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The Home on Gorham Street looks back to an earlier era of care for orphaned and dependent children of Eastern European Jewish immigrants. Within this social history and ethnography, the voices of elders once wards of the home in the 1930's and 1940's tell us in sometimes poetic, often comic, usually ironic, and always poignant words what it was really like to grow up in an orphanage. Emerging from this penetrating adventure are principles for the future of effective group care in meeting the needs of the rapidly growing number of abused, forsaken, and
Orphans --- Jewish orphanages --- Orphans and orphan-asylums --- Children --- Orphanages, Jewish --- Jews --- Social conditions. --- History. --- Charities --- Jewish Children's Home (Rochester, N.Y.) --- Social policy and particular groups --- kindertehuizen --- sociale geschiedenis --- Jodendom --- weeskinderen --- anno 1930-1939 --- anno 1940-1949 --- Rochester --- United States --- Orphaned children --- United States of America --- Rochester [New York]
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"Florine Stettheimer A Biography This first full biography confirms Florine Stettheimer as one of the 20th century's most significant, progressive artists whose work remains highly relevant today. Stettheimer was a feminist, multi-media artist who painted several sexually explicit, political, identity-issue-based works and documented New York City's growth as the center of cultural life, finance, and entertainment between the World Wars. During her first 40 years in Europe, Florine Stettheimer studied academic painting and was aware of all the earliest modernist styles prior to most American artists. Returning to New York, she and her sisters led an acclaimed Salon for major avant-garde cultural figures including Duchamp, the Stieglitz circle, poets, dancers, writers, etc. During her life she showed her innovative paintings in over 46 of the most important museum exhibits and Salons, wrote poetry, designed unique furniture and gained international fame for her sets and costumes for the avant-garde opera, 4 Saints in 3 Acts. press commentaries For anyone interested in the messy, exhilarating tale of early American modernism, this is essential reading. Bloemink's new biography provides an intimate, nuanced look at the pivotal role Stettheimer played in fomenting an artistic revolution in the United States. It is the definitive account of one of the era's great artists. Andrew Russeth In this remarkable biography, Bloemink reveals Florine Stettheimer's determined feminism, progressive significance, subversive social consciousness, and her continuing relevance at a critical time for women in the art world. Linda Nochlin Barbara Bloemink released on 01/2022 456 pages, 122 colour illustrations 20.3 x 25.4 cm, hardcover including poems by the artist ISBN: 978-3-7774-3834-4 Categories Art 20th Century | Art and Cultural History | Arts and Crafts | Artist monographs | Artist Biography | Painting 20th Century Keywords Painting, avant-garde art, poetry, furniture design, costume design, opera, biography"--
Painters --- 75.07 --- Stettheimer, Florine 1871-1944 (°Rochester, New York, Verenigde Staten) --- Vrouwelijke kunstenaars --- Schilderkunst ; 1ste helft 20ste eeuw ; Fl. Stettheimer --- Biografieën ; Florine Stettheimer --- Joodse kunstenaars --- Schilderkunst ; schilders A-Z --- Stettheimer, Florine, --- Peintres --- United States --- Women painters --- Painting, American --- Femmes peintres --- Peinture américaine
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A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York, Florine Stettheimer (1871-1944). Stettheimer was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment.
Jewish women artists --- Jewish art --- Portrait painting --- Costume design --- Upper class in art --- 75.07 --- 7.037 --- Schilderkunst ; 1ste helft 20ste eeuw ; Fl. Stettheimer --- Stettheimer, Florine 1871-1944 (°Rochester, New York, Verenigde Staten) --- Kunst ; van vrouwen ; 1ste helft 20ste eeuw --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; New York ; The Jewish Museum --- Portraiture --- Art, Jewish --- Hebrew art --- Schilderkunst ; schilders --- Kunstgeschiedenis ; 1900-1950 --- Stettheimer, Florine, --- Criticism and interpretation. --- Exhibitions --- painters [artists] --- poëzie --- Stettheimer, Florine --- Design --- Painting --- Figure painting --- Judaism and art --- Art --- Jewish artists --- Women artists --- Costume design. --- Jewish art. --- Jewish women artists. --- Portrait painting. --- Upper class in art. --- Gemälde --- 1900-1999 --- United States. --- United States
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Pascal's Pens©♭es afford a deeply penetrating view of the human condition [or predicament] as a prelude to a luminously reasoned defense of the Christian faith. His Provincial Letters are best remembered as a wickedly funny satire of "obliging and accommodating" Jesuit moral theologians who, guided by policy rather than piety, are willing to put virtue and salvation within the easy reach of all but the diabolical. Both works are landmarks of French prose that have fascinated readers of all sorts from his day to ours. The eight essays in Fire in the Dark, two of which are new and four of which first appeared in French, frame and probe Pascal's underlying contention that the darkling, "hidden" God of Christian revelation, though Himself a profound mystery, especially in the matter of his justice towards fallen mankind, can nonetheless be used to demystify questions that matter most to us. But can the Supremely Obscure, like a dark lantern that is supremely dark, really illumine our whence, whither, and what now -- our nature, destiny and duties? "Watchman, what of the night?" The answers Pascal offers to Isaiah's query, whether they finally shed light on our world's chiaroscuro or not, can at least claim the authority of coming from out of the dark. Charles Natoli is a member of the Department of Philosophy and Classical Studies at St. John Fisher College in Rochester, New York. He is also the author of Nietzsche and Pascal on Christianity [1985].
Pensees (Pascal) --- Christelijke ethiek. --- Les Provinciales (Pascal) --- Christian ethics. --- Apologetics. --- RELIGION --- Christian ethics --- Apologetics --- PenseÌ#x81;es (Pascal) --- Christian Theology --- Systematic. --- Christianity --- General. --- History --- Pascal, Blaise, --- Pensees (Pascal, Blaise) --- Provinciales (Pascal, Blaise) --- PenseÌ#x81;es (Pascal, Blaise) --- Ethical theology --- Moral theology --- Theology, Ethical --- Theology, Moral --- Christian life --- Christian philosophy --- Religious ethics --- Apologetics, Missionary --- Christian evidences --- Evidences, Christian --- Evidences of Christianity --- Fundamental theology --- Polemics (Theology) --- Theology, Fundamental --- Religious thought --- Theology --- Evidences --- Lettres provinciales (Pascal, Blaise) --- Lettres écrites à un provincial (Pascal, Blaise) --- Pensées de Pascal (Pascal, Blaise) --- Pensées de M. Pascal sur la religion et sur quelques autres sujets (Pascal, Blaise) --- Original des Pensées de Pascal (Pascal, Blaise) --- Charles Natoli. --- Christian faith. --- Department of Philosophy and Classical Studies. --- French prose. --- Jesuit moral theologians. --- Pascal's Pensées. --- Rochester, New York. --- St. John Fisher College. --- salvation. --- satire. --- virtue.
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