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Coleman, James --- with an essay by Rosalind E. Krauss --- film --- video --- Coleman James --- Verenigde Staten --- 791.45 COLEMAN --- Coleman, James.
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Bochner, Mel --- Conceptual art --- Art conceptuel --- Exhibitions. --- Expositions --- Bochner, Mel, --- Exhibitions --- kunst --- twintigste eeuw --- installaties --- Bochner Mel --- concept art --- conceptuele kunst --- Verenigde Staten --- 7.071 BOCHNER --- Richard S. Field ; with essays by Bruce Boice, Yve-Alain Bois, Rosalind E. Krauss [et al.] --- BOCHNER m.
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Rosalind E. Krauss --- beeldhouwkunst --- Beeldhouwkunst 20ste eeuw --- 73.037 --- twintigste eeuw --- Rodin Auguste --- 73.038 --- futurisme --- constructivisme --- Duchamp Marcel --- Brancusi Constantin --- ready-mades --- surrealisme --- Smith David --- kinetische kunst --- 73.036 --- Beeldhouwkunst 1900 - 1950 --- Beeldhouwkunst 1950 - 2000 --- Sculpture, Modern --- Beeldhouwkunst ; 20ste eeuw --- Beeldhouwkunst ; 1900 - 1950 --- Beeldhouwkunst ; 1950 - 2000
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Illusions d'optique --- Sexualité dans l'art --- Optical illusions. --- Sexualité dans l'art --- Rosalind E.Krauss --- Artists --- Optical illusions --- Visual perception --- 7.01 --- kunst --- kunsttheorie --- modernisme --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Illusions, Optical --- Hallucinations and illusions --- Physiological optics --- Art --- Psychology --- Psychological aspects --- Visual perception. --- Psychology. --- Sex in art --- Perception visuelle --- Artistes --- Psychologie --- CDL
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De negen essays die in dit boek te vinden zijn hebben telkens een andere kunstenares als onderwerp. De centrale vraag die bij hun werk gesteld wordt is de volgende: "zijn er voor de beoordeling van het werk van vrouwelijke kunstenaars specifieke criteria nodig?". Vertrekkend van de misogynie van veel surrealistische werken wordt hier nagegaan hoe vrouwen hun plaats bepalen binnen kunst als vormentaal die grotendeels door mannen bepaald wordt. In veel werken wordt er van uitgegaan dat vrouwen hun positie bepalen ofwel door te conformeren aan die mannelijke norm ofwel door een marginale positie in te nemen. De auteur van dit boek meent dat vrouwen wel degelijk binnen een stroming als het surrealisme hun plaats verdienen zonder dat die tweedeling gehanteerd moet worden.
Kunsttheorie ; 20ste eeuw ; feminisme --- Rosalind E. Krauss --- Kunst ; van vrouwen ; 20ste eeuw --- kunst --- Surrealisme ; invloeden --- gender studies --- Cahun, Claude --- feminisme --- Maar, Dora --- Beeldhouwkunst ; environments ; tekeningen ; Louise Bourgeois --- cultuurfilosofie --- surrealisme --- Hesse, Eva --- Cahun Claude --- Sherman, Cindy --- Maar Dora --- Woodman, Francesca --- Levine, Sherrie --- kunstfilosofie --- esthetica --- Lawler, Louise --- Bourgeois Louise --- Ecriture féminine --- 7.01 --- Martin Agnes --- Hesse Eva --- Sherman Cindy --- Woodman Francesca --- Levine Sherrie --- Lawler Louise --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- women [female humans] --- feminism --- art [fine art] --- Iconography --- Art --- Bourgeois, Louise --- Martin, Agnes --- Feminism and the arts. --- Originality in art. --- Surrealism --- Women artists --- Influence. --- Psychology. --- Philosophy and psychology of culture --- Feminism and the arts --- Originality in art --- Superrealism --- Surrealism in art --- Arts, Modern --- Arts and feminism --- Arts --- Influence --- Psychology --- art [discipline] --- vrouwelijke kunstenaar --- Artists --- Book --- Cultural movements
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Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Psychology. --- Social aspects --- Acropolis Museum. --- Ai Weiwei. --- Alejandro Zaera-Polo. --- Alexander Nemerov. --- Andy Warhol. --- Antonio Negri. --- Art Basel. --- Art history. --- Art museum. --- Art world. --- Arthur Danto. --- Bernard Tschumi. --- Bill Ayers. --- Boris Groys. --- Bruno Latour. --- Calculation. --- Capitalism. --- Clement Greenberg. --- Commodity. --- Conceptual art. --- Contemporary art. --- Creative Commons. --- Cultural Property (Japan). --- Cultural capital. --- Curator. --- Customer. --- Damien Hirst. --- De Stijl. --- Decolonization. --- Diagram. --- Digital photography. --- Dissemination. --- Electronic Disturbance Theater. --- Emblem. --- Epistemology. --- Financial capital. --- Frank Gehry. --- Globalization. --- Guggenheim Museum Bilbao. --- Hannah Arendt. --- Hans Belting. --- High culture. --- Iconology. --- Ideology. --- Illegal immigration. --- Income. --- Infrastructure. --- Instance (computer science). --- Institution. --- Institutional Critique. --- Kunsthalle Wien. --- Lawrence Lessig. --- Le Corbusier. --- MIT Press. --- Manifesto. --- Market economy. --- Matthew Barney. --- Michael Hardt. --- Michel Foucault. --- Modern architecture. --- Modernism. --- Museum. --- Narrative. --- Neoliberalism. --- Newspaper. --- Overproduction. --- Ownership. --- Oxford University Press. --- Parametricism. --- Photography. --- Postcard. --- Public sphere. --- Publication. --- Rachel Harrison. --- Rem Koolhaas. --- Repatriation (humans). --- Rhetoric. --- Richard Meier. --- Rirkrit Tiravanija. --- Rosalind E. Krauss. --- Roselee Goldberg. --- Saskia Sassen. --- Scalability. --- Sherrie Levine. --- Social space. --- Subodh Gupta. --- Surrealism. --- T. J. Clark (art historian). --- Tactical media. --- Tania Bruguera. --- The Society of the Spectacle. --- Tourism. --- Understanding. --- Venice Biennale. --- Visual culture. --- Walker Evans. --- Walter Benjamin. --- Wealth. --- Website. --- Work of art.
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