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Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman's prote̹ge̹. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation. Exploring Trouble in Mind's influence on indie filmmaking, Rudolph's dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph's work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film's relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight..
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791.45.072 --- Motion picture authorship --- -#SBIB:309H1327 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- 791.45.072 Filmrecensenten, filmcritici, filmcensuur --- Filmrecensenten, filmcritici, filmcensuur --- History --- Films met een amusementsfunctie en/of esthetische functie: script --- Play-writing --- Tom Stempel ; Foreword by Philip Dunne --- filmstudio's --- McCardell Roy --- Gauntier Gene --- de Mille William --- Woods Frank --- Roach Hal --- Lloyd Harold --- Loos Anita --- Ince Thomas --- Sullivan Charles Gardner --- Mathis June --- Pomeroy Roy --- Zanuck Darryl F. --- Trotti Lamar --- Dunne Philip --- Johnson Nunnally --- Wallis Hal B. --- Robinson Casey --- Mankiewicz Herman J. --- De Mille Cecil B. --- Macpherson Jeanie --- LeBaron William --- Sturges Preston --- Buchman Sidney --- Riskin Robert --- Hecht Ben --- Furthman Jules --- Nichols Dudley --- Mankiewicz Joseph --- Hayes John Michael --- Schulberg Budd --- Lehman Ernest --- Anhalt Edward --- Goldman William --- Chayefsky Paddy --- Tesich Steve --- Newman David --- Benton Robert --- Henry Buck --- auteurtheorie --- Joyce Adrien --- Southern Terry --- Hopper Dennis --- Fonda Peter --- Spielberg Steven --- Coppola Francis Ford --- Lucas George --- Allen Woody --- Brooks Mel --- Simon Neil --- Mazursky Paul --- Hughes John --- Cimino Michael --- Schrader Paul --- Stone Oliver --- Rudolph Alan --- Sayles John --- #SBIB:309H1327 --- United States --- 791.43 --- 791.44 --- Chaplin Charles --- De Mille Cecil B --- dialogen --- film --- film en politiek --- filmgeschiedenis --- Griffith David Wark --- Hitchcock Alfred --- Hollywood --- Keaton Buster --- Mankiewicz Herman J --- scenario --- Sennett Mack --- stille film --- Verenigde Staten --- Wallis Hal B --- Welles Orson --- Zanuck Darryl F
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