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Romanesque sculpture; --- Germany; --- Cologne.
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Art, Romanesque --- -Sculpture, Romanesque --- -Romanesque sculpture --- Sculpture, Medieval --- Romanesque art --- Art, Medieval --- Christian art and symbolism --- Addresses, essays, lectures --- Art, Romanesque. --- Sculpture, Romanesque. --- -Addresses, essays, lectures --- Sculpture, Romanesque --- Romanesque sculpture
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Sculpture, Romanesque --- Sculpture, French --- Sculpture romane --- Sculpture française --- -Sculpture, French --- French sculpture --- Romanesque sculpture --- Sculpture, Medieval --- Sculpture française
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For decades specialists in the history of Romanesque art questioned the usefulness of traditional stylistic terminology. It has been regarded as being of limited relevance insofar as it fails to reflect the complexity and plurality of the times and events that it refers to. Neither is it useful for alluding to the functional, formal or iconographic specificities circumscribed within a given time period because, in reality, the visual features and statements under scrutiny flourished across two or more stylistic periods. Despite these deficiencies and limitations, we still have no better way of referring to the art of the period other than a lengthy phrase which is often made yet more cumbersome by the addition of a geographical or political term.0Of the various media that were used for and made possible these artistic innovations, particular attention has been paid to stained glass, miniatures or enamel. Nevertheless, monumental sculpture underwent certain developments that were comparable to the aforementioned media but also other changes that were completely distinct from them. As a result, because late Romanesque sculpture? covers a period extending from 1150 to 1220, it is still impossible to state with any certainty what this complex network represented.0We propose a panoramic scientific analysis of a singular artistic landscape, focused on the intersections and challenges posed by this central issue in medieval European artistic production. To narrow down this field of study, this book will focus preferentially on the innovations and solutions adopted in the cathedral workshops of Atlantic, Continental and Mediterranean Europe
Sculpture, Romanesque --- Naturalism in art --- Themes, motives --- Themes, motives. --- Sculpture, European --- European sculpture --- Romanesque sculpture --- Sculpture, Medieval
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Sculpture, Romanesque --- Sculpture, German --- Sculpture allemande --- Catalogs --- Catalogues --- -Sculpture, German --- -Sculpture, Medieval --- -German sculpture --- Romanesque sculpture --- Sculpture, Medieval --- -Catalogs --- German sculpture --- SCULPTURE ROMANE --- ALLEMAGNE
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Sculpture, Romanesque --- Sculpture, French --- -Sculpture, French --- -French sculpture --- Romanesque sculpture --- Sculpture, Medieval --- -Sculpture, Romanesque --- French sculpture --- Sculpture [Romanesque ] --- France [Southwest ] --- Sculpture, Romanesque - France, Southwest --- Sculpture, French - France, Southwest
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Sculpture --- Iconography --- anno 500-1499 --- France --- Marginality, Social, in art --- Sculpture, Gothic --- Sculpture, Medieval --- Sculpture, Romanesque --- Marginalité dans l'art --- Sculpture gothique --- Sculpture médiévale --- Sculpture romane --- Themes, motives --- Thèmes, motifs --- -Sculpture, Medieval --- -Sculpture, Romanesque --- -Romanesque sculpture --- Gothic sculpture --- -Themes, motives --- Marginalité dans l'art --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Sculpture, Gothic - France - Themes, motives --- Sculpture, Medieval - France - Themes, motives --- Sculpture, Romanesque - France - Themes, motives
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Gustorfer Chorschranken (Sculpture) --- Relief (Sculpture) --- -Sculpture --- -Sculpture, Romanesque --- -Rheinisches Landesmuseum Bonn --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Romanesque sculpture --- Sculpture, Medieval --- Stonework, Decorative --- Bas-relief --- Statues --- Sculpture --- Rheinisches Landesmuseum Bonn --- Bonn. --- Landschaftsverband Rheinland. --- Rhineland Museum in Bonn --- Rheinisches Landesmuseum in Bonn --- LVR-LandesMuseum Bonn --- -Romanesque sculpture --- Art, Christian --- Christian art and symbolism --- Sculpture, Romanesque --- Rheinisches Landesmuseum Bonn. --- Gustorfer Chorschranken. --- Chorschranken in Gustorf --- Sculpture, Primitive --- Relief (Sculpture) - - Cologne - Germany --- -Sculpture - - Cologne - Germany --- -Sculpture, Romanesque - - Cologne - Germany --- -Gustorfer Chorschranken (Sculpture)
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Explores the common elements of Romanesque sculpture from the perspective of gaining a better understanding the culture of the eleventh and twelfth centuries--a time when society was marked by violence and feudal divisions. Rather than emphasizing regional diversity in Romanesque art, this book focuses on the common sources of inspiration that resulted in parallel solutions developed to address similar circumstances. Despite the crises of the time a sense of coherence emerges based on economic renewal and the omnipresence of the Church through the development of the parish network, the monastic orders and the dynamics of pilgrimages.
Sculpture --- anno 800-1199 --- Sculpture, Romanesque. --- Sculpture, Medieval --- Sculpture romane --- Sculpture médiévale --- Themes, motives. --- Thèmes, motifs --- Sculpture, Romanesque --- Church decoration and ornament --- 73 <4> --- Beeldhouwkunst. Sculptuur--Europa --- 73 <4> Beeldhouwkunst. Sculptuur--Europa --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Church decoration and ornament - Europe
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