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Les Dix-neuf Poèmes anciens, que l'on peut dater approximativement de la grande dynastie des Han (206 avant J.-C. - 220 après J.-C.), jouissent en Chine d'une immense célébrité.Recueillant, sans rien en perdre, l'héritage multiséculaire des traditions poétiques de la haute Antiquité, ils apparaissent comme l'aurore d'un art nouveau, celui de la grande poésie classique. Ils ont été souvent traduits en Occident. Mais sous leurs qualités, évidentes pour nous autres, de simplicité, de mesure, de discrétion, ils offrent en réalité au lecteur chinois un trésor qui n'a cessé d'alimenter la méditation, la rêverie, l'émerveillement, le débat.Pour essayer de comprendre cette fascination, et considérant qu'il n'y a guère de meilleure introduction à l'histoire de la poésie chinoise que ces courtes pièces, le présent livre s'est efforcé, modestement, d'en donner une analyse approfondie, fondée sur les réflexions de grands maîtres chinois et japonais, anciens et modernes.
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As the first book-length study of the Yongming poets, this book focuses on unraveling the complexity and hybridity of the poetic voices beneath their seemingly ""technical"" pursuit of prosodic innovation.
Chinese poetry --- Sensuality in literature. --- Senses and sensation in literature. --- Chinese literature --- History and criticism. --- China --- Court and courtiers. --- Senses and sensation in literature --- Sensuality in literature --- S16/0221 --- History and criticism --- China: Literature and theatrical art--Poetry: Han - Sui
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Nine renowned sinologists present a range of studies that display the riches of medieval Chinese verse in varied guises. All major verse-forms, including shi , fu , and ci , are examined, with a special focus on poetry’s negotiation with tradition and historical context. Dozens of previously untranslated works are here rendered in English for the first time, and readers will enter a literary culture that was deeply infused with imperatives of wit, learning, and empathy. Among the diverse topics met with in this volume are metaphysical poetry as a medium of social exchange, the place of ruins in Chinese poetry, the reality and imaginary of frontier borderlands, the enigma of misattribution, and how a 19th-century Frenchwoman discovered Tang poetry for the Western world. Contributors include Timothy Wai Keung Chan, Robert Joe Cutter, Ronald Egan, David R. Knechtges, Paul W. Kroll, Stephen Owen, Wendy Swartz, Ding Xiang Warner, and Pauline Yu.
Chinese poetry --- Poésie chinoise --- History and criticism --- Histoire et critique --- S16/0200 --- S16/0221 --- S16/0223 --- China: Literature and theatrical art--Traditional poetry and poets: studies --- China: Literature and theatrical art--Poetry: Han - Sui --- China: Literature and theatrical art--Poetry: Tang --- Poésie chinoise --- History and criticism.
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Poetry and Politics is the first full-length study in any language of the life and works of the Chinese poet and thinker, Juan Chi (AD 210-263). This book contains translations of all Juan Chi's important works, in verse and prose, his letters and all the historical accounts of his life. The reader is thus enabled, for the first time in a work of this kind, to see a Chinese writer in the round, in his works and in his setting. Juan Chi's attachment to traditional Confucian values kept him in the centre of political and social life, but eventually his disgust with the disloyalty and self-seeking he saw in Wei society made him turn away. He attempted in Taoism and in the pursuit of Taoist immortality to find the purity and permanence so lacking in the world, but without an ultimate commitment. Juan Chi was accused both in his lifetime and subsequently of being a Confucian hero and a Taoist iconoclast, and in him can be seen the contradictory intellectual and religious forces t hat were slowly bringing in the Chinese Middle Ages.
Juan, Chi --- S16/0160 --- S16/0221 --- China: Literature and theatrical art--General works on traditional literature --- China: Literature and theatrical art--Poetry: Han - Sui --- Ruan, Ji, --- Juan, Chi, --- Ruan, Sizong, --- Juan, Ssu-tsung, --- Gen, Seki, --- Zhuan, T︠S︡zi, --- Roan, Jyi, --- Jyi, Roan, --- 阮籍, --- Arts and Humanities --- Literature
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Chinese poetry --- Fu --- S16/0204 --- S16/0221 --- -Fu --- Chinese prose literature --- Chinese literature --- China: Literature and theatrical art--Fu: studies, texts and translations --- China: Literature and theatrical art--Poetry: Han - Sui --- Translations into English --- Fu. --- Translations into English. --- Chinese poetry - Translations into English
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S16/0204 --- S16/0221 --- Chinese poetry --- -Yue fu (Chinese poetry) --- -Chinese literature --- Yuefu (Chinese poetry) --- Yüeh fu (Chinese poetry) --- China: Literature and theatrical art--Fu: studies, texts and translations --- China: Literature and theatrical art--Poetry: Han - Sui --- History and criticism --- Translations into English --- -China: Literature and theatrical art--Fu: studies, texts and translations --- Yue fu (Chinese poetry) --- Chinese literature --- History and criticism. --- Translations into English.
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Poets, Chinese --- S04/0520 --- S05/0210 --- S12/0224 --- S16/0221 --- -#SML: Paul Serruys --- S16/0204 --- Chinese poets --- China: History--Han: 206 B.C. - 220 A.D. --- China: Biographies and memoirs--From ancient times until 589 --- China: Philosophy and Classics--Chinese philosophy: Han --- China: Literature and theatrical art--Poetry: Han - Sui --- Biography --- China: Literature and theatrical art--Fu: studies, texts and translations --- Yang, Hsiung --- 揚雄 --- 杨雄 --- 楊雄 --- 扬雄 --- #SML: Paul Serruys --- China: History--Han: 206 B.C. - 220 A.D --- Ban, Gu, --- Yang, Xiong, --- Yang, Hsiung, --- 楊雄, --- 杨雄, --- 揚雄, --- 扬雄, --- Yang, Tzu-yün, --- Yang, Ziyun, --- 揚子雲, --- 扬子云, --- Yangxiong,
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