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This study of late 19th-century American literature uses the period's rural fiction to reveal the increasingly intricate and sometimes problematic connections between urban and rural life.
American fiction --- Rural conditions in literature. --- History and criticism.
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This exploration of theatre and the rural argues that the reality of the lived rural is overlaid with external representations, often coloured by nostalgia, which are reflected and potentially created by theatre and its practices. It suggests that we need to re-engage with the actuality of the rural in order to fully understand our own nations.
Theater. --- Rural conditions in literature. --- Rural families in literature.
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This book examines the persistence of the rural tradition in the English novel into the twentieth century. In the shadow of metropolitan literary culture, rural writing can seem to strive for a fantasy version of England with no compelling social or historical relevance. Dominic Head argues that the apparent disconnection is, in itself, a response to modernity rather than a refusal to engage with it, and that the important writers in this tradition have had a significant bearing on the trajectory of English cultural life through the twentieth century. At the heart of the discussion is the English rural regional novel of the 1920s and 1930s, which reveals significant points of overlap with mainstream literary culture and the legacies of modernism. Rural writers refashioned the conventions of the tradition and the effects of literary nostalgia, to produce the swansong of a fading genre with resonances that are still relevant today.
Country life in literature. --- Rural conditions in literature. --- English fiction --- History and criticism.
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"A familiar story holds that modernization radiates out from metropolitan origins. The whole machinery explores representations of people and places, objects and occasions, that reverse that trajectory, demonstrating how modernizing agents move in a contrary direction as well--from the country to city. In a crucial reversal, these figures aren't pulled by or into urban modernity so much as they bring alternate--and transformative--iterations of the modern to the urban world. This book upends the U.S. South's reputation as retrograde and unresponsive to modernity by showing how the effects of national and transnational exchange (particularly via the cotton trade), emergent technologies, and industrialization animate environments and bodies associated with, or performing, versions of the rural. To this end, it also searches out the shadow side of the cosmopolitan modern by investigating the rural sources--the laboring bodies and raw materials--that made such urban spaces possible. The whole machinery explores a range of canonical and noncanonical figures: Paul Laurence Dunbar, Frances E.W. Harper, W.E.B. Du Bois, Allen Tate, Don West, the authors of the Southern Tenant Farmers' Union pamphlet The Disinherited Speak, Charlie Poole, and Zora Neale Hurston among them. It uncovers signs of the rural modern in a variety of texts and media, including narrative fiction and poetry, as well as photographs, sound recordings, radio broadcasts, letters, newspaper reports, and magazine profiles. These readings convey diverse and individuated desires for escape or entrenchment, often in the same conflicted voice, ultimately creating multivalent expressions and experiences of rurality that are, in their way, as thoroughly modern as those of more widely canonized urban figures"--
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Russian essays --- Rural conditions in literature. --- Country life in literature. --- History and criticism.
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Migrant agricultural laborers in literature. --- Rural conditions in literature --- Steinbeck, John --- Guthrie, Woody --- Ford, John
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English poetry --- Nature in literature --- Pastoral poetry, English --- Rural conditions in literature --- Nature in poetry --- History and criticism --- Poetry --- Thematology --- American literature --- English literature --- anno 1800-1999
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