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Théorie --- Riemann, Hugo, --- Théorie --- Music theory --- Music --- Musical theory --- Theory of music --- Theory --- Riemann, Karl Wilhelm Julius Hugo, --- Riemann, Carl Wilhelm Julius Hugo, --- Riman, Gugo, --- Riemann, H. --- Riemann, Ugo, --- Criticism and interpretation. --- Musique --- Handbooks, manuals, etc --- Guides, manuels, etc --- Riemann, Hugo --- Duitsland
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Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only "made sense" but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.
Riemann, Hugo --- Music theory --- Musicology --- Théorie musicale --- Musicologie --- History. --- Histoire --- Riemann, Hugo, --- Criticism and interpretation. --- Music --- Musical research --- Research, Musical --- Popular music --- Research --- Historiography --- Riemann, Karl Wilhelm Julius Hugo, --- Riemann, Carl Wilhelm Julius Hugo, --- Riman, Gugo, --- Riemann, H. --- Riemann, Ugo, --- Riemann, Hugo - 1849-1919
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Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.
Music theory --- Musicology --- History. --- Riemann, Hugo --- Criticism and interpretation --- History --- Music --- Theory --- Musical research --- Research, Musical --- Popular music --- Research --- Historiography --- Riemann, Hugo, --- Riemann, Karl Wilhelm Julius Hugo, --- Riemann, Carl Wilhelm Julius Hugo, --- Riman, Gugo, --- Riemann, H. --- Riemann, Ugo, --- Criticism and interpretation. --- 78.20 Riemann --- Riemann, Hugo - 1849-1919 --- Théorie musicale --- Musicologie --- Histoire
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