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Trois courts textes taoïstes, dont les deux derniers font partie de la liturgie du matin de la plus grande école du taoïsme, celle de la Perfection totale, sont des écrits anonymes attribués pour deux d'entre eux à l'ancêtre du taoïsme, Laozi, et pour le troisième à la plus haute divinité du panthéon taoïste, L'éminent Auguste de jade. Ils sont traduits pour la première fois du chinois en français.
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This volume analyzes the representation of gender and desire in elite, male-authored literary texts in China dating from roughly 200 B.C. until 1000 A.D. Above all, it discusses the intimate relationship between the representation of gender and the political and social self-representations of elite men and shows where gender and social hierarchies cross paths. Paul Rouzer argues that when male authors articulated themselves as women, the resulting articulation was inevitably influenced by this act of identification. Articulated women are always located within a non-existent liminal space between ostensible object and ostensible subject, a focus of textual desire both through possession and through identification. Nor, in male-authored texts, is this articulation ever fully resolved--the potential of multiple interpretations is continually present.
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"The first part of this volume traces the characterization of individual insects in three thousand years of classical Chinese poetry, from the ancient Book of Odes to the Qing dynasty (1644-1911), as emblems of virtues and vices. Subsequent chapters are dedicated to the selfless and diligent silkworm, the pure and outspoken cicada, the social organization of the ants and the bees (as well as the philandering tendencies of bees and butterflies), fighting crickets and disastrous locusts, slanderous flies and sly mosquitoes, as well as body parasites as lice, fleas and bedbugs. Each chapter includes extensive translations, highlighting lesser known aspects of well-known poets and introducing original works by lesser-known authors"--
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S11/0710 --- S16/0195 --- China: Social sciences--Women: general and before 1949 --- China: Literature and theatrical art--Thematic studies --- Women --- China --- Social conditions --- History --- 221 B.C.-960 A.D.
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