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Classical Greek literature --- Romance fiction, Greek

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Romance fiction, Greek --- Narration (Rhetoric) --- Greek fiction --- Rhetoric, Ancient. --- History and criticism. --- History --- History and criticism. --- Chariton. --- Xenophon, --- Achilles Tatius.

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Questions about the origin of the Greek love novel, itself the precursor of the love novel in Europe, have intrigued scholars for centuries. Stefan Tilg proposes a new solution by arguing that Chariton of Aphrodisias was the inventor of the genre.

Romance fiction, Greek --- History and criticism. --- Chariton --- Criticism and interpretation. --- Love stories, Greek --- Chariton d'Aphrodisias --- Greek romance fiction --- Greek fiction --- History and criticism --- Charito --- Chariton Aphrodisiensis --- Chariton von Aphrodisias --- Chariton of Aphrodisias --- Caritón, --- Chariton,

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Longus's Daphnis and Chloe (second or early third century CE), in which an idealized pastoral environment provides the setting as a boy and girl discover their sexuality, is one of the great works of world literature. Xenophon's Anthia and Habrocomes (first century CE) is perhaps the earliest extant novel.

Greek literature --- Greek literature. --- Love stories, Greek --- Romance fiction, Greek --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Romances, Byzantine --- Byzantine romances --- Romances, Greek --- Greek romance fiction --- Greek fiction --- Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Histoires d'amour grecques --- Translations into English. --- Traductions anglaises --- Love stories, Greek - Translations into English --- Greek literature - Translations into English --- Romances, Byzantine.

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The author uses an extensive study of the five Greek novels preserved by tradition since Roman times (Chariton, Chaireas and Callirhoe , Longus, Daphnis and Chloe , Xenophon of Ephesus, Ephesiaca , Achilles Tatius, Leucippe and Clitophon , Heliodorus, Ethiopica ) to show how the novel form, from its origins, has been based upon the repetition of commonplaces, τόποι, which allows an interplay with the reader. The commonest of these commonplaces, love-Eros, provides the plot of the five novels, in an order which is itself topical: meeting and love at first sight, wounds of love and lovesickness, lovers separated, lovers put to the test by the sea and by pirates, lovers reunited. The heroes of Greek novels, always young, good-looking and well-born (even if their identities are left unclear), allow for easy reader identification. From Xenophon of Ephesus (the most primitive form of the novel) to the Ethiopica (a true work of art), the Greek novel had already explored all the main narrative possibilities of the genre.

Fiction --- Classical Greek literature --- Greek fiction --- Love stories --- Adventure stories --- Roman grec --- Roman sentimental --- Roman d'aventures --- History and criticism --- Translations into French --- Influence --- Histoire et critique --- Traduction en français --- Stéréotype --- --Roman d'amour --- --Roman d'aventure --- --Greek fiction --- Adventure stories, Greek --- Love stories, Greek --- 875-31 --- -Adventure stories, Greek --- -Love stories, Greek --- -Greek romance fiction --- Greek adventure stories --- Greek literature --- Griekse literatuur: roman --- History and criticism. --- -Griekse literatuur: roman --- 875-31 Griekse literatuur: roman --- -875-31 Griekse literatuur: roman --- Greek romance fiction --- Romance fiction --- Traduction en français --- Romances [Greek ] --- Romance fiction, Greek --- Adventure stories, Greek. --- Greek fiction. --- Romance fiction, Greek. --- Roman d'amour --- Roman d'aventure --- Greek fiction - History and criticism --- Adventure stories, Greek - History and criticism --- Love stories, Greek - History and criticism