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Cet ouvrage réunit d’éminents spécialistes de sciences humaines pour interroger en interdisciplinarité la potentialité créatrice des rites et la dynamique rituelle de la création artistique. Il montre sur le plan historique et théorique en quoi les contraintes formelles et symboliques des rites publics (telles les commémorations, les investitures) et privés (comme l’écriture) peuvent être des creusets de l’inventivité dans leur usage. Il envisage en particulier les rites qui régulent la création esthétique dans les arts contemporains (arts plastiques, littérature, musique, danse, arts numériques...). Ce faisant, il éclaire comment la création est génératrice de ritualités, qu’il décode pour évaluer en quoi cette composante sous-tend des modes d’efficacité.
Creation (Literary, artistic, etc.) --- Ritual in art --- Ritualism
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Ritual in art. --- Symbolism in art. --- Visual communication in art.
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A pioneering interdisciplinary study of the art, production and social functions of Late Antique ritual artefacts. Utilising case studies from the Graeco-Egyptian magical papyri and the Heidelberg archive it establishes new approaches, provides a holistic understanding of the multi-sensory aspects of ritual practice, and explores the transmission of knowledge traditions across faiths.
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In Time and the Ancestors: Aztec and Mixtec Ritual Art , Maarten Jansen and Aurora Pérez present new interpretations of enigmatic masterpieces from ancient Mexico. Combining iconographical analysis with the study of archaeological contexts, historical sources and living cultural traditions, they shed light on central symbols and values of the religious heritage of indigenous peoples, paying special attention to precolonial perceptions of time and the importance of ancestor worship. They decipher the meaning of the treasure deposited in Tomb 7 at Monte Albán (Oaxaca) and of artworks such as the Roll of the New Fire (Selden Roll), the Aztec religious sculptures and, last but not least, the mysterious chapter of temple scenes from the Book of Night and Wind (Codex Borgia).
Aztec art. --- Mixtec art. --- Ritual in art. --- Art, Mixtec --- Mixtec Indians --- Art, Mexican --- Art, Aztec --- Aztecs --- Art --- Regional & national history --- History of the Americas
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The contributors to this volume discuss several aspects of ancient Egyptian rituals against enemies ("execration rituals"). Various kinds of sources - figurines, textual descriptions, iconographical depictions - make it possible to trace this phenomenon from the 6th Dynasty to the Ptolemaic-Roman period. A special focus lies on Middle Kingdom and Late Period/Ptolemaic-Roman execration figures, the methods that were applied to produce them, the ritual acts performed with these figures, and the personnel involved in the rituals. Other chapters deal with possible connections between execration and female figurines, or the question of how killings of human beings can be assumed to have formed part of these rituals. The volume thus demonstrates how different approaches and perspectives can contribute to increasing and improving our understanding of Egyptian rituals against enemies.
Blessing and cursing --- Ritual --- Figurines --- Ritual in art --- History --- Historiography --- Egypt --- Religion --- Enemies --- Rites and ceremonies --- Ennemis --- Rites et cérémonies --- Religious aspects --- Buddhism.
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This study deals with the significance of ritual scenes on 21st Dynasty coffins. The images on these coffins are studied as texts referring to the passage of the deceased to the next life. The aim of this study is also to argue how the Middle Kingdom Coffin Texts were replaced at this later date by such images on coffins. The work focusses on a group of coffins belonging to the priest known as PA-dj-imn, and date to the reign of the High Priest Pinudjem II. They were found in 1891 at the tomb of Bab el-Gassus, as part of the find generally known as the Second Find of Deir el-Bahri.
Coffins --- Mummy cases --- Ritual in art --- Cercueils --- Sarcophages à momies --- Rituel dans l'art --- Mathaf al-Misri --- Egypt --- Egypte --- Antiquities. --- Religion --- Antiquités --- Funeral rites and ceremonies --- Religion. --- Civilization --- Sarcophages à momies --- Matḥaf al-Miṣrī --- Antiquités
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One of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative study of four complete sets of wall paintings dating back to the thirteenth and fourteenth centuries (the oldest examples), and their related images, painting criticism, stele inscriptions, and Daoist ritual manuals, the author offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the personalisations made by patrons of the four Heavenly Court paintings.
S17/0610 --- S13A/0401 --- China: Art and archaeology--Painting: frescoes and wall-paintings --- China: Religion--Popular religion: Taoism --- Mural painting and decoration, Chinese. --- Ritual in art. --- Taoist gods in art. --- Taoist mural painting and decoration --- Taoist mural painting and decoration -- China. --- Mural painting and decoration, Chinese --- Taoist gods in art --- Ritual in art --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Mural painting and decoration, Taoist --- Mural painting and decoration --- Chinese mural painting and decoration
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Painting --- anno 1200-1499 --- Tuscany --- Veneto --- Painting, Medieval --- Painting, Renaissance --- Ritual in art --- Space (Architecture) in art --- Peinture médiévale --- Peinture de la Renaissance --- Rituel dans l'art --- Espace (Architecture) dans l'art --- Congresses. --- Congrès --- 75.046.3 --- 264 <09> --- Religie in de schilderkunst. Heiligenbeelden --- Liturgie--Geschiedenis van ... --- 264 <09> Liturgie--Geschiedenis van ... --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Peinture médiévale --- Congrès --- Liturgie --- Iconographie --- Peinture italienne
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What does it mean to become and work as an artist today? What unique challenges do artists face in the twenty-first century, and what skills are required to overcome them? How might art become an expression of spiritual life? In addressing these and other questions, Deborah J. Haynes offers reflections that range from the practical to the deeply philosophical. She explores challenging ideas: impermanence, suffering, and the inevitability of death; the virtues of generosity, kindness, and compassion; and more abstract concepts such as negative capability, groundlessness, and wisdom. Individual chapters are framed by personal stories and images from the artist's work. Beginning Again: Reflections on Art as Spiritual Practice is a personal statement, born from the author's experience as an artist, writer, teacher, and Buddhist practitioner. Haynes writes for artists--and for all exploring the relationship of their creativity to the inner life. For Haynes, making and looking at art can be a form of meditation and prayer, a space for solitude, silence, and living in the present. -- back cover.
Mysticism and art. --- Creation (Literary, artistic, etc.) --- Art --- Ritual in art. --- Art and religion. --- Spirituality. --- Spiritual-mindedness --- Philosophy --- Religion --- Spiritual life --- Arts in the church --- Religion and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Art and mysticism --- Religious aspects --- Art, Primitive
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Appearances can be deceptive; and medieval ritual practices are in this respect no exception. They perform stability through the codification of repetitive modes of behaviour and simultaneously admit flexibility in their integration of newer forms of representation. They mask the historical contingencies of their own creation and construct alternative narratives of authority and continuity. They do not simply appear; their appearance reflects the mutual interplay of construction and modification.This collection of eleven essays-which chronologically spans the period from the Carolingians to the Catholic Reform movement of the later sixteenth century-explores this double-edged potential in the appearance of medieval ritual practices; and, in this case, chiefly church rituals. It comprises a series of individual studies by scholars of literature, theology, music, and the visual arts. Each study examines a particular moment of change or transformation in ritual practices, illuminating, thereby, processes of ritualization. In this way, the book both provides an impulse to the recent renewal of methodological interest in ritual studies and presents individual contributions to specific scholarly discourses within this broad area.
Ritual--Europe--History--To 1500--Congresses --- Ritual in art--Congresses --- Ritual --- Ritual in art --- History --- Catholic Church--Europe--Liturgy--History--To 1500--Congresses --- Catholic Church --- Liturgy --- Europe--Church history--600-1500--Congresses --- Europe --- Church history --- Rituel dans l'art --- 264 "04/14" --- Liturgie--Middeleeuwen --- 264 "04/14" Liturgie--Middeleeuwen --- 264 <09> --- 264 <09> Liturgie--Geschiedenis van ... --- Liturgie--Geschiedenis van ... --- Cult --- Cultus --- Liturgies --- Public worship --- Symbolism --- Worship --- Rites and ceremonies --- Ritualism --- Liturgie--Geschiedenis van .. --- Catholic Church. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- History of civilization --- Christian church history --- History of Europe --- anno 500-1499 --- Christian art and symbolism --- Church music --- Rituel --- Art et symbolisme chrétiens --- Musique d'église --- Congresses. --- Congresses --- History and criticism --- Histoire --- Congrès --- Eglise catholique --- Histoire et critique --- Liturgie --- Histoire religieuse --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Ritual - Europe - History - To 1500 - Congresses --- Ritual in art - Congresses --- Europe - Church history - 600-1500 - Congresses --- RITUEL --- LITURGIE ET ART --- RITUEL DANS L'ART --- EUROPE --- EGLISE CATHOLIQUE --- MOYEN AGE --- CONGRES --- 600-1500 (MOYEN AGE) --- LITURGIE --- HISTOIRE --- JUSQU'A 1500 --- Katholieke Kerk --- Geschiedenis van de Middeleeuwen
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