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Book
Mémoires d'une vieille vague
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Year: 1961 Publisher: Paris publisher unknown

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Book
Le grenier d'Arlequin : journal 1916-1940
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Year: 1981 Publisher: Paris: Denoël,

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Book
Le grenier d'Arlequin : journal 1916-1940
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Year: 1981 Publisher: Paris : Denoël,

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Book
VU : the story of a magazine that made an era.
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ISBN: 9780500543832 0500543836 Year: 2009 Publisher: London Thames and Hudson

The cinematic
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ISBN: 9780262532884 9780854881529 0854881522 0262532883 Year: 2007 Publisher: London Whitechapel

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Key writings by artists and theorists chart the shifting relationship between film and photography and how the rise of cinema forced photography to make a virtue of its stillness. The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism. Still photography cinema's ghostly parent was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David documenting the photography-film dialogue that has enriched both media.

Keywords

Whitechapel Art Gallery. --- Cinematography --- Photography, Artistic --- Whitechapel Art Gallery --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunst en fotografie --- kunst en film --- fotografie --- film --- video --- Akerman Chantal --- Antonioni Michelangelo --- Coleman James --- Crewdson Gregory --- Dean Tacita --- Doherty Willie --- Douglas Stan --- Gordon Douglas --- Marker Chris --- McQueen Steve --- Muybridge Eadweard --- Ristelhueber Sophie --- Trockel Rosemarie --- Sherman Cindy --- Snow Michael --- Viola Bill --- Wall Jeff --- Warhol Andy --- Wenders Wim --- Barthes Roland --- Figgis Mike --- Baudrillard Jean --- Bellour Raymond --- Bragaglia Anton Giulio --- Burgin Victor --- Cartier-Bresson Henri --- David Catherine --- Deleuze Gilles --- Durand Régis --- de Duve Thierry --- Eisenstein Sergei --- Gaensheimer Susan --- Goldin Nan --- Gunning Tom --- Metz Christian --- Mulvey Laura --- Moholy-Nagy Laszlo --- Newhall Beaumont --- Orlow Uriel --- Pasolini Pier Paolo --- Penley Constance --- Prince Richard --- Reich Steve --- Rim Carlo --- Sontag Susan --- Stimson Blake --- Tarantino Michael --- Varda Agnès --- Wollen Peter --- 7.01 --- 7.038 --- 77.01 --- 791.41 --- Cinematography. --- Photography, Artistic. --- Fotografie ; theorie, filosofie, esthetica --- 791.43.01 --- Kunsttheorie ; relatie film en fotografie ; bewegend versus stilstaand beeld --- Cinematografie --- Het filmische in de fotografie --- Het fotografische in de film --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- film [performing arts] --- hedendaagse kunst --- Film --- photography [process] --- Contemporary [style of art] --- Photography --- Goldin, Nan --- Eisenstein, Sergei M. --- Pasolini, Pier Paolo --- Muybridge, Eadweard --- Sontag, Susan --- Cartier-Bresson, Henri --- Wall, Jeff --- Kracauer, Siegfried --- Wenders, Wim --- Moholy-Nagy, László --- Akerman, Chantal --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Chronophotography --- Aesthetics --- Animated pictures --- Motion pictures --- Whitechapel Gallery --- Whitechapel Art Gallery, London --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Fotografie --- film [uitvoerende kunsten] --- film [discipline] --- Art conceptuel --- Art vidéo --- Mouvement moderne --- Werkbund --- Bauhaus --- Constructivisme

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