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Prothesis and ekphora in Greek Geometric art
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Year: 1971 Publisher: Göteborg : Åström, vägen 61,

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Rites et coutumes dans l'art Africain.
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ISBN: 2702202470 9782702202470 Year: 1989 Publisher: Paris Aurore Editions d'Art

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Rituels en image - images de rituel : iconographie - histoire des religions - archeologie.
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ISBN: 9783034339087 3034339089 Year: 2021 Publisher: Bern ; New York : PETER LANG,

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Les rituels sont un élément clé des sociétés antiques. Suites orchestrées d'actes et de paroles mettant en scène et garantissant les relations entre la/les divi-nité(s) et les hommes, ils sont un défi méthodologique par leur nature vécue et performative. Leur mise en images pose de nombreuses questions qui res-sortissent tant à une réflexion iconographique qu'à une approche interprétative d'histoire des religions et d'archéologie. Ce volume est le fruit d'un dialogue entre spécialistes des diverses disciplines et des divers domaines culturels antiques (sphères mésopotamienne, hittite, étrusque, italique, grecque, romaine, byzantine). Ces analyses transversales mettent en lumière les modalités de création d?une image de rituel, les motivations qui la sous-tendent, ainsi que les contextes dans lesquels elle s'inscrit, pour en proposer une interprétation fondée méthodologiquement.


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Iconografia e rituale funerario : atti del I Incontro di studi sul significato delle immagini nei contesti funerari : Ravenna, 10 dicembre 2018
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ISBN: 9788869236907 Year: 2021 Publisher: Bologna : Bononia university press,

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Van intocht tot uitvaart : feesten en plechtigheden in de prentkunst 1500-1800.
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Year: 1976 Publisher: Rotterdam : Het Museum,

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Prothesis and ekphora in Greek Geometric art
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Year: 1971 Volume: v. 32 Publisher: Göteborg : P. Aström, S.vägen 61,

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Dining and death : interdisciplinary perspectives on the "Funerary banquet" in Ancien Art, Burial and Belief
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ISBN: 9789042932517 9042932511 Year: 2015 Publisher: Louvain : Peeters,

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This book brings together papers covering a wide range of regions and periods, from Italy to China, and Old Kingdom Egypt to the Roman Empire, all focusing on the interpretation of banqueting imagery in funerary contexts. The papers largely concentrate on pictorial depictions of banqueting and/or food offerings and how they might be understood in such settings, although some papers consider tomb deposits and furnishings. Traditionally, three main interpretative paradigms have been employed in 'deciphering' such images: 1) they represent wordly activities, either quotidien or idealised, 2) they represent an imagined pleasant afterlife (and therefore evidence this belief) and 3) they represent funerary or mortuary rites. Such interpretations have been challenged by scholarship that refutes the validity of these strict, divisive categories, but in concentrating on social structures embedded in the images, has tended to eschew potential eschatological aspects of meaning. Collectively, the papers here reconsider this matter, making significant contributions to discussions of ambiguity, agency, interaction, performance, the issue of 'meaning', and the various ways in which images can be approached and used.


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Die "loutrophóros" im Hochzeits- und Begräbnisritual des 5. Jahrhunderts v. Chr. in Athen
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ISBN: 303910876X 9783039108763 Year: 2006 Volume: 6 Publisher: Bern : Lang,


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In the footsteps of Christ : Hans Memling's passion narratives and the devotional imagination in the early modern Netherlands
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ISBN: 9782503534060 2503534066 Year: 2013 Volume: 5 Publisher: Turnhout Brepols

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This study explores the intersections between the narrative paintings of Hans Memling and others and a range of devotional practices current in the Middle Ages and early modern period. Hans Memling's Scenes from the Passion of Christ leads the viewer on a long and arduous journey in the space of just under a metre. The panel presents a 'continuous narrative' on a grand scale, offering roughly two-dozen individual episodes from the last week of Christ's life. These scenes are represented in a single contiguous cityscape and the surrounding countryside, and viewers would have followed the narrative recounted across the panel, following the action from station to station along painted roads and pathways, through gateways and portals and implied passageways as pedestrians in their imaginations. This study considers the intersections between narrative art and a range of devotional practices current in the late Middle Ages and early modern period. This body of practices stood in a symbiotic relationship with the visual imagery, informing viewers' interaction with images, which in turn affected their understanding of these other practices. In other words, these images must be understood as part of a broader tradition of ritual and symbolic life. As such, the study offers a valuable re-evaluation of Memling and his art within the religious practice of his times, while opening up some of his most ingenious and idiosyncratic works that are little known by non-specialists.

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