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Film
Berlin, Symphony of a great city/ Opus I (1927)
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Year: 1999 Publisher: S.l. : Image Entertainment,

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Film
Berlin, die Sinfonie der Grossstadt (1927) & Melodie der Welt (1929)
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Year: 2010 Publisher: München : Film & Kunst,

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Disc 1. Berlin, die Sinfonie der Grossstadt (1927, 65 min.) ; Lichtspeil Opus I-IV -- Disc 2. Melodie der Welt (1929, 49 min.) ; Weekend (1930, 12 min.) ; In der Nacht (1931, 7 min.) ; Walther Ruttmann: der Visionär bewegter Rhythmen (1987, 86 min.).

Screening the city.
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ISBN: 1859846904 1859844766 Year: 2003 Publisher: London Verso


Book
Walter Ruttmann and the cinema of multiplicity
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ISBN: 9048521890 9089645845 9089645853 9789048521890 9789089645852 Year: 2014 Publisher: Amsterdam

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A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies. Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society. This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema.

Avant-garde film
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ISBN: 1283162156 9786613162151 9401200033 1435613414 9781435613416 9789401200035 9042023058 9789042023055 Year: 2007 Publisher: Amsterdam New York, NY Rodopi

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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.

A history of experimental film and video : from canonical avant-garde to contemporary British practice
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ISBN: 0851706819 0851706843 9781844574360 Year: 1999 Publisher: London : BFI Publishing,

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Keywords

film --- kunst --- precinema --- filmtheorie --- experimentele film --- filmgeschiedenis --- Verenigde Staten --- Groot-Brittannië --- voorgeschiedenis film --- fotografie --- kubisme --- futurisme --- abstracte film --- Art Cinema --- filmgedichten --- absolute film --- dadaïsme --- surrealisme --- Frankrijk --- documentaires --- underground --- structuralisme --- poststructuralisme --- kunst en politiek --- Jarman Derek --- Greenaway Peter --- gender studies --- Ruttmann Walther --- Lye Len --- Fischinger Oskar --- Whitney John --- Whitney James --- Brakhage Stan --- Menken Marie --- Sharits Paul --- Snow Michael --- Gehr Ernie --- Frampton Hollis --- Landow George --- Le Grice Malcolm --- Welsby Chris --- Rybczynski Zbigniew --- Barber George --- Krikorian Tamara --- Dwoskin Stephen --- Goddard Judith --- Keiller Patrick --- Smith John --- Hamlyn Nicky --- Wearing Gillian --- Pfaffanbichler Norbert --- reMI --- Gidal Peter --- Rebello Samantha --- Raban William --- Mirza Karen --- Payne Simon --- Fanderl Helga --- Lowder Rose --- Ono Yoko --- 791.43 --- Cinéma expérimental --- experimentele films --- Experimental films --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- History and criticism. --- 798.4 --- avant-garde --- geschiedenis --- film, geschiedenis der filmkunst --- Films expérimentaux --- Histoire et critique --- Histoire et critique. --- #SBIB:309H1326 --- #SBIB:309H1320 --- #SBIB:39A8 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie

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