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Folk-rock music --- Folklore --- Music --- United States --- History and criticism --- Folk-rock music - History and criticism --- United States of America

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The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The chapters in this volume focus on

Rock music --- History and criticism. --- Social aspects. --- Rolling Stones. --- Rock music -- History and criticism. --- Rock music -- Social aspects.

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This book presents the proceedings of the first international conference on progressive rock in its many manifestations, at the University of Burgundy, Dijon - France, in December 2014, a conference which was the first visible outcome of the Progect network. In his presentation of the Conference, Allan F. Moore suggested that we might address five themes. These five themes are the ones we can find on the website "the progect" (http://rock-progressif.u-bourgogne.fr/). At the Dijon conference, contributors addressed some of these themes in a range of different ways, and Philippe Gonin has gathered together written versions of many of the papers delivered into four sections. The first addresses progressive rock in Eastern Europe, a presence which might seem to outsiders to be somewhat unlikely. The second addresses four case studies from Western Europe, focusing on issues in Spanish and Italian prog. The UK is addressed in the third section, extending beyond the canonic period and questionning issues of the definition of prog bands within the 1970s. The fourth section addresses some initial questions of social use and impact.

Progressive rock music --- Rock progressif --- History and criticism --- Congresses --- Histoire et critique --- Congrès --- Rock progessif --- Congrès --- Progressive rock music - History and criticism

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Rock music --- Rock musicians --- Rock (Musique) --- Musiciens rock --- History and criticism --- Histoire et critique --- Musique --- --Rock music --- --Histoire --- Rock music - History and criticism --- Histoire

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En décembre 1976, le fanzine britannique Sideburns publie une illustration sous forme de tablatures présentant trois accords auxquels sont adjointes les explications suivantes : « Voici un accord, en voici un autre, en voilà un troisième, maintenant monte ton propre groupe ». Plus que « No Future », c'est l'expression « Do It Yourself » qui s'impose alors comme le mot d'ordre du mouvement punk. Mais, d'avantage qu'un slogan, cette formule désigne un régime d'action propre. De manière paradoxale, Fabien Hein montre en effet comment la culture punk, loin de se réduire au nihilisme et à la marginalité, se définit avant tout par l'action et l'autodétermination. Le « Do It Yourself » est ainsi le moyen par lequel cette mouvance culturelle renforce sa capacité d'action (on parlerait aujourd'hui d'empowerement), s'émancipe et, partant, crée son propre modèle économique.Véritable invitation à l'action, cette sociologie historique décrit la possibilité d'un devenir culturel indépendant des systèmes productifs dominants. Cet ouvrage propose d'en mesurer les impacts concrets en examinant les parcours d'un certain nombre d'acteurs majeurs de la scène punk rock : des artistes (Buzzcocks, Crass, Fugazi.), des fanzines (Sniffin' Glue, Sideburn, Profane Existence.) et des labels (Rough Trade, Crass Records, Dischord Records.) devenus de véritables modèles pour l'action.

Punk rock music --- History and criticism --- History and criticism. --- Punk culture --- Punk (Musique) --- Punk (Mouvement) --- Social aspects --- Economic aspects --- Histoire et critique --- Aspect social --- Aspect économique --- Histoire de la musique --- Mouvement artistique --- Punk --- Punk rock music - History and criticism