Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Roché, Henri Pierre,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Novelists, French --- Diaries. --- Romanciers français --- Journaux intimes --- Roché, Henri Pierre, --- Romanciers français --- Roché, Henri Pierre, --- Novelists, French - 20th century - Diaries.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

One of Francois Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roche. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roche himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund. Drawing on this film and others by Truffaut, Robert Stam provides the first in-depth examination of the multifaceted relationship between Truffaut and Roche. In the process, he provides a unique lens through which to understand how adaptation works - from history to novel, and ultimately to film - and how each form of expression is inflected by the period in which it is created. Truffaut's adaptation of Roche's work, Stam suggests, demonstrates how reworkings can be much more than simply copies of their originals; rather, they can become an immensely creative enterprise - a form of writing in itself. The book also moves beyond Truffaut's film and the menage-a-trois involving Roche, Hessel, and Grund to explore the intertwined lives and works of other famous artists and intellectuals, including Marcel Duchamp, Walter Benjamin, and Charlotte Wolff. Tracing the tangled webs that linked these individuals' lives, Stam opens the door to an erotic/writerly territory where the complex interplay of various artistic sensibilities - all revolving around the same nucleus of feelings and events - vividly comes alive.

Jules et Jim (Motion picture). --- Roche, Henri Pierre, -- 1879-1959. -- Jules et Jim. --- Truffaut, Francois -- History and criticism. --- Music, Dance, Drama & Film --- Film --- Roché, Henri Pierre, --- Truffaut, François --- History and criticism. --- Deux Anglaises et le continent (Motion picture). --- History and criticism --- Jules et Jim (Motion picture) --- Deux Anglaises et le continent (Motion picture) --- Truffaut, François - History and criticism --- Roché, Henri Pierre, - 1879-1959. - Jules et Jim --- Roché, Henri Pierre, - 1879-1959. - Deux Anglaises et le continent

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Authors, French --- Authors, German --- Ecrivains français --- Ecrivains allemands --- Biographies --- Roché, Henri Pierre, --- Hessel, Franz, --- Hessel, Helen, --- Friends and associates. --- Exile --- Jules et Jim (Motion picture)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. Through cropping, focus, angle of view, distance and lighting as well as the ex post facto techniques of dark room manipulation, collage, montage and assemblage, photographers not only interpret the artworks they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1939 to Today presents a critical examination of the intersections between photography and sculpture. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the 19th century to the present, The Original Copy explores how one medium has become implicated in the understanding of the other. Photographs reproduced in this richly illustrated volume range in subject from inanimate objects to performing bodies, and include major works by mediums most influential artists, from early modernism to the present.


Iconography --- Art --- Sculpture --- Photography --- outdoor sculpture --- art [discipline] --- photography [process] --- public art --- monuments --- studios [work spaces] --- sculpting --- fotografie --- Brancusi, Constantin --- Wurm, Erwin --- Broodthaers, Marcel --- Stieglitz, Alfred --- Druet, Eugène --- Álvarez Bravo, Manuel --- Oppenheim, Dennis --- Cocteau, Jean --- Ernst, Max --- Oldenburg, Claes --- Bellmer, Hans --- Antin, Eleanor --- Wilke, Hannah --- Duchamp, Marcel --- Umbo --- Bach, Friedrich Teja --- Béothy, Etienne --- Morris, Robert --- Christo --- Smithson, Robert --- Polke, Sigmar --- Fulton, Hamish --- Beuys, Joseph --- Moukhine, Igor --- Steichen, Edward --- Roché, Henri-Pierre --- Tabard, Maurice --- Long, Richard --- Boltanski, Christian --- Tillim, Guy --- Goldblatt, David --- Whitman, Robert --- Winogrand, Garry --- Zhang Dali --- Rhode, Robin --- Rosso, Medardo --- Cartier-Bresson, Henri --- Weston, Edward --- Atget, Eugène --- Abbott, Berenice --- Klein, Yves --- Sherman, Cindy --- Dalí, Salvador --- Rodin, Auguste --- Export, Valie --- Brassaï --- Kiefer, Anselm --- Ray, Charles --- Meunier, Constantin --- Smith, David --- Mapplethorpe, Robert --- Graham, Dan --- Kusama, Yayoi --- Anselmo, Giovanni --- Artschwager, Richard --- Dine, Jim --- Fischli, Peter --- Gilbert and George --- Hirst, Damien --- Kruger, Barbara --- Lawler, Louise --- Nauman, Bruce --- Oppenheim, Meret --- Weiss, David --- Gober, Robert --- Brown, Trisha --- Orozco, Gabriel --- Cock, de, Jan --- Baargeld, Johannes Theodor --- Baldessari, John --- Blossfeldt, Karl --- Brus, Günther --- Höch, Hannah --- Mendieta, Ana --- Negre, Charles --- Taeuber-Arp, Sophie Henriette Gertrud --- Talbot, William Henri Fox --- Whiteread, Rachel --- Wool, Christopher --- Friedlander, Lee --- Ai Weiwei --- Ader, Bas Jan --- Man Ray --- Zadkine, Ossip --- Giacometti, Alberto --- Kertész, André --- Matta-Clark, Gordon --- Cock, De, Jan