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Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.
Mimesis in literature. --- Romanticism --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Goethe, Johann Wolfgang von, --- Artistic production. --- Demographic change. --- Early German Romanticism. --- Goethe. --- Mimesis. --- Romantic novel. --- Self-imitation. --- Wilhelm Meister.
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The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics' concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics-Novalis, Friedrich Schlegel, and Friedrich Schelling-Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.
History of philosophy --- Novalis --- Schelling, von, Friedrich W.J. --- Schlegel, Friedrich --- Germany --- Absolute, The --- Philosophy, German --- German philosophy --- Metaphysics --- Ontology --- One (The One in philosophy) --- History --- Novalis, --- von Schelling, Friedrich Wilhelm Joseph --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Schelling, Friedrich Wilhelm Joseph von --- Schelling, F. W. J. --- Schelling, Friedrich Wilhelm Joseph --- Schelling, Federico Guillermo José --- Novalis, Friedrich --- von Hardenberg, Friedrich Ludwig, --- Hardenberg, Friedrich, --- Hardenberg, Georg Friedrich Philipp, --- Hardenberg, Georg Philipp Friedrich von, --- Absolute, The. --- Schelling, Friedrich Wilhelm Joseph von, --- the absolute, germany, romanticism, philosophy, being, knowing, kant, hegel, epistemology, metaphysics, friedrich schelling, schlegel, novalis, subjectivity, self, hemsterhuis, whole, nature, idealism, ontology, transcendentalism, becoming, freedom, romantic novel, spinoza, fichte, art, identity, nonfiction, goethe, jacobi, von hardenberg, mind, spirit.
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