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Schubert, Franz, --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Congresses
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When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
Schubert, Franz, --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Criticism and interpretation.
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À plus d'un siècle de distance, deux vies s'entrelacent, celle de Schubert et celle d'une dentellière, qu'envahit peu à peu la musique du premier. Tous deux sont conduits par un amour impossible, et la plus profonde mélancolie. Tous deux tentent de sonder leur âme en écoutant celle du monde. Tous deux se demandent à quoi ils croient, ce qui les fait tenir, et s'interrogent sur le pouvoir, ou l'impuissance, de la musique et des mots. 0Ce faisant l'écriture tend à se fondre dans celle de Schubert, allant de la candeur au dénuement. 00Sandrine Willems, née en 1968 à Bruxelles, est écrivain, psychologue et philosophe.D'abord comédienne puis réalisatrice, c'est par la parole vive qu'elle est arrivée à la littérature. Son écriture en garde une dimension très sonore
Schubert, Franz, --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ
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The astonishing creative genius of Franz Schubert (1797-1828) produced an extraordinary quantity of music: song cycles, symphonies, piano and chamber works - all now recognised as masterpieces. Such acclaim did not exist in the years immediately after his death, and it was only later, when the rediscovery of Schubert's music (led by George Grove) was gathering pace, that this work, the first full-length biography of the composer, appeared in 1865. Written by Heinrich Kreissle von Hellborn (1812-69), a Viennese lawyer and member of the city's Gesellschaft der Musikfreunde, the work incorporates reminiscences of Schubert's friends as collected by Ferdinand Luib for his prospective biography. This 1869 English translation by Arthur Duke Coleridge, founder of the Bach Choir, contains an appendix by Grove on Schubert's symphonies and his rediscovery in Vienna of several manuscripts as well as the partbooks for Rosamunde. Volume 1 charts Schubert's life up to the composition of Rosamunde in 1823.
Composers --- Schubert, Franz, --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ
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The astonishing creative genius of Franz Schubert (1797-1828) produced an extraordinary quantity of music: song cycles, symphonies, piano and chamber works - all now recognised as masterpieces. Such acclaim did not exist in the years immediately after his death, and it was only later, when the rediscovery of Schubert's music (led by George Grove) was gathering pace, that this work, the first full-length biography of the composer, appeared in 1865. Written by Heinrich Kreissle von Hellborn (1812-69), a Viennese lawyer and member of the city's Gesellschaft der Musikfreunde, the work incorporates reminiscences of Schubert's friends as collected by Ferdinand Luib for his prospective biography. This 1869 English translation by Arthur Duke Coleridge, founder of the Bach Choir, contains an appendix by Grove on Schubert's symphonies and his rediscovery in Vienna of several manuscripts as well as the partbooks for Rosamunde. Volume 2 covers 1824 to 1828, and includes a list of works and Grove's appendix.
Composers --- Schubert, Franz, --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ
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Schubert, Franz --- 526 --- Monografieën componisten --- Schubert, Franz, --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Exhibitions. --- Exhibitions --- Schubert, Franz.
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Franz Schubert's tragically short life was spent in one of Europe's most richly musical cities: a Vienna that worshipped Beethoven, adored Rossini, and thrilled to Paganini. Schubert, with the help of supportive friends who were themselves immersed in the arts, won fame for himself through songs and dances while aspiring to succeed with larger operas and symphonies. Christopher Gibbs considers how and what Schubert composed, taking a fresh look at this misunderstood figure, particularly the unfolding of his professional career, his relationship to Beethoven, the growth of his reputation and public image and the darker side of drinking, depression and sexual ambiguity. This searching and sympathetic biography questions the customary sentimental clichés and the recent revisionist views concerning this elusive genius.
Schubert, Franz --- Composers --- Music --- Compositeurs --- Musique --- Biography. --- History and criticism --- Biographies --- Histoire et critique --- Schubert, Franz, --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ
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Schubert, Franz --- Composers --- Compositeurs --- Schubert, Franz, --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Schubert, Franz, - 1797-1828
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Schubert, Franz --- -Feil, Arnold --- Criticism and interpretation --- -Congresses --- Feil, Arnold. --- Schubert, Franz, --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Congresses. --- 78.15 Feil --- 78.16 Kassel
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CDL --- 78 --- Composers --- Biography. --- Schubert, Franz, --- Biography --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Schubert, Franz.
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