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"Gunpowder, tobacco, coffee, rose petals, lettuce and blood are just a few of the unorthodox materials used by California-based artist Ed Ruscha, whose work is featured in this sumptuously produced monograph of drawings. Produced in conjunction with a career retrospective at the Whitney Museum of American Art, this catalog features over 200 reproductions of the artist?s sly and meticulously rendered drawings of stock phrases from pop culture (e.g. "Hollywood Calif," "Babycakes," "20th Century Fox"). The drawings are accompanied by two rather disjointed essays by exhibit curator Rowell and MoCA LA curator Butler. Rowell?s essay focuses on the artist?s working process, explaining that one reason Ruscha drew with gunpowder was because it was an easier medium to manipulate than graphite. She also points out some salient links between the artist?s drawings and his interest in photography. Butler takes a more conceptual approach, examining the content of Ruscha?s drawings and his working materials through a theoretical and thematic lens. While both essays offer welcome insights into the work of a highly mercurial artist, Rowell?s reliance on stiff art historical jargon and Butler?s disorganized presentation make for dense reading. Part of their difficulty may be that the drawings themselves, with their sparklingly light irony and deft, masterly touch, have strange, otherworldly resonances that are difficult to pin down with words. Ultimately, it?s the strength of the work itself that makes this book a must-have for any Ruscha fan." -- Publisher's Weekly review. Ed Ruscha (b. 1937) is among the most popular American artists working today. His evocations of commonplace subjects have earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with Conceptual art. This book, published to accompany Ruscha's first museum retrospective of drawings, showcases his singular vision and his wide range of highly personal mediums and techniques-from pastels and gunpowder to blood, coffee, and tobacco stains. Ruscha's work includes paintings, photographs, prints, books, and films, but his unique works on paper are perhaps his richest vein. Through his interpretations of cultural icons and vernacular subjects such as the Hollywood sign, trademarks, and gas stations, as well as his renderings of words and phrases in countless stylistic variations, Ruscha proposes a modern landscape based on keen observation and wry humor.

artists [visual artists] --- drawing and drawing techniques --- Ruscha, Ed --- Ruscha, Edward --- drawing techniques --- drawing [image-making] --- drawings [visual works] --- Ruscha, Edward - Exhibitions --- Ruscha, Edward - Expositions

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Cette exposition organisée par le Whitney Museum of American Art à New York illustre le travail de l'artiste de la fin des années 1950 au début des années 1990. Ruscha, né en 1937, a d'abord été peintre, influencé par le mouvement du 'pop art'. Puis son travail évolue ; il essaie diverses techniques, travaille des séries, fait des photos et des films, produit des livres photographiques, réalise des tableaux virtuels en projetant de la lumière dans des pièces vides... Le travail photographique de Ed Ruscha a été relativement peu exposé même s'il montre bien des liens avec les autres sphères de son activité artistique, notamment le dessin : sujets-objets, appartements, paysages urbains, composition, utilisations de la lumière, effets d'ombres. Ed Ruscha a représenté les Etats-Unis à la Biennale de Venise 2005.

Photography, Artistic --- Ruscha, Edward --- motion pictures [visual works] --- dwellings --- service stations --- show-windows --- Architecture --- Photography --- parking [area] --- architecture [discipline] --- Ruscha, Ed --- United States --- Photographie --- 77.071 RUSCHA --- concept art --- conceptuele kunst --- fotografie --- kunst --- Ruscha Ed --- twintigste eeuw --- Verenigde Staten --- Ruscha, Edward, --- Exhibitions --- Photography, Artistic - Exhibitions --- Ruscha, Edward - Exhibitions --- lichtreclame --- United States of America