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Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Men in motion pictures. --- Sex role in motion pictures. --- Rubens, Paul, --- Men in motion pictures

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This is the first full-length study of masculinity in Stalinist Soviet cinema. A detailed analysis of Stalinist discourse examines the imagined relationship between the patriarch Stalin and his "model sons" in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, this book draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of--and the inherent potential for subversion within--films produced by the Stalinist culture industry.

Hommes dans le cinéma --- Mannelijkheid in de film --- Mannen in de film --- Masculinity in motion pictures --- Masculinité dans le cinéma --- Men in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Motion pictures --- Masculinity in motion pictures. --- Men in motion pictures. --- Sex role in motion pictures. --- History. --- History --- Soviet Union

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Bioscooppubliek --- Film audiences --- Motion picture audiences --- Public de cinéma --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Sex role in motion pictures. --- Horror films --- Motion picture audiences. --- History and criticism. --- History and criticism --- Horror films - History and criticism.

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Bound to Bond: Gender, Genre, and the Hollywood Romantic Comedy looks at gender roles in a unique way--by examining what the last thirty years of romantic comedy films have argued, reflected, and implied. Mark Rubinfeld contends that, essentially, we are what we see, and by identifying four basic plots of the genre, representing four basic love stories, he studies the implications of filmic depictions of male/female relationships. Cultural changes that have transformed our society since 1970 are seen here as we see them on the silver screen, and the author analyzes notable examples of the genre with a rigorous sociological perspective. What he reveals may be surprising: during the seventies and, to an extent, the early eighties, the plot conventions of Hollywood romantic comedy seemed to challenge, rather than reinforce, existing gender stereotypes. Later, however--during what should have been a more "enlightened" time--the genre reversed course, reverting to more traditional "types" for men and women alike.

Love in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Romantic comedy films --- Love in motion pictures. --- Sex role in motion pictures. --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism. --- Histoire et critique --- 305 --- 791.43 <73> --- 791.43.04-055.2 --- Motion pictures --- Romantic comedies (Motion pictures) --- Romcoms (Motion pictures) --- Comedy films --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- De vrouw in de film --- 791.43.04-055.2 De vrouw in de film --- 791.43 <73> Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism --- United States