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This book is the first collected volume to be entirely dedicated to the work of contemporary Anglo-American writer Patrick McGrath. It follows the international conference that was held in his presence at Perpignan University, France, in May 2011. It comprises nine chapters (as well as an introduction and an index) written by scholars specializing in Gothic and American literature, each dealing with specific aspects of McGrath's work. The volume seeks to encompass the author's whole literary...
Romance fiction, English --- English romance fiction --- Love stories, English --- English fiction --- History and criticism. --- McGrath, Patrick, --- McGrath, P. --- Criticism and interpretation. --- Romance-language fiction, English
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When it came to holy matrimony, writer H.G. Wells had a rather interesting personal history. He married his first cousin, soon left her for one of his students, and then had multiple affairs (and children) with important female thinkers and writers over the course of the rest of his lifetime. With that in mind, Wells brings a unique twist to this relatively straightforward take on Edwardian morals and mores in marriage.
English --- Languages & Literatures --- English Literature --- Love stories, English. --- London (England) --- Labrador (N.L.) --- English romance fiction --- Love stories, English --- English fiction --- Labrador (Nfld.) --- Romance fiction, English. --- Romance-language fiction, English. --- Marriage
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The Historical Romance explores the ways in which romance authors seek to represent our fantasies of life in the past. Examining how the cut-and-thrust swashbucklers of the 1930's gave way to female-orientated romances, Helen Hughes takes a comprehensive look at how romance authors have dealt with the turbulent question of female independence, and how traditional attitudes towards love, marriage and women's sexuality have been approached in more recent texts. Hughes also charts the ways in which the marketing of romance has developed, with the eventual explosion of the mass market and
Romance languages --- History. --- English fiction --- Historical fiction, English --- Love stories, English --- English romance fiction --- History and criticism --- 804 --- 804 Romaanse taalkunde --- Romaanse taalkunde --- History --- Romance fiction, English --- History and criticism. --- Langues romanes --- Histoire --- Historical linguistics --- Romance-language fiction, English
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"A study of romance, religion, and politics in seventeenth-century England, presenting a recontextualized understanding of romance as a multi-generic narrative structure or strategy rather than a prose genre"--
Heroes in literature. --- Romance fiction, English --- English literature --- Religion and literature --- Romanticism --- History and criticism. --- History --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- English romance fiction --- Love stories, English --- English fiction --- Romance-language fiction, English
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Originally published in 1994. In The Improvement of the Estate, Alistair Duckworth contends that understanding Mansfield Park is fundamental to appreciating Jane Austen's body of work. Professor Duckworth understands Mansfield Park as underscoring the central uniting theme in Austen's work—her concept of the "estate" and its "improvement." The author illustrates Austen's connection to the values of Christian humanism, which she conveys through the uniting theme of estate improvement. According to Duckworth, the estate represents moral and social heritage, so the manner in which individuals seek to improve their estates in Jane Austen's novels represents the direction in which she saw the state and society moving. Finally, Duckworth underscores Austen's awareness of the importance of a society of individuals whose behavior is socially informed.
Administration of estates. --- Social problems in literature. --- Romance fiction, English --- Women and literature --- Literature and society --- History and criticism. --- History --- Austen, Jane, --- Political and social views. --- Literature: history & criticism --- Romance-language fiction, English
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Sarah Green (1790-1825) is one of the lesser-known authors from a period of great literary legacy, encompassing the likes of Austen, Burney and Radcliffe. Frequently satirizing their romantic and gothic work, she gained a reputation as an 'angry' parodist within nineteenth-century literature for her direct criticism of other authors' style of work. Such unveiled attacks are highly atypical for a female writer of the era, and a clear challenge to the presumption of male literary authority.
This edition of Romance Readers and Romance Writers (1810) is the first modern scholarly publication of what is arguably her most famous novel. As with many of her other works, Green adopts numerous sophisticated methods to parody her contemporaries, most notably in the form of her heroine Peggy/Margaritta. Aside from such characters and the narrative itself, Green embellishes her story with a range of paratextual material such as chapter epigraphs and footnotes, allowing a blurring of the boundaries between fact and fiction.
Romance fiction, English --- Romance fiction --- Romance fiction. --- English fiction --- History and criticism --- Authorship --- History and criticism. --- Romance-language fiction, English --- Romance-language fiction --- Romance-language fiction. --- Romance literature --- English fiction. --- Romance-language literature
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Originally published in 1994. In The Improvement of the Estate, Alistair Duckworth contends that understanding Mansfield Park is fundamental to appreciating Jane Austen's body of work. Professor Duckworth understands Mansfield Park as underscoring the central uniting theme in Austen's work—her concept of the "estate" and its "improvement." The author illustrates Austen's connection to the values of Christian humanism, which she conveys through the uniting theme of estate improvement. According to Duckworth, the estate represents moral and social heritage, so the manner in which individuals seek to improve their estates in Jane Austen's novels represents the direction in which she saw the state and society moving. Finally, Duckworth underscores Austen's awareness of the importance of a society of individuals whose behavior is socially informed.
Administration of estates. --- Social problems in literature. --- Romance fiction, English --- Women and literature --- Literature and society --- History and criticism. --- History --- Austen, Jane, --- Political and social views. --- Literature: history & criticism --- Romance-language fiction, English
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Originally published in 1994. In The Improvement of the Estate, Alistair Duckworth contends that understanding Mansfield Park is fundamental to appreciating Jane Austen's body of work. Professor Duckworth understands Mansfield Park as underscoring the central uniting theme in Austen's work—her concept of the "estate" and its "improvement." The author illustrates Austen's connection to the values of Christian humanism, which she conveys through the uniting theme of estate improvement. According to Duckworth, the estate represents moral and social heritage, so the manner in which individuals seek to improve their estates in Jane Austen's novels represents the direction in which she saw the state and society moving. Finally, Duckworth underscores Austen's awareness of the importance of a society of individuals whose behavior is socially informed.
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""Find your one true love and live happily ever after." The trials of love and desire provide perennial story material, from the BiblicalSong of Songsto Disney's princesses, but perhaps most provocatively in the romance novel, a genre known for tales of fantasy and desire, sex and pleasure. Hailed on the one hand for its women-centered stories that can be sexually liberating, and criticized on the other for its emphasis on male/female coupling and mythical happy endings, romance fiction is a multi-million dollar publishing phenomenon, creating national and international societies of enthusiasts, practitioners, and scholars. Catherine M. Roach, alongside her romance-writer alter-ego, Catherine LaRoche, guides the reader deep into Romancelandia where the smart and the witty combine with the sexy and seductive to explore why this genre has such a grip on readers and what we can learn from the romance novel about the nature of happiness, love, sex, and desire in American popular culture." -- Provided by publisher.
Romance fiction, American --- Romance fiction, English --- Women in literature. --- Love in literature. --- Popular literature --- History and criticism. --- Literature, Popular --- Books and reading --- Popular culture --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- English romance fiction --- Love stories, English --- English fiction --- American romance fiction --- Love stories, American --- American fiction --- Thematology --- American literature --- Romance-language fiction, American --- Romance-language fiction, English
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Love stories, English --- English fiction --- Literature publishing --- Women --- Literary publishing --- Literature --- Publishers and publishing --- English romance fiction --- History and criticism. --- History --- Books and reading --- Publishing --- Mills & Boon (Firm) --- Mills and Boon --- Harlequin Mills & Boon (Firm) --- History. --- History and criticism --- Love stories [English ] --- 20th century --- Great Britain --- Romance fiction, English --- Romance-language fiction, English
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