --- Europe. --- United States. --- PRC --- P.R.C. --- BNKhAU --- БНХАУ